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Trust (2011)

tomatometer

78

Average Rating: 6.7/10
Reviews Counted: 64
Fresh: 50 | Rotten: 14

Director David Schwimmer gets some gut-wrenching performances out of his actors but he still lacks the chops to fully ratchet up story tension.

63

Average Rating: 6/10
Critic Reviews: 16
Fresh: 10 | Rotten: 6

Director David Schwimmer gets some gut-wrenching performances out of his actors but he still lacks the chops to fully ratchet up story tension.

audience

65

liked it
Average Rating: 3.5/5
User Ratings: 9,661

Photos

My Rating

Movie Info

When Annie, a 14-year-old girl, is seduced by a 41-year-old internet predator she knows only as "Charlie," it tears apart her family. While her father becomes obsessed with revenge fantasies, Annie enters therapy, where she refuses to admit she's been victimized.

R,

Drama

Jul 26, 2011

$0.1M

Millenium Entertainment - Official Site External Icon

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Cast

Latest News on Trust

March 31, 2011:
Critics Consensus: Source Code Is Certified Fresh
This week at the movies, we've got a funny bunny (Hop, starring James Marsden and Russell Brand);...
March 25, 2011:
David Schwimmer Learns to Trust
Hey, who's that dude behind the camera on the indie drama "Trust"? It's Ross from "Friends"!

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All Critics (64) | Top Critics (16) | Fresh (50) | Rotten (14)

An exercise in sober drama and a middle-class cautionary tale which explores a family ripped up by the roots after the rape of a 14-year-old girl.

July 6, 2011 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

Audiences most definitely will squirm and wish they were anywhere but in the theater, despite the fact that it features some of Clive Owen's best work and a startling movie debut by the 15-year-old Liana Liberato.

April 21, 2011 Full Review Source: San Francisco Chronicle
San Francisco Chronicle
Top Critic IconTop Critic

What Trust conveys, at its best, is that ultimately parental protections are not foolproof, and that is the greatest horror of all.

April 8, 2011 Full Review Source: Christian Science Monitor
Christian Science Monitor
Top Critic IconTop Critic

Schwimmer directs this smarmy Hot Topic drama with empathy for the craft of acting but less interest in the craft of making a movie move.

April 6, 2011 Full Review Source: Entertainment Weekly
Entertainment Weekly
Top Critic IconTop Critic

Prurient, ham-handed and amateurish.

April 1, 2011 Full Review Source: New York Daily News | Comment (1)
New York Daily News
Top Critic IconTop Critic

I must admit [Schwimmer's] done a solid job with this queasy drama.

April 1, 2011 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

An excellent screenplay and fantastic performances make Trust one of the year's best films.

May 3, 2013 Full Review Source: We Got This Covered
We Got This Covered

A film that every parent and teenager ought to see.

December 29, 2011 Full Review Source: Movie Metropolis | Comment (1)
Movie Metropolis

parathetei me epwdynh safhneia tis epiptwseis ths katabarathrwshs ayths ths empistosynhs, thn synaisthhmatikh ths apoksenwsh ap' toys alhthina dikoys ths anthrwpoys kai thn metallaksh ths oikeiothtas sthn opoia eixe ependysei

September 29, 2011 Full Review Source: Movies for the Masses | Comment (1)
Movies for the Masses

Schwimmer directs with sensitivity and restraint, and gets excellent performances from his cast. Owen pulls off some heart-wrenching scenes, although it's Liberato's revelatory performance as the emotionally confused teen that holds the film together.

August 31, 2011 Full Review Source: Movie Talk
Movie Talk

Schwimmer's matter-of-factness becomes a dose of bald reality in the second half of the film... two scenes of concentrated fury and anguish... are among Owen's best work ever.

July 10, 2011 Full Review Source: Flick Filosopher
Flick Filosopher

For the most part this is a well acted, intelligent attempt to explore a tough topic.

July 10, 2011 Full Review Source: Scotsman

Schwimmer directs with intelligence and a minimum of hysteria, deftly handling the shifts in atmosphere this creepy story requires.

July 10, 2011 Full Review Source: Observer [UK]
Observer [UK]

Even if it's a mite clunky, Trust does a decent job and avoids the regulation happy ending.

July 8, 2011 Full Review Source: This is London
This is London

A gripping, if at times melodramatic, family drama.

July 8, 2011 Full Review Source: Sun Online
Sun Online

This is a very good, thoughtful film and an important one.

July 8, 2011 Full Review Source: Daily Mail [UK]
Daily Mail [UK]

Trust centers around a horrible event, but it's the uncomfortable shades of grey - as well as the outstanding performances - which make it smart, original and utterly compelling.

July 8, 2011 Full Review Source: What Culture
What Culture

This is all very worthy and well acted but it does feel like a cautionary tale designed to provoke classroom debate.

July 8, 2011 Full Review Source: Daily Express
Daily Express

Great performances and an intelligent treatment of a hot topic. Profoundly moving.

July 8, 2011 Full Review Source: Daily Mirror [UK]
Daily Mirror [UK]

The whole section of the plot dealing with Will's shame and rage at failing to protect his child is hammily and unconvincingly acted.

July 7, 2011 Full Review Source: Guardian
Guardian

Liana Liberato is superb as the girl sinking by slow degrees into the "trust" of the title.

July 7, 2011 Full Review Source: Financial Times
Financial Times

Committed performances and a masterful first act bolster this structurally flawed handling of an impossibly tricky subject.

July 7, 2011 Full Review Source: Little White Lies
Little White Lies

Schwimmer, for all his film's limitations, deserves a lot of credit for finding a gifted actress the same age as his central character, and sculpting Liberato's blazing, wounded, needy and all-round award-level performance into the gem it is.

July 7, 2011 Full Review Source: Daily Telegraph
Daily Telegraph

Owen and Keener give excellent performances, while newcomer Liberato is a significant find. Yet for all its power and understatement, Trust is only a few clicks away from sexploitation.

July 7, 2011 Full Review Source: Total Film
Total Film

Any parent of a teenage child, but especially those fully aware of how technology is opening doors to strange places like never before, will find Trust a deeply disturbing watch.

July 7, 2011 Full Review Source: Birmingham Post
Birmingham Post

It may not change your life, but it may just make you wonder what your child is up to on that computer, and just who he or she is "talking" to.

July 7, 2011 Full Review Source: Radio Times
Radio Times

Audience Reviews for Trust

Good Story about young people and modern day internet problems, ie facebook, my space if you have a daughter under 17 might pay to watch this. 4 stars
October 1, 2012
bbcfloridabound
Bruce Bruce

Super Reviewer

Advanced technology and the infinite doorways opened by the ever expanding universe of "online chat" have worked wonders for humankind. For one, this expansion has actually led to a contraction. The world is getting smaller by the minute, what with instant texting/communication being possible across two sides of the globe at the click of a button! Since its inception it has seen a steady growth in terms of usability and convenience. Only every boon brings with it, a curse; its dark flipside thanks to the immensely huge gamut of mindsets or mentalities of the human mind.

So while we have a reason to rejoice, with the age of the internet creating stronger bonds, we also have an added responsibility of keeping the monsters at bay! The monsters that are created when technology falls in the wrong hands; the hands of those countless teenagers who are at their most vulnerable and make internet chatting their way of life; get so deeply involved, they start trusting their 'online friends' more and tend to disregard their real flesh-and-blood relationships! And of course, the other hands of the actual monsters; the sexual predators, waiting to prey upon innocent young minds to make them their next victim after carefully grooming them and successfully and irreversibly altering their mindsets to frightening extremes....!

[img]https://lh4.googleusercontent.com/-ZBgfdUoIDJo/UCE2Kbah8iI/AAAAAAAAC04/MMD_4Pv0CBE/s608/vlcsnap-2012-08-07-20h43m49s96.png[/img]

David Schwimmer, the star of the popular sitcom "Friends" directs "Trust", an intense drama revolving around one such vulnerable and innocent teenager, emotionally lured into the ruthless world of online communication. Only the girl in question, 14-year-old Annie (Liana Liberato) is far too innocent and practically starts living in this world. From the countless members in chat rooms, she seems to have befriended 'Charlie', a 16-year-old guy from California, a volleyball player at his school who has managed to win her favor by offering her valuable volleyball advice, since she is aspiring to make it to the school team. And she finally does make the team, thinking it is this guy's advice that helped her! Their chatting relationship grows, moves on to the phone.

Fuelled by the desire to be one-up among her peers, the desire to be accepted or recognized amongst some obnoxiously fake, trend-conscious schoolmates and the constant rebuking of the same by her loving but protective parents Will and Lynn Cameron (Clive Owen and Catherine Keener respectively) who insist she should "be herself" rather than put on a sham personality like some other wasted girls in school, finds an instant connection with Charlie who apparently is the "only one who understands her"!

But as days go by, Charlie makes newer confessions about his age; saying that he is 20, and later that he is 25. While Annie is upset that he lies to her, she finds herself growing increasingly attached to him. The time comes, to finally meet the guy face to face. Unfortunately it also means coming face to face with the shattering truth about the guy Annie has put her entire trust into. The guy is nice and gentlemanly, but he is actually in his mid-30s! But it is too late before Annie realizes he is actually a sick paedophile whose only intention behind all the sweet talk and support was to get her into a motel room and have his way with her; the intention which ultimately reaches its chilling consequence in one of the film's most disturbing scenes!

[img]https://lh5.googleusercontent.com/-pxqgQN_88z8/UCE2Hlthy6I/AAAAAAAAC0g/z9oA05fUbOM/s608/vlcsnap-2012-08-07-20h44m41s111.png[/img]

Schwimmer himself is a director of a Rape Treatment Center which is actively involved in helping rape victims, in particular the victims of child rape and date rape. It is no surprise then, that he handles this rather sensitive subject of statutory rape with an original touch. There is no doubt that the man knows his characters, including the family of the victim, very well and brings out the angst that anyone in their place would feel quite accurately, barring a few minor exceptions. The way Annie lets herself get moulded like putty in Charlie's hands and the way she becomes infatuated is devastatingly real; it is a sad reality which ultimately ends in heartbreak in most cases, but there has been nary a change in the situation and a number of young girls are losing their sleep over it! So is the helpless situation of her parents who don't really want to imprison their child in the shackles of "rules" but are also not aware of where to draw a line when it comes to giving her freedom. They are blissfully unaware of her daughter's tryst with this mysterious stranger, and never had any idea it had gone any step further beyond harmless chatting.

Andy Bellin and Robert Festinger write a screenplay rich with some clever scenes that do a mighty good job of giving an insight into Annie's psyche torn apart by the situation. On one hand, she thinks her parents are overdoing it by "making a federal case out of it..literally" (just as the FBI steps in to investigate) and that she simply had consensual sex with a nice and gentle man. But this is clearly not what she actually feels in her heart. It is evidently the thirst for social acceptance speaking, for she even cites the examples of her school mates who have "slept with half the football team"! Only later in a subdued confession, to her counselor, Gail (Viola Davis), about the happening in the motel room, Annie mentions that when the act began, she slowly felt distanced from it; as if she wasn't really a part of it, but was watching the scene from a distance. It is only when Gail explains to her the interpretation of that feeling, that a first hint of doubt appears in Annie's mind and she suddenly walks out on her, dismissing the conversation!

[img]https://lh6.googleusercontent.com/-JVRIlvxs5aI/UCE2RU5ro6I/AAAAAAAAC1Y/iyr2OO699JM/s608/vlcsnap-2012-08-07-20h49m22s148.png[/img]

Then there is the very important scene when an emotionally drained Will is questioned by his boss Al (Noah Emmerich) as to why his work was suffering. Will finally confesses that his daughter was sexually assaulted. Al is initially shocked but to Will's utter disbelief, Al heaves a sigh of relief and seems to relax as soon as he comes to know that Annie "wasn't attacked". "It could've been much worse", Al says, while a dumbfounded Will continues to stare at him! Goes to show the difference in mindset or the apathy or simply the ignorance when it comes to Statutory rape (with consent by a minor) against a forced attack!

While "Trust" succeeds, for the most part, in providing a considerably gripping picture of how the incident has an impact on the family relationships and behavior, there are other parts where the script falters and gives birth to some blatantly obvious holes. An FBI agent, Doug Tate (Jason Clarke), brought in to handle the case comes across as totally clumsy. How else does he then, after telling Will Cameron that he has the entire chat transcript from Annie's computer that is 'top secret' right now as far the case's progress is concerned, and refuses to share it with Will, manage to carelessly leave his briefcase containing all these transcript files for Will to easily flick them off him!? And apparently their man has already sexually assaulted three other minors in the past year or so. He shows the photos of past victims to Annie to find if she "knew them from somewhere" (although they are all from different states), a camp or something, because he feels there is a pattern or a common link! It doesn't make any sense!

[img]https://lh5.googleusercontent.com/-Oq2exXY94OM/UCE2RoztdOI/AAAAAAAAC1g/jgr_rrdh5dU/s608/vlcsnap-2012-08-07-20h50m11s98.png[/img]

And if the man has been absconding for more than a year why hasn't a sketch expert been called in to get an approximate face description of the guy? After all, three other girls could testify and an ID check could be done based on a best facial description, or at least a manhunt could be launched. And whatever happened to CCTV cameras in the mall that Annie met him in? Why weren't they used? Why doesn't Annie's supposed best friend Brittany (Zoe Levin), who spots Annie in the mall with an elderly stranger, and even senses something amiss, run after her to get to the bottom of it?

Such obvious questions come to mind but are never answered. Instead, Doug Tate makes use of an essential 'thriller' ingredient; an arrangement to trap him via a ruse by trying to get him to talk for a duration long enough to know his whereabouts! Maybe tracking down the perpetrator wasn't the real agenda of the film and that's fine, but then why show even a half-baked attempt at finding him?

[img]https://lh6.googleusercontent.com/-TKDZtZ0m0iQ/UCE2SpeK7TI/AAAAAAAAC1o/BbjnnEojr_k/s608/vlcsnap-2012-08-07-20h57m11s228.png[/img]

A lot of other holes and some melodramatic plot points render "Trust" a slightly hurried and amateurish job. Like Will becoming excessively obsessed with the whole thing, makes finding the guy and killing him his personal mission! All the lurid visuals of his daughter being assaulted make him angrier with each passing day! At one time, he even bashes up an innocent man at a volleyball game, thinking he is the assaulter! It is a part a tad unconvincing for an otherwise tangible character.

The acting is excellent for the most part especially by Liana Liberato, who is an epitome of an innocent teen trying to mix with her peers and trying hard to be in the game, although appearing confused at times, not knowing the difference between right and wrong. At the same time, when the disturbing reality of what happened to her finally dawns upon her, she lets out a cry of helplessness in a heartbreaking breakdown scene. It is a solid, uninhibited performance indeed.

While hers is a realistic portrayal though, one wonders why introduce a character (albeit minor) like Serena (Zanny Laird), who is so visibly fake and vulgar, mouthing off lewd dialog with her hammy grimacing, and looks like some cardboard-cutout straight from the American Pie movies!

[img]https://lh4.googleusercontent.com/-PNtULiFUllI/UCE2MKt-QDI/AAAAAAAAC1A/dJtqPXbOFnw/s608/vlcsnap-2012-08-07-20h48m17s7.png[/img]

A word about Clive Owen, who, delivers convincingly in most of the film suffers from a problem faced by many actors in the business. When it comes to extreme emoting like sobbing or breaking down, he comes off as a little forced and awkward in his delivery. This is where the otherwise dependable actor somewhat disappoints.

Catherine Keener is in top form, though, as the supportive mother who would rather engage herself in healing the daughter's wounds rather than concentrate on tracking down the perpetrator.

By the third act it pretty much becomes clear where the film is headed as far as its conclusion is concerned it is just fine. It shouldn't have ended any other way. Despite the obvious flaws that create some road blocks, "Trust" deserves to be seen, solely for its daringly original script, and its sensitive handling in the primary context, its well-written, likeable characters that you can identify with, some terrific acting and a satisfying culmination.

Score: 7.5/10.
August 7, 2012
Aditya Gokhale
Aditya Gokhale

Super Reviewer

Good job David Schwimmer! This movie deals with a side of sexual assault from a predator that most don't know about. Take it from me, it happens. It happened long before the internet came around, but the internet just made it easier. This story is a powerful one, and portrays how it can devastate entire families. Very well done. Great acting. ..Stay for the credits. It shows a glimpse in how these sickos can be anyone in your life...a family member..a teacher..a neighbor..etc.
August 7, 2012
itsjustme2004

Super Reviewer

What took her family years to build, a stranger stole in an instant.

Very good important film! Terrific performances from everyone involved. The plot was just very well made. Scary good is the best way I can describe this movie. You'll walk away knowing you just saw something important and you'll immediately want to take steps to make sure it doesn't happen to you. Go see it.!

In Chicago, the fourteen-year-old Annie lives with her family in the suburb and she has been chatting in a teen chat room in Internet with the sixteen year-old Charlie. When they get close to each other, Charlie tells that he is actually twenty years old. They schedule to meet each other but when Annie meets Charlie, she realizes that he is about thirty-five years old and is disappointed. However, she is seduced by Charlie and loses her virginity to her "boyfriend" in a motel. Her best friend Brittany tells to the school counselor about the relationship of Annie with an older man and the teenager is sent to medical examination. Her parents Will and Lynn are visited by the FBI Agent Doug Tate that is in charge of the investigation. The family is torn apart and while Lynn supports her daughter, Will becomes obsessed to find the sexual predator.
March 26, 2012
MANUGINO
Manu Gino

Super Reviewer

    1. Gail Friedman: People get hurt. There's only so much we can do to protect ourselves, our children. The only thing we can do is be there for each other when we do fall down to pick each other up.
    – Submitted by Nusfish K (2 years ago)
    1. Will: These are definately for a clothing company right? So why isn't anybody wearing a shirt?
    – Submitted by Vincent T (2 years ago)
    1. Annie: How can I be so stupid?
    – Submitted by CÚsar G (2 years ago)
View all quotes (3)

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