A Texas high school quarterback defies convention and a hard-line coach as he leads his team to success and raucous teen fun.My favorite sports film of all time is 61*, and that's not just because I'm a die-hard Yankees fan. I think my favorite moment in Billy Crystal's film is Roger Maris's response to one of the
reporter's questions: the reporter asks him about the heroism of what he accomplished (I wish I could quote verbatim, but I don't have that good a memory), and Maris replies, "I don't think that's something you can earn on a ball field." And because of the attention that film pays to Maris's off-the-field struggles, we understand his point. Essentially, Varsity Blues flirts with the same point. The main character, Mox, considers his goals reaching beyond high school, and the film attempts to satirize/criticize the seriousness with which Texas high school communities take football. The problem is that the film ends up reinforcing everything it criticizes. Everything that you think would happen does, and what we're left with is a crippling contradiction: the goals these people hold so dearly are foolishly short-sighted, but we're still supposed to relish in the moments the characters achieve them.Also, perhaps it's because my high school experience was much like most people's time in prison, but I always find films that portray high schoolers as adults, with the freedoms and problems adults have, to be extraordinarily false. After all, I don't know any town, in Texas or anywhere else, where seventeen- and eighteen-year-olds would be able to drink freely, steal a police car, go to a strip club (where their teacher moonlights [a teacher's pay isn't that bad]), and still face no consequences.Overall, if you like over-drawn cliches and don't mind if a film is thematically contradictory, then enjoy Varsity Blues and the brief but delectable shot of Ali Larter in a whip cream bikini.
June 11, 2011
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