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Vertical Limit (2000)
Tomatometer
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Reviews Counted:31
Fresh:17
Rotten:14
Average Rating:5.5/10
Consensus: The plot in Vertical Limit is ludicrously contrived and cliched. Meanwhile, the action sequences are so over-the-top and piled one on top of another, they lessen the impact on the viewer.
Rated: PG-13 [See Full Rating] intense life/death situations and brief strong language
Runtime: 2 hrs 4 mins
Genre: Action/Adventure
Theatrical Release:Dec 8, 2000 Wide
Box Office: $67,771,442
Synopsis: As action director Martin Campbell's heart-pumping thriller VERTICAL LIMIT begins, an eagle glides gracefully over the stunningly filmed mesas of Utah. Its shadow falls on a vertical rock face... As action director Martin Campbell's heart-pumping thriller VERTICAL LIMIT begins, an eagle glides gracefully over the stunningly filmed mesas of Utah. Its shadow falls on a vertical rock face being climbed by Peter Garrett (Chris O'Donnell), his father (Stuart Wilson), and his sister Annie (Robin Tunney). Suddenly a backpack hurtles by, followed rapidly by two climbers whose ropes tear the male Garretts from the rock face. The excruciatingly tense sequence ends in tragedy. After this stunning opening, the action switches to the Himalayas, where tycoon Elliott Vaughn (Bill Paxton) has financed an expedition that will take him to the summit of K2--the world's second highest mountain. Annie is one of Elliott's party. In the face of a threatening storm, Elliott recklessly insists the climb should continue. The storm duly arrives and decimates the expedition, leaving Elliott and Annie stranded. Peter leads a group of climbers--including the grizzled Montgomery Wick (Scott Glenn) and a French-Canadian nurse (Izabella Scorupco)--in a rescue attempt. Campbell, director of photography Derek Tattersall, many daring cameramen, mountain climbers, avalanche specialists, and special effects technicians, along with veteran editor Thom Noble, deliver a beautifully filmed mountaineering thriller with even more heart-stopping moments than JAWS. [More]
Starring: Chris O'Donnell, Bill Paxton, Robin Tunney, Scott Glenn
Starring: Chris O'Donnell, Bill Paxton, Robin Tunney, Scott Glenn, Izabella Scorupco
Director: Martin Campbell
Director: Martin Campbell
Screenwriter: Robert King, Terry Hayes
Producer: Lloyd Phillips, Robert King, Martin Campbell
Studio: Columbia Pictures
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Reviews for Vertical Limit
The pace of the movie rarely flags (neither does the idiocy, alas) and it's enough to warrant a marginal recommendation.
This is a movie that means to keep you involved and, preferably, gasping from start to finish . At that, it certainly does succeed.
When the characters just shut up and dangle, Vertical Limit becomes one heck of a wild time.
But at its worst, Vertical Limit makes you weary with its stock characters and de rigueur explosions, avalanches, collapsing crevices and the like.
There's a huge surplus of edge-of-your-seat whatevers in this thin-air thriller about a rescue mission on K2. But by the end, you can't tell who's got more bruises: the actors or your nerves.
Nearly all, from a gut-crunching helicopter drop to a literal cliff-hanger of excruciating tension, will have you mentally grasping for a lifeline, even if you fail to completely comprehend what's going on.
The mountain-rescue movie Vertical Limit doesn't just operate at the height of ludicrousness; it also puts marshmallow Chris O'Donnell in the business of saving lives.
The visuals are stunning, but that's not enough. They can't make up for this predictable story populated by cardboard-cutout characters. The film needs more rescuing than that.
For all the pains that have been taken to plunk us vicariously alongside the frozen peril, Vertical Limit is mostly a joke that keeps getting unfunnier.
One of the most thrilling - and authentic - mountain-climbing films in recent memory.
The picture cuts from story thread to story thread, and in such a choppy fashion that we're rarely given the vistas that would allow us to take in the physical layout of the action.
Made from obvious formulas and pulp novel conflicts, but strongly acted and well crafted.
If you lay aside that action and watch the people instead, it's a morass of dimwitted family crises and hack action-movie cliches.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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