A neo-realist classic that is very likely the inspiration for "Wendy and Lucy". The two make for very interesting watching side-by-side.
Umberto D. (1952)
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Reviews Counted:25
Fresh:24
Rotten:1
Average Rating:8.9/10
Runtime: 89 mins
Genre: Foreign Films
Synopsis: The Italian classic UMBERTO D., from director Vittorio De Sica, offers a realistic character sketch of an elderly man, Umberto D. (Carlo Battisti), who is determined to retain his dignity in spite... The Italian classic UMBERTO D., from director Vittorio De Sica, offers a realistic character sketch of an elderly man, Umberto D. (Carlo Battisti), who is determined to retain his dignity in spite of a meager pension. As with many of De Sica's Neo-realist films, the central struggle is existence--Umberto D.'s pension is simply too small a sum to cover his rent. Joining forces with fellow pensioners, the men stage a protest that is ignored. Umberto attempts and fails to sell his meager belongings when he falls ill. After he returns from hospitalization for the illness, he makes an effort to beg on the street, but is foiled by his own pride. Hitting rock bottom, Umberto decides to kill himself as soon as he can find a new home for his beloved dog, Flag. When he fails to find a home for the dog, Umberto attempts to take the dog with him to the great beyond. In UMBERTO D., De Sica depicts the bleakness of life with unparalleled subtlety and craftsmanship. Deep focus photography details Umberto's isolation, while pointing out that countless other elderly poor people live in similar conditions. De Sica uses sound and music deftly to portray Umberto's subjective feelings and decisions. While many of De Sica's films achieved enormous critical acclaim, UMBERTO D. is often considered as the director's finest work. [More]
Starring: Carlo Battisi, Maria Pia Casilio, Lina Genneri, Ileana Simova
Starring: Carlo Battisi, Maria Pia Casilio, Lina Genneri, Ileana Simova, Alberto Albani Barbieri
Director: Vittorio De Sica
Director: Vittorio De Sica
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Reviews for Umberto D.
Um dos melhores exemplares do neo-realismo italiano, pinta um retrato tocante da miséria do pós-guerra ao mesmo tempo em que, sem qualquer melodrama, cria personagens inesquecíveis em suas dores.
De Sica somehow manages to avert sentimentality and banality, and his simple storytelling leaves a profound and timeless message.
De Sica takes a premise that drips with sentimentality and wipes all the sappiness away, leaving only raw action and subtle underlying emotion.
Like Falconetti as Joan of Arc, Battisti offers one of those rare performances that is so perfectly realized, it automatically negates the possibility of any future roles.
Courageously and magnificently champions the life of an apparently insignificant man in a difficult time.
The very concept of believability is challenged: cornball sentiment is approached with such unblinking sincerity that the viewer’s given no way to process it except at face value.
Umberto D. is a film of constant desolation, a stalwart example of Neorealist cinema, and a depressive film whose recommendation depends on the benefit of the emotions it successfully elicits.
this project is no academic or sociological study--it's very personal
It's hard to think of a more remarkable tribute to the resilience of the human spirit than the one Umberto D. puts on the screen.
It's a stark snapshot in which all is revealed about the 'daily life of mankind,' as the director once offered by way of description.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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