It's the kind of in-your-face political film about the class struggle where the indiscriminate viewer might feel guilty munching on popcorn.
Tout Va Bien (1972)
Tomatometer
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Reviews Counted:7
Fresh:4
Rotten:3
Average Rating:6.1/10
Synopsis: Iconoclastic French director Jean-Luc Godard became radicalized politically after the events of May 1968 in Paris, openly expressing admiration for the writings of Mao Zedong and other leftist... Iconoclastic French director Jean-Luc Godard became radicalized politically after the events of May 1968 in Paris, openly expressing admiration for the writings of Mao Zedong and other leftist leaders. Godard and his cohort, Jean-Pierre Gorin, even formed a Marxist film society, the Dziga Vertov Group, after the early Soviet documentarian. TOUT VA BIEN marked Godard's return to semi-commercial cinema, attempting to blend a relationship narrative centered around a labor strike with an experimental aesthetic and an overtly leftist political rhetoric. Godard took the opportunity to criticize consumer capitalism (a theme he had been exploring at least since 1966's 2 OR 3 THINGS I KNOW ABOUT HER) but also expressed discontent at how little left political organizations accomplished after the euphoria of May 1968. The film features Yves Montand and Jane Fonda (the film was fuel for the fire when Fonda was dubbed "Hanoi Jane" for expressing sympathy for the North Vietnamese), both of whom were major stars at the time. TOUT VA BIEN is both a fascinating avant-garde narrative film as well as an interesting historical-political document. [More]
Starring: Jane Fonda, Yves Montand, Vittorio Caprioli
Starring: Jane Fonda, Yves Montand, Vittorio Caprioli
Director: Jean-Luc Godard, Jean-Pierre Gorin
Director: Jean-Luc Godard, Jean-Pierre Gorin
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Reviews for Tout Va Bien
A noble effort to bring anti-bourgeois cinema to the masses; needless to say, the masses stayed home.
A little simplistic at times but acidly funny, with Godard's genius for the arresting image once more well to the fore.
One of Godard's angriest satires, but insofar as she is clearly used for her polarizing social freight, Fonda comes off today as its co-creator.
It's only a slight step back from Godard's hard-core political tracts, but the few concessions he does make--characters and a story, of sorts -- go a long way toward making the rhetoric accessible.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| 19% 19% | Transformers: Revenge … |
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| Tomatometer Percentage | Movie |
|---|---|
| 98% 98% | Up |
| 88% 88% | Ballast |
| 66% 66% | The Merry Gentleman |
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