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The Walker (2007)
Tomatometer
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Reviews Counted:18
Fresh:10
Rotten:8
Average Rating:5.8/10
Consensus: Despite a strong performance from Woody Harrelson, The Walker can be slow and dull at times, detracting from the talented cast.
Rated: R [See Full Rating] for language, some violent material and nude images.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Dec 7, 2007 Limited
Box Office: $43,189
Synopsis: Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody... Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody Harrelson), a charming social accessory in the Capote vein, escorting the wives of high-powered politicians to society gatherings and offering witty rejoinders at the appropriate moment. Dressed in a peacock's assortment of tailored suits, Carter attends an exclusive, trash-talking canasta game with the wilting wives of D.C. power brokers: queen bee Natalie Van Miter (Lauren Bacall), old vet Abigail Delorean (Lily Tomlin), and newcomer Lynn Lockner (Kristin Scott Thomas). It is not unimportant that Carter, the prodigal son of a famed Southern politician, is gay and living in a city controlled by a right-wing administration. Indeed, it is Washington D.C. that provides Schrader's stifling "room," a landscape where everyone has an angle, sympathies change in a heartbeat, and lives are ruined with a whisper. The film's plot is set into motion when Carter chauffeurs Lynn to a sexual rendezvous with a Washington lobbyist; she discovers him dead, perforated by stab wounds. Fearing scandal, Carter covers up for her and soon finds himself under the spotlight of an investigation. Hounded by a self-righteous, ambitious D.A., Carter begins probing the matter himself with the help of his photographer boyfriend, a decision that puts both their lives in peril. A compelling character study disguised as a thriller, THE WALKER is anchored by Harrelson's brilliant and nuanced performance of the superficial (but exactly how superficial?) Carter Page III, and the perfect casting of Bacall and Tomlin as career wives. Though eminently watchable for its twists and turns, the film's more lasting impression is its intriguing tapestry of insular, double lives. [More]
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty, Moritz Bleibtreu, Mary Beth Hurt, Lily Tomlin, Willem Dafoe
Director: Paul Schrader
Director: Paul Schrader
Screenwriter: Paul Schrader
Producer: Deepak Nayar
Composer: Anne Dudley
Studio: ThinkFilm
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Reviews for The Walker
Paul Schrader directs The Walker, and the writer has a way with understatement. Like his 1992 gem Light Sleeper, this movie draws you in with its reserve.
Written and directed with elegant finesse by Paul Schrader, the film is a character study wrapped in a story of political and corporate misconduct.
There is good writing here, and Thomas is very good as always, but the movie works because of Harrelson's performance.
It's vaguely interesting, but vagueness isn't a big turn-on for most audiences. You keep wishing The Walker would break into an extended run in some direction. But instead it merely meanders.
This is no masterpiece, but a fine-tuned little thriller packed with meticulously chosen details of character and place.
By the end of The Walker a movie that begins as a dazzling round of charades has deteriorated into a plodding game of Clue.
Like Richard Gere in [American Gigolo], Harrelson's Carter Page is as superficial as he is entertaining - at least, until he gets mixed up in a murder case.
When a good actor makes a bad choice, he can only hope to be saved by his director, and Woody Harrelson didn't get that hand from Paul Schrader while filming The Walker.
In this, the third in his 'lonely man' trilogy, [writer/director Paul] Schrader's reach exceeds his grasp, but his intentions are interesting, and the artifice he creates contributes to the otherworldliness of his Washington.
The story of an aging, self-hating homosexual who goes home alone to his lacquered town house feels ancient as well as uncomfortable for the writer-director.
The Walker is not a polished or coherent film. It’s more like a work in progress. Casting Woody Harrelson was a tactical error from which the overall concept never recovers.
This is a serious movie and, gliding around the center of power, a stylish one. But, like its protagonist, The Walker is unable to close the deal.
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