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Vanity Fair (2004)
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Reviews Counted:40
Fresh:22
Rotten:18
Average Rating:5.7/10
Consensus: A more likable Becky Sharp makes for a less interesting movie.
Rated: PG-13 [See Full Rating] for some sensuality/partial nudity and a brief violent image
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:Sep 1, 2004 Wide
Box Office: $16,052,032
Synopsis: One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever... One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever created, Rebecca (Becky) Sharp. The new film version of the classic novel by William Makepeace Thackeray introduces a new audience to the beautiful, funny, passionate, and calculating Becky. The daughter of a starving English artist and a French chorus girl, Becky is orphaned at a young age. Even as a child, she yearns for a more glamorous life than her birthright promises. As she leaves Miss Pinkerton's Academy at Chiswick, Becky resolves to conquer English society by any means possible. She deploys all of her wit, guile, and sexuality as she makes her way up into high society during the first quarter of the 19th century. Becky's ascension to the heights of society commences when she gains employment as governess to the daughters of eccentric Sir Pitt Crawley (Bob Hoskins). Becky wins over the children, and the Crawley family's rich spinster aunt Matilda (Eileen Atkins) as well. The rural Hampshire household comes to find her indispensable, and Matilda comes to confide in the bright young woman. But Becky knows that she cannot be a true part of English society until she moves to the city. When Matilda invites her to come live in London, Becky eagerly accepts. There, Becky is reunited with her best friend Amelia Sedley (Romola Garai), who - having grown up comfortably - does not share Becky's more brazen ambitions. Hewing close to the family she already knows so well, Becky secretly marries dashing heir Rawdon Crawley (James Purefoy) - but when Matilda discovers their union, she casts the newlyweds out. When Napoleon invades Europe, Rawdon bravely reports to the front lines. Pregnant Becky stands by distraught newlywed Amelia, whose own husband George Osborne (Jonathan Rhys Meyers) is also called to fight. When George does not survive the Battle of Waterloo, Becky's friendship with Amelia is strained beyond repair. Becky is reunited with Rawdon and gives birth to a boy, but, post-war, money and comforts are sparse for the trio. More intent than ever on gaining acceptance into London society and living well, Becky finds a patron in the powerful Marquess of Steyne (Gabriel Byrne). Steyne's whims enable Becky to realize her dreams, but the ultimate cost may be too high for her. [More]
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai, Gabriel Byrne, Eileen Atkins, Jim Broadbent, Bob Hoskins, Rhys Ifans, Geraldine McEwan, Douglas Hodge
Director: Mira Nair
Director: Mira Nair
Screenwriter: Mark Skeet, Julian Fellowes, Matthew Faulk
Producer: Janette Day, Lydia Dean Pilcher, Donna Gigliotti
Composer: Mychael Danna
Studio: Focus Features
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Reviews for Vanity Fair
It's lavish but lulling, and at two hours and 18 minutes, it's something of a bore.
A less than absorbing adaptation of Thackeray’s sprawling but sharp-witted classic.
Scene by scene and moment to moment, it's a woeful misreading of the book.
Witherspoon moves director Mira Nair's version of Thackeray's social satire forward at a good clip, making Becky's rising and falling fortunes an intensely watchable spectator sport.
There is no depth beneath its bright surfaces, no potent emotional undercurrents.
A charming movie that falls short of greatness, but is still worth a solid recommendation.
Even with a running time of more than 2 hours, this kind of condensation means we race through the story's second half in a time warp not aided by Nair's garish, out-of-nowhere and out-of-place Indian interludes.
Though it's an accomplished production, Vanity Fair ranks as a standard costume drama populated by snide old biddies, aging lords and ladies, manipulative business barons and dashing soldiers.
Witherspoon's simply terrific, and it's amazing how quickly and easily she sheds speculation that she was too modern for the role.
By film's end, audiences are bound to be left dissatisfied with the choppy and confusing storytelling style and unhappy about the missed opportunity.
Lively and mostly successful treatment -- at least until the barbs are blunted in the messy third act.
The satire is sharply observed and the performances acutely felt, most of all Witherspoon's.
A lot of things happen, all of it fairly absorbing, some of it rendered vividly.
The movie has the look and feel of an ornate runaway carriage that cuts its own path through town and country. With Nair at the reins and Witherspoon as the passenger, we are in good hands and spirited company.
As a film, Vanity Fair has a lot going for it -- including acting and energy.
Instead of a sly critique of hypocrisy and pretense in all social classes, the film is a stodgy, unremarkable costume drama with all the bite of a poodle.
With its diminished gravitas, this Becky comes across as a lightweight schemer about as formidable as an aspiring trophy wife on a daytime soap.
Shoehorning all these characters and plot threads into one film is perhaps overly ambitious, but Nair makes Vanity Fair an elegant showcase for an unforgettable heroine.
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
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