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Une Vieille Maîtresse (The Last Mistress) (An Old Mistress) (2007)

tomatometer

77

Average Rating: 6.7/10
Reviews Counted: 94
Fresh: 72 | Rotten: 22

More complicated than your average bodice ripper, Catherine Breillat's Last Mistress features beautiful costumes, wrought romances, and a feral performance from Argento.

93

Average Rating: 7.5/10
Critic Reviews: 29
Fresh: 27 | Rotten: 2

More complicated than your average bodice ripper, Catherine Breillat's Last Mistress features beautiful costumes, wrought romances, and a feral performance from Argento.

audience

59

liked it
Average Rating: 3.4/5
User Ratings: 3,090

My Rating

Movie Info

Catherine Breillat's adaptation of An Old Mistress stars Fu'ad Ait Aatou as Ryno de Marigny, and Asia Argento as Vellini, two lovers in 19th century Paris. The two have been passionately involved for nearly a decade, but de Marigny attempts to end their relationship now that he is engaged to Hermangarde (Roxane Mesquida), a respectable young woman. As the bride-to-be's grandmother forces de Marigny to confront his past as a notorious womanizer, the film flashes back to reveal the intense decade

Mar 1, 2009

$0.6M

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All Critics (98) | Top Critics (30) | Fresh (72) | Rotten (22) | DVD (2)

Argento seizes each scene with both hands, adding surprising layers of feeling as she goes.

October 18, 2008 Full Review Source: Chicago Tribune
Chicago Tribune
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It's devastating.

October 18, 2008 Full Review Source: Newsday
Newsday
Top Critic IconTop Critic

[An] entertaining, elegantly shot adaptation of Jules Barbey d'Aurevilly's 19th century novel.

October 18, 2008 Full Review Source: Los Angeles Times
Los Angeles Times
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It's characteristic of the virtues and limitations of French sexual provocateur Catherine Breillat...that they usually derive from the same source--the fearless determination to skirt the borders of camp.

August 1, 2008 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

Cool, carnal, and lethal, The Last Mistress is a period drama with a difference.

July 25, 2008 Full Review Source: Boston Globe
Boston Globe
Top Critic IconTop Critic

There's a brittle pomp and circumstance to The Last Mistress, which suddenly turns into a sensual witch's dance, once star Asia Argento is let loose about a third of the way into the film.

July 25, 2008 Full Review Source: Detroit News
Detroit News
Top Critic IconTop Critic

The Last Mistress displays the director's contempt for conventionality in clear, ringing tones.

August 15, 2011 Full Review Source: East Bay Express
East Bay Express

Breillat's unflinching instinct for the doomed, all-consuming pull of sexual obsession shakes the story up in rewarding ways.

September 10, 2010 Full Review Source: The Stranger (Seattle, WA)

An elegant film about an irresistible hot romance.

July 15, 2009 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

The characters ultimately feel more like pawns to be manipulated, rather than flesh-and-blood human beings who suffer and love, which gives the film's message that the two are essentially one in the same a rather hollow ring.

October 18, 2008 Full Review Source: Q Network Film Desk
Q Network Film Desk

Rather boring.

October 18, 2008 Full Review Source: Jam! Movies
Jam! Movies

It is an outstandingly intelligent, formally pleasing film, and a fascinating development for Breillat herself.

October 18, 2008 Full Review Source: Guardian
Guardian

All of the characters are so elusive and thin there's nothing to grab our interest.

October 18, 2008 Full Review Source: St. Paul Pioneer Press
St. Paul Pioneer Press

There was a point about midway through "The Last Mistress" when I was honestly wondering if it was intentionally bad.

September 26, 2008 Full Review Source: Capital Times (Madison, WI)
Capital Times (Madison, WI)

Seldom have a filmmaker and lead actress performed in perfect, artistic sync.

September 25, 2008 Full Review Source: Milwaukee Journal Sentinel
Milwaukee Journal Sentinel

Argento is a feral beauty who devours everything in her path, and a perfect actress for Breillat. But the director seems hemmed in by the period finery, and the movie is a self-conscious yawn.

September 5, 2008
Salt Lake Tribune

Argento, the daughter of Italian horror maestro Dario Argento, has become a force to be reckoned with on the international film scene over the past couple of years.

August 29, 2008 Full Review Source: Oregonian
Oregonian

Screenwriter/director Catherine Breillat's take on the tale has a definite feminist slant to it, which may explain why the male characters come off so badly. And unfortunately, sometimes that makes it dull.

August 29, 2008 Full Review Source: Deseret News, Salt Lake City
Deseret News, Salt Lake City

Oh god, have I ever seen a more tedious 'erotic' movie than this one?

August 28, 2008 Full Review Source: Flick Filosopher
Flick Filosopher

There's plenty of skin and acrobatic positioning in Catherine Breillat's The Last Mistress, but the ferocious passions they signify are far more interesting.

August 22, 2008
Kansas City Star

Argento... owns this film, body and soullessness.

August 15, 2008 Full Review Source: Austin Chronicle
Austin Chronicle

What makes the movie ineluctably compelling is Argento's fire in the title role.

August 15, 2008 Full Review Source: Baltimore Sun
Baltimore Sun

A dispassionate autopsy of a passionate triangle, brilliantly devised if not always perfectly executed.

August 10, 2008 Full Review Source: One Guy's Opinion
One Guy's Opinion

Audience Reviews for Une Vieille Maîtresse (The Last Mistress) (An Old Mistress)

Although the period detail is beautiful I just wasn't drawn in by the plot or the characters. It's a shame as I liked the sound of it so much.
September 18, 2009
newvogueravyn

Super Reviewer

"the last mistress" is the work of art from the director who's made "romance", catherine breillat, and it's much more reserved and polished due to its backset time-scale than breillant's any other sensationalistic piece. frankly, as a fervent feministic provocateur, breillant has always been a little bit too politically contrived on the bedroom matters when she seals her relentlessly cynic mockeries to genders and marital legimacy. somehow that characteristic spoils the genuine artistic success she may have ever had. "the last mistress" is another achetypical example of her radical viewpoint which is also very avant-gardistly cliched: sex, the physical desire could override any santuary reverence men have over innocence, purity and the institution of marriage, no matter how much you may love a person, but you still listen to your genital down below at any cost, you may feel agonic and very much in pain but you just cannot help it, so women're better off without the bondage of men, be the dominatrix who masters over men.....come on, tell or advocate me something which i haven't heard or read in these three decades of feministic movements.

in a nutshell, the tale goes like this: a penniless libertine swoons a beautiful chaste woman of higher birth, the jewel of french aristocracy, but he has a hard time terminating his 10 year affair with a wild gypsy-like she-devil, a seed of illegitimate union(princess and matador). the male libertine deserts his mistress for the virginal lily, and he believes he's whole-heartedly in love, then this gluttonish she-devil traces him to his newlywed chateau to re-kindle their illict sparkle. then the man succumbs...later, his wife discovers then has a miscarriage by broken-heart. eventually the libertine has ruined the happiness of his precious wife as everyone predicts. the classic quotation here would be "in love, the first to suffer has lost"....

undoubtedly, the she-devil is played by the notably spunky italian actress asia argento who's been taking roles of brave indiscreet women since the 90s, her smashing performance in 1998 "b monkey",,,then her role is always tough woman-rebel or daredevil whore...i've always been amazed by her gritty beauty, and i've never found any character she performed abrasive despite the inevitably repeated typecasting until the moment after i watched "the last mistress"...her interpretion is fine and perhaps argento is the only actress who could render this role due to her winsome features which are literily designed for this role. but i've got to admit, asia argento's no longer the same fresh-faced ingenuine who toys between reckless seductiveness and brittle naivete that i saw 10 years ago in her american debute "b monkey"...she's upgraded into a more spiteful lilith-like being who ruminates and devours in full masterful manipulation in catherine breillant's "the last mistress" which definitely decreases her likability.(or she just ain't that gorgeous as she was in 1998?)

the castings of the leads are absolutely a gallery of striking fair youth, and the male protagonist has a pair of juicy smackable lips, eyes of sheer transparent blue, and skin made of milky streaks of porcelain, same for the blonde-haired woman-protagonist, so statuesque like people who stride out of europe's classical paintings. somehow that makes the setting even more peculiar and oddly persuasive, accompanied by such cherishable beauty, you would still like to cheat with a third party who may not rival your wife? perhaps the ignition of lust could surpass any romantic sentimentality you've been deeply inspired. the director's camera frame has manifested well on that by a shot of the man's wedding ring and the illict woman's snake-shaped bracelet.

this movie's made with some refinement which surprises me since it's done by the same brazen woman who chooses to bare a vaginal frontal scene and have his lead woman sex with a real porn actor in "romance"...but honestly i'm still deeply annoyed by her sexual politics in this latest movie of hers. why, as a woman, she has to be so tremendously selfish just for the sake of shameless unbridled freedom even it would cause pain to others??? it even features one scene where argento's character smirks at the cornered seat of church when the man's wedding is to be proceed on with some drab bliblical admonisments for marital virtues on women as if she lures the man just to defy church out of taunting contempt...would she care the other party which's never done any damage to her? personally if that's the necessary attitude to pronounce your feminist right, it's better to have no part of it when your blissful emancipation has to be built by the sacrifice of those irrelevant people. wouldn't woman, in this case, just descends into the accomplice of man to wreck other woman's life?
August 10, 2009
dietmountaindew
Veronique Kwak

Super Reviewer

from a plot standpoint, we've seen this one before -- it's reminiscent of 'dangerous liaisons' and 'dangerous beauty.' the story line is framed by a chorus of mediocrity. what sparks and differentiates this film is argento's performance. she is purely and unapolegetically carnal. she is like a mix of frida khalo's masculinity and cleopatra's seductress. i'm not sure how much of this character is acted, but it is quintessentially asia argento.
July 30, 2009
bookmunki

Super Reviewer

This French epic movie directed by Catherine Breillat is like Jane Austen meets Last Tango in Paris. Scoiflty and deftly immersing me in the fashions - not just the clothes and decor, but also the changing sexual and social ethics - of the 1830s.
August 18, 2008
deano
Dean McKenna

Super Reviewer

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  • The Last Mistress (Une vieille maitresse) (DE)
  • The Last Mistress (Une vieille maitresse) (UK)
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