Average Rating: 7.4/10
Reviews Counted: 83
Fresh: 78 | Rotten: 5
J-Horror director Kiyoshi Kurosawa turns successfully to dramedy and gives a unique (and specifically national) perspective to the universal subjects of family and identity.
Average Rating: 8/10
Critic Reviews: 22
Fresh: 22 | Rotten: 0
J-Horror director Kiyoshi Kurosawa turns successfully to dramedy and gives a unique (and specifically national) perspective to the universal subjects of family and identity.
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Average Rating: 3.7/5
User Ratings: 11,789
A typical household secretly teeters on the verge of collapse in this stark drama from director Kiyoshi Kurosawa. Businessman Ryuhei Sasaki (Teruyuki Kagawa) is the principal breadwinner of a seemingly happy family in Tokyo, with Ryuhei looking after his teenage sons, Takashi (Yu Koyanagi) and Kenji (Kai Inowaki), with his wife, Megumi (Kyoko Koizumi). But what Megumi and her children don't know is that Ryuhei is out of a job; his position was outsourced to a company in China, and he's too
PG-13, 2 hr. 1 min.
Mar 13, 2009 Wide
May 4, 2010
$0.1M
Regent Releasing
All Critics (83) | Top Critics (22) | Fresh (79) | Rotten (5) | DVD (1)
Kurosawa is the rare director who simply lets his film dissolve into music, allowing the plot to take the film naturally to a musical conclusion.
Kurosawa's first domestic drama is music to general audience's ears.
A skilful and continually surprising drama, Tokyo Sonata depicts the gradual deterioration of an ordinary Japanese family after its breadwinner loses his job owing to corporate downsizing.
The film transcends conventions of genre and cultural boundaries, and turns out to be one of the most compelling, finely orchestrated and oddly enchanting films of the year so far.
Director Kiyoshi Kurosawa (no relation to the master) is best known for his up-market horror films (Cure, Retribution, and many others.) Here he is dealing with a horror of a different sort: the meltdown of the Japanese economy and the collapse of the soc
A realistic social drama, but the story taps deep, cold wellsprings of dread.
There's a lesson in Tokyo Story. The lesson has to do with kindness and human interaction.
A highlight of the Cannes Film Fest, Tokyo Sonata should broaden Kurosawa's appeal in the U.S.
A horror film of a different sort from director Kiyoshi Kurosawa, who made his reputation as a "J-horror" director of intelligent supernatural thrillers ...
Japanese horror maestro Kiyoshi Kurosawa applies his offbeat approach to the uniquely Japanese brand of dysfunctional family comedy in this droll satire.
Taking a break from his regular diet of fantasy and horror, Japan's Kiyoshi Kurosawa delivers here a fierce indictment of modern-day Japan.
Kurosawa's relaxed pacing and lack of concern for explaining every last thing will be a welcome relief if you've wearied of blockbusters...
Director Kiyoshi Kurosawa cut his teeth on horror movies, and his flattened, formal style mines the horror in everyday urban life.
Kagawa does the heavy dramatic lifting in Tokyo Sonata, convincingly portraying a good man flailing against reality. But Koizumi is similarly effective, and the brooding child actor Kai is also top-notch.
There may be no ghosts, but the Sasakis' house is as haunted as anything that Kurosawa has yet put on film.
The film in many ways is the bleakest indictment of contemporary Japanese culture I've seen. Yet it also functions as dark comedy, fierce character study and uplifting tale of redemption.
No quote available.
While the first half of Tokyo Sonata plays like a darkish comedy, the last half is both bleaker and more emotionally engaging.
This is a very good movie, which unfortunately does not translate to being enjoyable. It follows the lives of a family - a father who has been made redundant, and is too proud to tell his wife, so leaves the house every day pretending to work, and eventually accepting a menial job as a cleaner secretly. The wife, who
July 31, 2009Super Reviewer
"Tokyo Sonata" starts with a storm bearing down on Japan which blows all the jobs of the administration department away into China including that of its 46-year old director Ryuhei Sasaki(Teruyuki Kagawa) who packs up two shopping bags full of belongings before leaving. Eventually, he disposes of them, deciding not to
March 29, 2009Super Reviewer
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