Opening

78% Fast & Furious 6 May 24
—— The Hangover Part III May 23
—— Epic May 24
95% Before Midnight May 24
83% We Steal Secrets: The Story Of Wikileaks May 24
—— Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
49% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
56% Oblivion $2.3M
98% Mud $2.2M
37% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
88% The East May 31
100% The Kings of Summer May 31

The Words Reviews

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Jonathan Lack
We Got This Covered

The Words is horrible, a smug, self-satisfied piece of over-plotted nonsense that is horribly written and decently acted. Stay far, far away.

Full Review Source: We Got This Covered | Original Score: 1.5/10

September 13, 2012
Dennis Schwartz
Ozus' World Movie Reviews

A flat, humorless and unconvincing melodrama about a literary fraud.

Full Review Source: Ozus' World Movie Reviews | Original Score: C

September 12, 2012
John Hanlon
Big Hollywood

A dreadful and terribly-paced drama that leads nowhere and is ultimately as empty as words can get.

Full Review Source: Big Hollywood | Original Score: .5/5

September 11, 2012
Jackie K. Cooper
jackiekcooper.com

The look of the film, the intensity of the stories within stories, the musical score, and above all the nuanced acting by Cooper, Quaid and Jeremy Irons make this more than an ordinary film.

Full Review Source: jackiekcooper.com | Original Score: 8/10

September 11, 2012
Jeff Bayer
The Scorecard Review

The story within a story, which is kind of within another story, but really about ALL of the stories isn't something that is worth your time.

Full Review Source: The Scorecard Review | Original Score: 3/10

September 11, 2012
Mathew DeKinder
St. Louis Post-Dispatch

Employing the murky plot construction of a story within a story within a story, The Words is well acted, thoughtful and too clever by half.

Full Review Source: St. Louis Post-Dispatch | Original Score: 3/5

September 10, 2012
James Kendrick
Q Network Film Desk

ambitious, but emotionally distanced cinematic appreciation of the mysterious nature of literary art

Full Review Source: Q Network Film Desk | Original Score: 2.5/4

September 10, 2012
Andrea Chase
Killer Movie Reviews

. . .is under the impression that it is making a profound artistic statement about the creative impulse. It's not.

Full Review Source: Killer Movie Reviews | Original Score: 2/5

September 9, 2012
Kam Williams
AALBC.com

The only thing worse than a movie without an ending, is a ninety-minute endurance test without an ending.

Full Review Source: AALBC.com | Original Score: 1/4

September 9, 2012
CJ Johnson
ABC Radio (Australia)

Sometimes you're flabbergasted when very good actors are in very bad films. But no-one sets out to make a bad movie. They just turn out that way. But, seriously, there's no way that the script of The Words could have appeared good to anyone, could it?

Full Review Source: ABC Radio (Australia) | Original Score: 1/5

September 8, 2012
Susan Granger
SSG Syndicate

As a romantic drama, it's a tiresome dud.

Full Review Source: SSG Syndicate | Original Score: 3/10

September 8, 2012
Pete Vonder Haar
Houston Press

Let's be honest, Cooper's at his best when playing a jagoff. He's like Bradley Whitford in that respect (maybe it's just the name "Bradley").

Full Review Source: Houston Press | Original Score: 1/5

September 8, 2012
Stephen Whitty
Newark Star-Ledger
Top Critic IconTop Critic

A mostly middling drama.

Full Review Source: Newark Star-Ledger | Original Score: 2.5/4

September 7, 2012
Christopher Orr
The Atlantic
Top Critic IconTop Critic

The story-within-a-story-within-a-story is so slight and inconsequential, like the tiniest of a set of Russian nesting dolls, that we may be forgiven for letting our minds wander toward bedtime and tomorrow's errands.

Full Review Source: The Atlantic

September 7, 2012
Todd Jorgenson
Cinemalogue.com

The storytelling method is more compelling than the actual stories themselves, which meander toward a collective final plot twist that is foreshadowed well in advance.

Full Review Source: Cinemalogue.com

September 7, 2012
Mike McGranaghan
Aisle Seat

When The Words focused on its core subject, I perked up. When it went off on lackluster tangents - which it does for more than half of its running time - I grew impatient.

Full Review Source: Aisle Seat | Original Score: 2/4

September 7, 2012
Jason Buchanan
TV Guide's Movie Guide

Those willing to accept the movie on its own terms will almost certainly savor the opportunity to ponder the many engaging questions that it poses.

Full Review Source: TV Guide's Movie Guide | Original Score: 3/4

September 7, 2012
Robin Clifford
Reeling Reviews

The film is best when [Jeremy] Irons is on screen and his flash back story is told. The actor's weather worn face is a character unto itself.

Full Review Source: Reeling Reviews | Original Score: C-

September 7, 2012
Christine N. Ziemba
Paste Magazine

Described as both a romantic drama and a thriller, the film doesn't quite live up to the billing -- despite a premise rife with promise and a star-studded cast.

Full Review Source: Paste Magazine | Original Score: 6.7/10

September 7, 2012
Drew Hunt
Chicago Reader
Top Critic IconTop Critic

The premise is ambitious -- if not a little hokey -- but the meager themes of ephemeral authorship and constructed realities aren't exactly revelatory.

Full Review Source: Chicago Reader

September 7, 2012
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