• R, 1 hr. 36 min.
  • Comedy
  • Directed By:
    Jonathan Parker
    In Theaters:
    Oct 23, 2009 Wide
    On DVD:
    Jun 1, 2010
  • Samuel Goldwyn Films


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(Untitled) Reviews

Michael O'Sullivan
Washington Post
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September 24, 2011
Ian Buckwalter
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Writer-director Jonathan Parker sets us up for a 90-minute debate on aesthetics and artistic integrity, and that's a tedious exercise in any medium.

Full Review Source: NPR | Original Score: 5.5/10

July 4, 2010
Eric D. Snider
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Skewers the world of contemporary art in a way that's insightful and funny without becoming a broad parody.

Full Review Source: Film.com | Original Score: B

November 21, 2009
John Hartl
Seattle Times
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The impenetrable gallery jargon is quite funny at first, and the brothers' twisted relationship is set up nicely, but the movie errs when it takes itself seriously.

Full Review Source: Seattle Times | Original Score: 2.5/4

November 12, 2009
Steven Rea
Philadelphia Inquirer
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(Untitled) asks a lot of intriguing questions -- more intriguing than the film itself.

Full Review Source: Philadelphia Inquirer | Original Score: 2/4

November 12, 2009
Wesley Morris
Boston Globe
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A serious comedy in which the assorted players - a couple of artists, some gallerists, and the people who attend (or don't attend) their shows - discuss what art is, what it should aspire to be, and what kind of people collect, exhibit, and consider it.

Full Review Source: Boston Globe | Original Score: 3/4

November 12, 2009
Michael Phillips
Chicago Tribune
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Has the punctuation and the thinness of a gallery wall label.

Full Review Source: Chicago Tribune | Original Score: 2/4

November 5, 2009
Mick LaSalle
San Francisco Chronicle
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It doesn't have a hero who's right and everyone else is wrong. And though it mocks every character, it dismisses nobody. It makes a case for every point of view, including those the filmmakers don't share.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

November 5, 2009
Roger Ebert
Chicago Sun-Times
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(Untitled) is a comedy worthy of the best Woody Allen, and Adrian is not unlike Woody's persona: a sincere, intense, insecure nebbish, hopeless with women, aiming for greatness.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

November 5, 2009
Elizabeth Weitzman
New York Daily News
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Because Parker is so determined to expose the art scene's pretensions, he neglects other areas, like dialogue, plot and character. And what's the point in making a shallow satire about shallow subjects?

Full Review Source: New York Daily News | Original Score: 2/5

October 23, 2009
Gary Goldstein
Los Angeles Times
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There's plenty to recommend.

Full Review Source: Los Angeles Times | Original Score: 3.5/5

October 23, 2009
Stephen Holden
New York Times
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Shrewdly hedges its bets about the value of it all, it is ultimately on the side of experimental music and art and their champions, no matter how eccentric. For that alone this brave little movie deserves an audience.

Full Review Source: New York Times | Original Score: 3.5/5

October 23, 2009
Kyle Smith
New York Post
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(Untitled) is a tinny satire destined to go (Unwatched) because it is (Uninteresting).

Full Review Source: New York Post | Original Score: 1/4

October 23, 2009
Scott Tobias
AV Club
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Shelton's radiant performance as the brothers' elusive object of desire helps rescue (Untitled) from an occasional listlessness that comes as a consequence of Parker's nuanced, gentle jabs at the art world.

Full Review Source: AV Club | Original Score: B-

October 22, 2009
Lisa Schwarzbaum
Entertainment Weekly
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Adam Goldberg glowers effectively as a serious composer of maddeningly difficult music; the wonderful Marley Shelton glows with hilariously cool composure as a gallery owner who exhibits unendurable art pieces.

Full Review Source: Entertainment Weekly | Original Score: A-

October 21, 2009
Kevin Lee
Time Out New York
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(Untitled)'s onslaught of self-indulgent bohos and art-vs.-commerce clichés are as ersatz as their objects of scorn.

Full Review Source: Time Out New York | Original Score: 1/5

October 21, 2009
Melissa Anderson
Village Voice
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(Untitled) tries to reignite who-gets-to-call-it-art debates that haven't been taken seriously for at least a decade.

Full Review Source: Village Voice

October 20, 2009
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