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Topsy-Turvy (1999)
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Reviews Counted:19
Fresh:18
Rotten:1
Average Rating:7.7/10
Consensus: A thoroughly entertaining character study and a great success for Mike Leigh.
Runtime: 2 hrs 40 mins
Genre: Dramas
Synopsis:
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating...
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating extraordinary emotional territory. With Topsy-Turvy, Leigh leaps back in time to grant filmgoers an audience with two Londoners whose lives were marked by extraordinary creativity: Gilbert and Sullivan.
William Schwenck Gilbert (Jim Broadbent) is the librettist, writing the words. Arthur Sullivan (Allan Corduner) is the composer, writing the music. Gilbert is the very model of a 19th Century British gentleman, an overly proper married man certain that he knows best–which he often does. Sullivan lives a freer life, almost libertine by comparison, but there is a seriousness of purpose in him.
For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. Their popular comic operas have recouped handsomely for the successful Savoy Theatre; impresario Richard D’Oyly Carte (Ron Cook) himself is a stabilizing influence, gently but firmly overseeing the two men.
But, in 1884, as a London heat wave cuts into the theatre trade, their latest work "Princess Ida" receives lukewarm press. Sullivan wants to quit and compose more serious music, but the two are contractually obligated to create a new work for Carte. Sullivan rejects Gilbert’s next idea as "topsy-turvy" and unbelievable, and although Gilbert tries to accommodate him, they cannot agree. Mired at a creative impasse, Gilbert and Sullivan can barely converse.
Then, Gilbert’s wife Lucy "Kitty" Gilbert (Lesley Manville) drags him along to a Japanese exhibition. Exposure to the very different culture sparks inspiration in Gilbert. He rebounds, conceiving "The Mikado." The concept encourages Sullivan, and the production comes together…which is when the truly hard work begins: the actors (including the dedicated Richard Temple [Timothy Spall] in the lead role) must be rehearsed, coddled and rehearsed again. While striving to cohere as a company, the players’ private lives color their work–but no more than Gilbert and Sullivan’s own, as "The Mikado" makes the difficult, but ultimately rewarding, transition from page to stage.
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David, Ron Cook, Timothy Spall, Kevin McKidd, Alison Steadman, Katrin Cartlidge, Dexter Fletcher
Director: Mike Leigh
Director: Mike Leigh
Screenwriter: Mike Leigh
Producer: Simon Channing Williams
Composer: Carl Davis
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Reviews for Topsy-Turvy
[A] beautifully crafted and lively romp around the 1880s stage world.
If you are a Gilbert and Sullivan buff, you will be in heaven. If you are not, the first thing you will need to know is that the film is nearly three hours long.
The film is a delight and a surprise, all the more so since Leigh is associated with gritty working-class stories.
Leigh's deft hand with actors and sharp eye for character detail are still very much in evidence.
It is a well crafted and solidly entertaining effort that illustrates how expert filmmakers can expand their ranges while still producing movies that are worth seeing.
One of those films that create a mix of erudition, pageantry and delectable acting opportunities, much as Shakespeare in Love did last year.
The performances cut deeper than usual for costume films, and the actors once again seem to literally become who they're playing.
A consistently delightful, superbly timed, and impeccably staged wedge of British pop history.
Though the film runs nearly three hours, it gets better as it goes along.
There is a sense of real, very Mike Leighish, life in this film that darkens and transforms it. And transfixes us.
Despite its draining length, it proves to be even better and richer on a second viewing.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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