Unfolds in such clear-eyed, powerful fashion that its characters become unforgettable, and the movie lands a big-time emotional punch.
Tsotsi (2006)
Tomatometer
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Reviews Counted:28
Fresh:25
Rotten:3
Average Rating:7.8/10
Consensus: Chweneyagae's powerful performance carries this simple yet searing tale of a shantytown teenager's redemption.
Rated: R [See Full Rating] for language and some strong violent content.
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:Feb 24, 2006 Limited
Box Office: $2,753,840
Synopsis: Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title... Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title character, a teenager with a killer stare who lives alone in a ramshackle room in a poor shantytown, where he pulls off petty crimes with the help of three compatriots--Boston (Mothusi Magano), Butcher (Zenzo Ngqobe), and Aap (Kenneth Nkosi). But after they stab a man to death on the subway and Tsotsi (which means "thug" or "gangster") beats up Boston for trying to find out about his past, Tsotsi runs off to a wealthy section of the city, shoots a woman, and steals her car. Only later does he discover that there is a baby in the back seat--and decides to keep it for himself. As Tsotsi finally does look back at his own childhood, he tries to take care of the infant, carrying it around in a paper bag and forcing a young mother, Miriam (Terry Pheto), to breastfeed it at gunpoint. At this point, writer-director Gavin Hood could have opted for trite sentimentality, but instead he delves deeper into Tsotsi's psyche, as the young man might have already gone too far to turn back now. TSOTSI is a pulsating, electrifying film propelled by Chweneyagae's powerful, mesmerizing performance. The pounding soundtrack features popular local Kwaito music by Zola, who also plays crimelord Fela in the film. Winner of the 2006 Oscar for Best Foreign Language Film, TSOTSI "will rank as one of the best films ever to come out of South Africa," as Fugard himself said. [More]
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe, Terry Pheto, Zola, Jerry Mofokeng, Rapulana Seiphemo, Ian Roberts
Director: Gavin Hood
Director: Gavin Hood
Studio: Miramax Films
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Release:
Jul 18, 2006
Reviews for Tsotsi
To feel the full power of the movie's wrenching story, you must not rush to judge or embrace young Tsotsi. He is an enigma whose journey is the story.
A deeply moving portrait of a human being, suffering in life and not having any handle on how to deal with it. It's tragedy, not melodrama.
The picture can be squishy and obvious. Yet it works, thanks to Gavin Hood's straightforward, sensitive direction and his star's emotionally charged performance.
It lays a stark narrative that's devoid of sentimentality but stoked with emotional power; without getting maudlin, it will tear you to shreds.
It is to [director Gaven] Hood's credit that he does not over-sentimentalize Tsotsi's story, nor does he glamorize thug life like so many American films do.
We're not used to bad guys with redeeming qualities. And that makes Tsotsi as disquieting as it is intriguing.
For all its dark edges, Tsotsi comes with a silver lining making it worthy of its squirmy ride.
That director Gavin Hood, who wrote the script from a novel by playwright Athol Fugard, could get you to care so much is a mark of the heart that went into making the film.
The film is worth seeing, for its faces and its evocation -- not without melodrama, yet not without impact -- of a harsh but not hopeless slum life.
It's a solid, earnest drama of moral redemption that places old cliches in an unfamiliar setting.
A mixture of thrilling documentary-style realism and Hollywood hokum, Tsotsi leaves you all but tasting the orange dust of Joburg's shantytowns and moved by the harrowing journey Tsotsi (Presley Chweneyagae) is forced to take.
An evolving tale of redemption, sometimes highly implausible, yet always deeply affecting.
Tsotsi presents a world of terrible beauty, where humanity struggles to breathe despite all attempts to snuff it out.
The protagonist's epiphany seems less the organic product of converging circumstances than the dictate of movie convention.
Tsotsi gets its message across without pandering to the audience. It has a keen sense of subtlety that's often lacking in social awareness cinema.
A cascade of sentimentality straight out of Hollywood. Not even Chweneyagae's excellent acting or Lance Gewer's dark photography can save the film.
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