Peter Bogdanovich brings conviction but little else to this upbeat response to Robert Altman's Nashville.
The Thing Called Love (1993)
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Reviews Counted:20
Fresh:11
Rotten:9
Average Rating:5.3/10
Runtime: 1 hr 58 mins
Genre: Comedies
Synopsis: New Yorker Miranda Presley (Samantha Mathis)--no relation to the King--buses it to Nashville and arrives with her guitar and the dream of making it big in country music. She meets other... New Yorker Miranda Presley (Samantha Mathis)--no relation to the King--buses it to Nashville and arrives with her guitar and the dream of making it big in country music. She meets other twentysomethings at the Bluebird Café, a popular local nightspot/talent showcase: Linda Lou Linden (Sandra Bullock), a sweet, talentless southern girl who becomes Miranda's roommate; Kyle Davidson (Dermot Mulroney) a Connecticut Yankee with country dreams and crush on Miranda; and River Phoenix as James Wright, a moody, talented musician to whom Miranda is drawn. These four hopefuls struggle with life and love as they try to achieve success. Various country stars, including Trisha Yearwood and Pam Tillis, appear as themselves, and K.T. Oslin plays Lucy, the talent gatekeeper at the Bluebird Café. Mathis, Phoenix, Mulroney, and Bullock all performed the vocals for their characters' songs. The film, directed by Peter Bogdanovich (MASK), marks Phoenix's final performance. The young actor died in 1993. [More]
Starring: River Phoenix, Samantha Mathis, Dermot Mulroney, Sandra Bullock
Starring: River Phoenix, Samantha Mathis, Dermot Mulroney, Sandra Bullock
Director: Peter Bogdanovich
Director: Peter Bogdanovich
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Reviews for The Thing Called Love
Perhaps there's not much new to say about the dues and disappointments involved in breaking into the country music scene, but the scenes are fresh and the emotions real in Peter Bogdanovich's tune-laden, mixed-mood drama.
Nothing terribly new happens here, but Bogdanovich plays out his scenes with tenderness and affection, and the honest performances spring to life.
Bogdanovich's modest staging is occasionally awkward -- his kids still watch John Wayne movies at the drive-in -- but there's a convincing sense of what Nashville's like and how country music works.
It's so sad that Phoenix went out not with a bang but with this whimper.
Although well acted, with early scenes that deftly sketch the atmosphere, the movie, written by Carol Heikkinen, never takes off.
Sometimes Bogdanovich is just too intelligent for his own good. While he hardly puts a foot wrong in his observation of shattered ambitions, his curse seems to be that his work will forever be unfashionable.
It bears as little relation to the real Nashville as Altman's 1975 feature, but director Peter Bogdanovich, the talented cast, and the credited and uncredited screenwriters are so busy conjuring up a charming world of their own that I didn't mind.
Aside from its blatantly commercial aspirations and predictable storyline, there is an appealing cast, enjoyable songs and some funny bits of business.
River Phoenix gives a somnambulant impersonation of Christian Slater impersonating Jack Nicholson, and Samantha Mathis spends much of the movie trying to figure out exactly who her character is.
Perhaps no one could have saved Phoenix, who was not lucky enough to find a higher bottom than death. But this performance in this movie should have been seen by someone as a cry for help.
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