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There Will Be Blood (2007)
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Reviews Counted:37
Fresh:35
Rotten:2
Average Rating:8.3/10
Consensus: Widely touted as a masterpiece, this sparse and sprawling epic about the underhanded "heroes" of capitalism boasts incredible performances by leads Daniel Day-Lewis and Paul Dano, and is director Paul Thomas Anderson's best work to date.
Theatrical Release:2008-01
Box Office: $40,133,435
Synopsis: Director Paul Thomas Anderson’s THERE WILL BE BLOOD is a masterly, unflinching examination of a consummately evil man. Daniel Plainview (via a transcendent performance by the great Daniel... Director Paul Thomas Anderson’s THERE WILL BE BLOOD is a masterly, unflinching examination of a consummately evil man. Daniel Plainview (via a transcendent performance by the great Daniel Day-Lewis) is, as he likes to remind those around him, an oil man: he finds it, he drills for it, and he makes money from it. Following a tip from a visitor named Paul Sunday, whose family sits atop a veritable ocean of oil, Plainview travels to the town of New Boston, California, with his young son. Sunday’s preacher brother Eli (both roles are played by the excellent Paul Dano) grudgingly accepts Plainview’s ambitions under the condition that he help fund the town church. As Plainview’s plans come to fruition, a series of events begin to fracture the insular world he has constructed for himself, pitting Plainview against Sunday and forcing him to become even more vindictive and ruthless. Anderson proved with BOOGIE NIGHTS and MAGNOLIA that he was adept at handling expansive storylines and layered plots; however, he stakes out a claim here as a new master of the cinematic epic. The film is visually stunning, and alternates between lush widescreen shots of the desert and meticulously composed, darkly lit close-up of his actors, presenting complex images of the American landscape and the souls that dot it. As a narrative, THERE WILL BE BLOOD is told with a sense of economy, yet never at the expense of the film’s inherently grand scope. It’s difficult to determine precisely what Anderson wants his viewers to take from the experience: the film is, in the end, appropriately complex and ambiguous. THERE WILL BE BLOOD forces us to confront Plainville, who seems to be a larger-than-life personification of evil; that we don’t entirely understand him at the film’s conclusion is not a shortcoming, but rather a tribute to the depths of this most vile creature and this most brilliant film. [More]
Starring: Daniel Day-Lewis, Paul Dano, Kevin J. O'Connor, Ciaran Hinds
Starring: Daniel Day-Lewis, Paul Dano, Kevin J. O'Connor, Ciaran Hinds, Dillon Freasier
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Paul Thomas Anderson, Joanne Sellar, Daniel Lupi
Composer: Jonny Greenwood
Studio: Paramount Vantage
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Reviews for There Will Be Blood
There Will Be Blood establishes itself as a film of Darwinian ferocity, a stark and pitiless parable of American capitalism.
Daniel Day-Lewis bestrides the narrow world like a colossus as Daniel Plainview, a turn-of-the-last-century prospector for gold and silver who stumbles upon oil in rural California and goes after it with the ferocity, focus, and ethical sensitivity of a f
Someday, we're probably going to look back at There Will Be Blood, Paul Thomas Anderson's epic about greed, lies, manipulation and insanity, and call it his masterpiece.
As an incurable romantic, I hold out hope that Anderson's flawed but phenomenal feat here marks the start of a new, mature stage in a long career. He has genius in him. So does the movie -- before its ending.
A maddening epic with a towering, bravura performance from star Daniel Day-Lewis, There Will Be Blood will rattle your brain for weeks, even months after you see it.
There Will Be Blood hits with hurricane force. Lovers of formula and sugarcoating will hate it. Screw them. In terms of excitement, imagination and rule-busting experimentation, it's a gusher.
There Will Be Blood reminds us that the greatest screen performances don't settle for capturing one trait, a dominant emotion or an easy way in.
There Will Be Blood, the astounding new film by Paul Thomas Anderson, is Horatio Alger by way of Faust.
Individual scenes and sequences are too strange, haunting and emotionally right for the film to be dismissed. There should be no attempt or temptation to dismiss it.
Conjure up the maddest despot scene you can remember and you might get a sense of the seismic register of Day-Lewis's extravagant performance. Watch and marvel, though you may have to suspend your disbelief from the top of an oil derrick.
If [Day-Lewis] does not win the Academy Award for this protean portrayal, it will be because he's won before. Or because his gift, his discipline, is so daunting it can be confounding.
A haunting enigma that refuses to conform to any recognizable pattern, period or otherwise. I suppose you could see it as a descendent of Citizen Kane. But such comparisons aren't really fair to either film.
There Will Be Blood is anti-state of the art. It's the work of an analog filmmaker railing against an increasingly digitized world. In that sense, the movie is idiosyncratic, too: vintage visionary stuff. It's physical and tactile.
Paul Thomas Anderson becomes California's certified cinematic poet laureate with There Will Be Blood.
A work of stunning intelligence and dramatic sweep, a portrait of a young nation struggling to find itself, torn between religious and business values.
Day-Lewis, channeling John Huston and Orson Welles (the grumbling intonations, the crazy-eyed glares) and who-knows-who-else, is nothing short of astounding.
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