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Movies / On DVD / Twentynine Palms
Twentynine Palms

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Twentynine Palms (2004)

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Reviews Counted:13

Fresh:4

Rotten:9

Average Rating:4.6/10

Consensus: A muddled and inconsequential drama.

Rated: Not Rated

Runtime: 1 hr 54 mins

Genre: Dramas

Theatrical Release:Apr 9, 2004 Limited

Synopsis: French philosopher-turned-filmmaker Bruno Dumont follows up his award-winning drama HUMANITE with the equally devastating TWENTYNINE PALMS. Dumont's self-professed "experimental horror film"... French philosopher-turned-filmmaker Bruno Dumont follows up his award-winning drama HUMANITE with the equally devastating TWENTYNINE PALMS. Dumont's self-professed "experimental horror film" follows a couple as they journey to the California desert town of Twentynine Palms and encounter true evil. David (David Wissack), an American photographer, and his Russian girlfriend Katia (Katia Golubeva), are scouting locations for an upcoming photo shoot. During the day, they drive David's Hummer into the expansive desert and roam freely, while at night, they argue in broken French and have animalistic sex. Eventually, their luck runs out, as the outside world catches up to them and causes their tragic demise. TWENTYNINE PALMS is a jaw-droppingly brash work of art. Dumont takes a stylistic cue from French master Robert Bresson, simplifying his filmmaking technique in order to ponder deeper issues of humanity (good vs. evil, love vs. hate, sex/life vs. death). The result is a truly challenging film, which will confound and anger as many viewers as it stimulates and thrills. Like Lars von Trier's DOGVILLE, TWENTYNINE PALMS will also be accused of anti-Americanism, but Dumont's message is clearly a universal one. He uses a sparse yet familiar American landscape to subvert viewer's expectations, building to one of the most shocking finales in cinematic history. [More]

Starring: Katerina Golubeva, David Wissack

Starring: Katerina Golubeva, David Wissack

Director: Bruno Dumont

Director: Bruno Dumont
Screenwriter: Bruno Dumont
Producer: Jean Brehat
Studio: Wellspring

[See More Credits]

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Release:

Sep 21, 2004

No Details Exist
 
 

Reviews for Twentynine Palms

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Full Review Source: New Yorker | comment Comment
08/01/04
David Denby
David Denby
New Yorker
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A textbook example of how a director can strip away plot, motivation, character, and meaning and still leave arrant pretension standing tall.

Full Review Source: Boston Globe | comment Comment
07/16/04
Ty Burr
Ty Burr
Boston Globe
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Muddled.

Full Review Source: San Francisco Chronicle | comment Comment
06/18/04
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
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In Twentynine Palms, writer and director Bruno Dumont takes his cultural revenge on the United States, attacking countless American stereotypes and in the process reinforcing an equal number of cliches about arrogant French auteurs.

Full Review Source: Denver Post | comment Comment
06/11/04
Michael Booth
Michael Booth
Denver Post
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It's alternately monotonous, hot and dramatic, which makes for a peculiar, not entirely unsatisfying atmosphere of neo -- or is that post? -- noir.

Full Review Source: Washington Post | comment Comment
05/28/04
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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[Dumont] forces viewers to question not only what's on the screen, but ultimately, the very nature of reality.

Full Review Source: Atlanta Journal-Constitution | comment Comment
05/20/04
Bob Townsend
Bob Townsend
Atlanta Journal-Constitution
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[Brown Bunny] sports the narrative complexity of War and Peace compared with Twentynine Palms.

Full Review Source: Variety | comment Comment
04/27/04
Lisa Nesselson
Lisa Nesselson
Variety
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Cannot entirely be dismissed, because the director so adamantly knows what he's doing.

Full Review Source: Newsday | comment Comment
04/09/04
John Anderson
John Anderson
Newsday
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At turns sexy, ultra-violent and sweet, it will infiltrate your brain long after you've seen it.

Full Review Source: New York Post | comment Comment
04/08/04
V.A. Musetto
V.A. Musetto
New York Post
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The sustained force of Bruno Dumont's vision of existence as a swirl of brute instincts may not be easy to absorb, but it marks him as a major filmmaker.

Full Review Source: New York Times | comment Comment
04/08/04
Stephen Holden
Stephen Holden
New York Times
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Nihilism is a crude instrument, even for those with talent, and it can be especially hazardous for those who believe, as Dumont apparently does, that the sum total of existence is 'sex, love and evil.'

Full Review Source: Los Angeles Times | comment Comment
04/08/04
Manohla Dargis
Manohla Dargis
Los Angeles Times
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This is one of those films in which the Act of Driving becomes a 10-minute statement of high emptiness.

Full Review Source: Entertainment Weekly | comment Comment
04/07/04
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
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A hollow and pointless exercise.

Full Review Source: Hollywood Reporter | comment Comment
03/22/04
Frank Scheck
Frank Scheck
Hollywood Reporter
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Dumont's taste for the elemental has always flirted with the moronic. But this time, he's dozed off at the wheel and drifted well over the line.

Full Review Source: Village Voice | comment Comment
12/03/03
J. Hoberman
J. Hoberman
Village Voice
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