Humid transcendence
Tropical Malady (2005)
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Reviews Counted:41
Fresh:31
Rotten:10
Average Rating:7.1/10
Runtime: 1 hr 58 mins
Genre: Foreign Films
Theatrical Release:Jun 29, 2005 Limited
Synopsis: At one point in TROPICAL MALADY, a woman tells the principle characters a traditional Thai story about ghosts and greed, and mentions the TV show WHO WANTS TO BE A MILLIONAIRE in the next breath.... At one point in TROPICAL MALADY, a woman tells the principle characters a traditional Thai story about ghosts and greed, and mentions the TV show WHO WANTS TO BE A MILLIONAIRE in the next breath. It's precisely that kind of disjunction that fuels this film from maverick director Apichatpong Weerasethakul (MYSTERIOUS OBJECT AT NOON), who divides his tale into two sharply-contrasted halves that suggest genre codes while defying them. Opening on a group of soldiers posing with a dead body, the film slowly makes its way to a country home where a family takes the troops in, and eventually settles on the episodic courtship between handsome soldier Keng (Banlop Lomnoi), and bashful country boy Tong (Sakda Kaewbuadee), both non-actors. Their relationship unfolds in ecstatic, tender vignettes that leave much to the audience's imagination, but the chaste touches and huge smiles the young men share are cut short when Tong disappears into darkness. When the lights come up again Keng--or, as he is referred to now, the Soldier--is a player in the retelling of an old Thai fable, while Tong is now a wild, shape-shifting ghost. The two trail one another through a jungle filled with unearthly sounds, and the line between the pursuer and the pursued disappears. Eventually the Soldier receives unlikely counsel and, following the advice he receives, allows himself to be consumed and devoured by his love. Mystifying and utterly elusive, Weerasethakul's film resists allegorical or conventional interpretation, with a pace and inner logic that will challenge the patience of some, but is sure to reward those willing to travel the distance to the end. [More]
Starring: Banlop Lomnoi, Sakda Kaewbuadee
Starring: Banlop Lomnoi, Sakda Kaewbuadee
Director: Apichatpong Weerasethakul
Director: Apichatpong Weerasethakul
Producer: Charles de Meaux
Studio: Strand Releasing
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Reviews for Tropical Malady
Camera work in the first half of 'Tropical Malady' appears jumpy and interrupted by confusing cuts and artsy tricks.
Maintains a visual richness, but loses its way with heavy-going forays into mythology and mysticism.
The division of the two halves is pronounced and disruptive ... but the filmmaking is assured and focused, reaching for abstraction and poetry.
A hypnotic head-scratcher that manages to be oddly fascinating and frustratingly tedious at the same time. Eventually, though, tedium wins.
It goes from a love story in the making to the mystical realm of legends where men can be transformed into wild beasts and monkey guides offer sage advice.
It's as if two completely different movies got spliced together in the editing room, or in the projection booth.
The film evolves into something deeper, a story about the atavistic wildness within people.
A film more textural than narrative, it's for viewers willing to lose themselves in a truly sensual jungle experience.
Some fantasy films make the leap from reality to reverie relatively seamlessly, hopscotching between the two states without leaving the audience behind. Tropical Malady is not one of those.
Apichatpong poetically expresses the transformative quality of love, realizing a kind of intense profundity that simply could not be reached in any other medium.
Weerasethakul’s confident composition of sight and sound induces a trance-like state with an elegant suggestion: that all-consuming love is for old souls.
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