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The Valet (2007)
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Reviews Counted:28
Fresh:21
Rotten:7
Average Rating:7/10
Consensus: Like much of director Francis Veber's work, The Valet is a witty, madcap farce with memorably zany characters.
Rated: PG-13 [See Full Rating] for sexual content and language.
Runtime: 2 hrs 5 mins
Genre: Foreign Films
Theatrical Release:Apr 20, 2007 Limited
Box Office: $2,172,209
Synopsis: Francis Veber (The Dinner Game and The Closet), the living master of French farce, has combined his classic elements of hilarious slapstick with quick-witted dialogue in the new film THE VALET. The... Francis Veber (The Dinner Game and The Closet), the living master of French farce, has combined his classic elements of hilarious slapstick with quick-witted dialogue in the new film THE VALET. The tale begins when François Pignon, (Gad Elmaleh) a restaurant car service valet at a posh Paris hotel gets caught-up in a billionaire industrialist's sneaky infidelities. Veber's plot quickly turns on the fall guy, when François – an innocent passerby - is photographed by a paparazzo leaving the hotel along with Pierre Levasseur (Daniel Auteuil), the wealthy tycoon and his beautiful supermodel mistress Elena (Alice Taglioni). In a desperate attempt to avoid an ugly divorce with his wife Christine, (Kristin Scott Thomas) Pierre's scheming lawyer Maitre Foix (Richard Berry) concocts an outrageous plan. By paying the valet a large sum of money to live with Pierre's mistress, the two men hope to mislead the tabloids and most importantly hide the affair from his wife. Meanwhile, the ruthless Pierre must convince the stunning Elena to live with François in his cruddy apartment until the dust settles. All the while, continuing to reassure his wife that the other man in the photo, François, is really Elena's boyfriend. Francis Veber's intricate and lively plot, tick-tock timing and variety of unusual characters make THE VALET a hilariously good time. --© Sony Pictures Classics [More]
Starring: Gad Elmaleh, Daniel Auteuil, Kristin Scott Thomas, Richard Berry
Starring: Gad Elmaleh, Daniel Auteuil, Kristin Scott Thomas, Richard Berry, Virginie Ledoyen, Michel Aumont, Philippe Magnan, Irina Ninova, Alice Taglioni, Dany Boon, Michel Jonasz, Laurent Gamelon, Patrick Mille, Michele Garcia, Jean-Yves Chilot
Director: Francis Veber
Director: Francis Veber
Screenwriter: Francis Veber
Producer: Patrice Ledoux
Composer: Alexandre Desplat
Studio: Sony Pictures Classics
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Reviews for The Valet
It's all empty calories, of course, but that's what French pastry -- not to mention popcorn -- is all about.
Veber's script is masterfully constructed to increase the laughs as the scheme grows more and more convoluted.
Call it a sorbet, a soufflé or an amuse bouche, The Valet is a satisfying antidote to the overload and bombast that run rampant in American movies at this time of the year.
A deft, daft, totally unbelievable yet somehow totally engaging comedy.
You have the slightest of romps, and one that ends so abruptly that you suspect the prolific Veber had already moved on to his next project.
Everyone in The Valet is likable; the movie even manages to be somewhat subversive, as it posits the idea that supermodels are people, too. Not to mention smart, kind and down-to-earth people. Quelle surprise!
Francis Veber’s The Valet, from his own screenplay, turns out to be a surprisingly satisfying Parisian screen farce.
It'll do nicely, thanks not only to sophisticated amusement but also to a gentlemanly hero who earns a place in our hearts.
Think mediocrity, so much so that if you took away the French subtitles and had the characters speaking English, you'd have an American comedy most critics would shrug off as derivative and a trifle empty.
Tart and weightless, and it entertains without leaving a mark. Not that there's anything wrong with that, but at 85 minutes, The Valet at times feels like a blueprint for a farce rather than the farce itself.
At 80 minutes long, it's that rare case of a short film that should have been longer. And that's its problem: It really should have been longer.
Briskly directed, The Valet hits the brakes for an abrupt ending, but this short ride delivers few apercus on fidelity, glamor or the nice boy next door.
Writer-director Francis Veber has been compared to everyone from Moliere to Blake Edwards, but this sublime French farce reminded me most of Billy Wilder.
The story is farcical and falling-down funny, and yet the actors treat [director] Veber's material as if it were all serious. And entirely reasonable.
This smoothly acted contrivance offers a lesson or two in how to sell a certain kind of comedy -- meaning, how not to oversell it.
Latest News for The Valet
September 21, 2007:
A sophisticated screwball comedy right up there with the best of Billy Wilder. ![]()
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April 28, 2007:
Trailer & Poster review ![]()
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April 19, 2007:
Critical Consensus: Check In With "Vacancy"; "Fracture" Is Solid; "Fuzz" is Hot; "Women" Is Not
This week at the movies, we've got motel hells ("Vacancy," starring Luke Wilson and Kate Beckinsale), legal battles ("Fracture," starring Anthony Hopkins and... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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