How sad and predictable is the fate of those who counsel violence as a means to an end. And yet how poignant it all seems when viewed through Shane Meadows' thoughtful lens.
This Is England (2007)
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Reviews Counted:24
Fresh:22
Rotten:2
Average Rating:7.6/10
Consensus: A moving coming-of-age tale that captures the despair among England's working-class youth in the 1980s.
Theatrical Release:Jul 25, 2007 Limited
Box Office: $95,849
Synopsis: Based on incidents from his own childhood, writer-director Shane Meadows's THIS IS ENGLAND is a stunning, brutal look at 1983 Britain, during the conservative Margaret Thatcher regime and the... Based on incidents from his own childhood, writer-director Shane Meadows's THIS IS ENGLAND is a stunning, brutal look at 1983 Britain, during the conservative Margaret Thatcher regime and the controversial Falklands War. Twelve-year-old Shaun (Thomas Turgoose) is a tough little kid who is street-smart beyond his years despite being short for his age. He falls in with a group of older boys, led by Woody (Joe Gilgun), who hang out at a local coffee shop, like to commit minor acts of anarchy, and adopt Shaun as one of their own--especially Smell (Rosamund Hanson), an overly made-up teenager who dresses like Boy George and develops a cute romantic interest in the complicated boy. But when skinhead Combo (SNATCH's Stephen Graham) gets out of jail, he returns to the gang, eager to take over the reins and lead them on a nationalistic battle to get rid of the immigrants who are stealing their jobs and to defend England to the death. Shaun, whose father died in the Falklands, must choose between staying with Woody and his friends or joining Combo on his violent quest to protect the homeland. Turgoose, in his acting debut, is an absolute revelation in the extremely demanding, challenging role of Shaun. Graham is excellent as Combo, keeping the audience on the edge of their seats, never knowing what he is going to do next, waiting for him to simply explode. Meadows (TWENTYFOURSEVEN, DEAD MAN'S SHOES) paces the film brilliantly, and uses a terrific soundtrack that ranges from Percy Sledge and Toots & the Maytals to UK Subs and Culture Club, from Dexy's Midnight Runners and Soft Cell to the Smiths and the Specials, capturing the uneasy times in Thatcherite England. Don't miss the beginning, which features a thrilling montage that sets the mood perfectly. [More]
Starring: Joe Gilgun, Stephen Graham, Frank Harper, Vicky McClure
Starring: Joe Gilgun, Stephen Graham, Frank Harper, Vicky McClure, Jack O'Connell, Kieran Hardcastle, Andrew Ellis, Andrew Shim, Thomas Turgoose
Director: Shane Meadows
Director: Shane Meadows
Screenwriter: Shane Meadows
Producer: Mark Herbert
Composer: Ludovico Einaudi
Studio: IFC Films
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Reviews for This Is England
You wouldn't think a film about a group of British skinheads during the early 1980s could be a sweet, nostalgic coming-of-age period piece, but that's the surprise of the authentic, fresh and utterly relevant This Is England.
Its tough but moving neo-realist approach make it one of the better British films of recent times.
A drama that's so potent and persuasive yet also natural and intimate that it almost has the heft of a documentary.
A movie about the allure of groupthink and how the warm comfort of being surrounded by peers wilts all sense of balance.
A hard-fisted punch of reality based on the filmmaker's experiences growing up in England's Midlands in 1983.
Until the final scene of Meadows' edgy, uneasy film, the suspense is killing.
This Is England may be set in 1983 but it's as relevant today as it was then.
Don't expect a history lesson: Shaun's story is more than enough to grab and hold your attention.
Masterfully charted and acted, as are the boy's early forays into sex.
There's a gutter pride taken in how aggressively Shaun confronts the world, but there's also a blunt, no-nonsense analysis of where the kid goes wrong.
The movie is taut, tense, relentless. It shows why Shaun feels he needs to belong to a gang, what he gets out of it and how it goes wrong. Without saying so, it also explains why skinheads are skinheads.
The writer-director brilliantly juxtaposes the personal and the political, bookending a stirring coming-of-age drama with the provocative opening and an equally affecting end sequence.
It's one of the simplest and best re-creations of downscale urban England during the gritty post-punk years ever put on screen, and it's both upsetting and very funny.
The lensing by Daniel Cohen captures the day-in, day-out dreariness of dead-end lives, and the musical soundtrack is infectious.
A modest, near-flawless gem, This Is England is a humbly, if insistently political, autobiographical homage to a lost world of youth.
Meadows' electric drama takes the audience with it from the percolating opening moments through its hopeful (if ever-so-contrived) denouement, filling the landscape with memorably engaging characters and potent ensemble performances.
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July 23, 2007:
Steeped in the raw mix of ska and punk musical sound as expression of the youth alienation and misguided rage of those tumultuous times, an alarming voice of the surging army of jobless youth back then dubbed 'no hopers.' ![]()
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