Two-Lane Blacktop (1971)

Two-Lane Blacktop

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: No consensus yet.


Movie Info

The surface story is a quixotic cross country road race between dapper sociopath playboy Warren Oates driving a showroom GTO and ultra-laconic proto-grunge hippie gearheads James Taylor and Dennis Wilson behind the wheel of their primer gray souped-up '55 Chevy. In director Monte Hellman's hands, however, the raw materials of an AIP hot rod flick take on dark mythic overtones while becoming a quintessential document of end-of the '60s millennialism.

Rating: R
Genre: Drama, Classics
Directed By:
Written By: Rudy Wurlitzer, Will Corry, Rudolph Wurlitzer
In Theaters:
On DVD: Oct 19, 1999
Runtime:
Universal Pictures

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Cast


as The Driver

as The Girl

as The Mechanic

as Station Attendant

as Hot Rod Driver

as Driver's Girl

as Needles Station Atte...

as Needles Station Mech...

as Texas Hitchhiker

as Oklahoma Hitchhiker

as Texas Policeman

as Texas Policeman

as Boswell Station Atte...

as Parts Store Owner

as Man in Roadhouse

as Waitress

as Driver at Accident

as Man at Race Track

as Man at Race Track

as Motorcyclist

as Pickup Driver

as Soldier

as Texas Policeman
Show More Cast

News & Interviews for Two-Lane Blacktop

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Critic Reviews for Two-Lane Blacktop

All Critics (35) | Top Critics (7)

It came nowhere close to the numbers on Easy Rider, but it is so much more worthwhile as a film. Indeed, I'm going to push my luck and say there has never been a better film about sweaters.

Full Review… | June 20, 2013
The New Republic
Top Critic

Two-Lane Blacktop is a movie of achingly eloquent landscapes and absurdly inert characters.

Full Review… | December 13, 2007
Village Voice
Top Critic

The strange and sometimes pathetic world of barnstorming, hustling street-racing is explored with feeling by director-editor Monte Hellman.

Full Review… | December 13, 2007
Variety
Top Critic

This exciting existentialist road movie by Monte Hellman, with a swell script by Rudolph Wurlitzer and Will Corry and my favorite Warren Oates performance, looks even better now than it did in 1971.

Full Review… | December 13, 2007
Chicago Reader
Top Critic

It's absolutely riveting.

Full Review… | June 24, 2006
Time Out
Top Critic

A remarkably engaging movie, mostly in spite of, rather than because of, its metaphorical aspirations.

May 9, 2005
New York Times
Top Critic

Audience Reviews for Two-Lane Blacktop

The year 1971 was a phenomenon for minimalist,existential road movies because,released just months apart were "Vanishing Point" with Barry Newman that was released by 20th Century-Fox,and this little gem "Two-Lane Blacktop" that was released by Universal Pictures. In that same year Esquire magazine made that unprecedented move of publishing Rudolph Wurlitzer's entire screenplay for "Two-Lane Blacktop" declaring the film its pick for "movie of the year!" on the front cover. Unfortunately,it was not as this film was up against some big heavy hitters at the boxoffice that year in which three films that were "cop" thrillers dominated respectively
"Shaft", "The French Connection",and "Dirty Harry" in the cinemas. The big surprise and the shocker of the Oscars was when "The French Connection" took the honors and the Oscars as the best movie of 1971 beating out the heavily favorite "Fiddler On The Roof" that year. But getting back to "Two-Lane Blacktop" this movie preceded the successful "Easy Rider" as the next to the last of the existential road pictures that were all over the place during the mid-1960's and all through the decade of the 1970's. However this cult classic was unavailable for years on video until 1999 surviving in the meantime on occasional television airings on nightly late shows and ending up being screened on college campuses and in second-run theaters and drive-ins. It built up a cult following(including Werner Herzog,who helped campaign for its video release through Universal MCA Home Video)and was eventually recognized by the Library of Congress National Film Registry and the Criterion Collection,and was credited as one of the inspirations for the real-life Cannonball Run. Not bad for a film about a couple of guys with no names,driving route 66. But in some aspects,this film made the theatrical debuts of two musicians...One was North Carolina native James Taylor(who in fact is a graduated of the University of North Carolina at Chapel Hill and was raise and born in Chapel Hill,North Carolina),and the other was "Beach Boy" singer Dennis Wilson. There isn't a whole hell of a lot of plot to "Two-Lane Blacktop" other than James Taylor and Dennis Wilson cruisin down the highway in a 1955 Chevy with a teen hitchhiker(actress Laurie Bird,who became involved with director Monte Hellman and later have a relationship with Art Garfunkel,before her untimely death in 1979)who are known solely as The Driver and The Mechanic. Their racing against Warren Oates,an older fellow with a 1970 Pontiac GTO and a propensity for self-aggrandizement. From a standpoint,the film is not only a marvel,but a timeless cult classic that still brings a strong sense of realism along with its spectacular editing that perfectly fits the era. The result is standard entertainment that is to be seen. Look for an early Harry Dean-Stanton in a hilarious scene as a hitchhiker who tries to help Oates "relax". Also the soundtrack to "Two-Lane Blacktop" is an outstanding result. Check out the seldom-heard original version(which is on the soundtrack album to the motion picture) of "Me and Bobby McGee" by Kris Kristofferson as well as seldom heard material from both James Taylor and Dennis Wilson. A Bonafide classic masterpiece

rayman0071
Mister Caple

Super Reviewer

1971 was quite a year for minimalist, existential road movies, because, released just months apart were Vanishing Point, and this little gem, Two-Lame Blacktop. Of course, they were also preceded by the similar Easy Rider, but still, it blows my mind how this all happened in the span of just a few years.

The plot is so bare it almost really doesn't exist. We get two guys known solely as The Driver and The Mechanic who make a living aimlessly driving from town to town across the southwest in their '55 primer gray Chevy challenging anyone they can to drag races to make a little cash for food. One day they take on GTO, a driver of the eponymous 1970 car, and challenge him to a cross country race t Washington D.C. for pink slips...and that's pretty much it. Oh yeah, and there's a girl of course.

From a technical standpoint, the film is quite a marvel. I love the sparseness of it, it's got a strong sense of style that perfectly fits the era, and it's shot, framed, and edited very well. It's also quite faithful and authentic to the culture of the automobile.

The performances are fine, given the material, and I'm curious as to why musicians James Taylor and Dennis Wilson (Driver and Mechanic, respectively), didn't take on more acting gigs. Warren Oates is also good as GTO.

All in all, this isn't a film for everyone, but it's worth watching if you can tap into its specific groove, sit back, and relax.

cosmo313
Chris Weber

Super Reviewer

Hellman's 1971 road picture is a genuine slice of Americana. It takes place in the general malaise of the early 70's, as the idealism of the late 1960's gave way to chaos and the harsh reality of humanity. Oates' performance is absolutely masterful and heartbreaking as a man in a constant state of reinvention in hopes to one day be grounded. Even though he is more transparent than Taylor and Wilson, there is an air of despair that hovers around all of these men as they try to create their own path in life unsuccessfully. Hellman lets the viewer go along for the ride as his camera is always placed in the backseat looking through that dusty windshield. It is an excellent piece of American cinema and a snapshot of world turned upside down.

axadntpron
Reid Volk

Super Reviewer

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