Opening

97% Ghostbusters Aug 29
23% As Above/So Below Aug 29
35% The November Man Aug 27
98% Starred Up Aug 27
76% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
37% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
45% Sin City: A Dame to Kill For $6.3M
65% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

—— Jonah From Tonga: Season 1

Discuss Last Night's Shows

73% The Cosmopolitans: Season One
100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Vertigo Reviews

Joshua Rothkopf
Time Out New York
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Hitchcock's most tender story.

Full Review Source: Time Out New York | Original Score: 5/5

June 1, 2011

TIME Magazine
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The old master, now a slave to television, has turned out another Hitchcock-and-bull story in which the mystery is not so much who done it as who cares.

Full Review Source: TIME Magazine

April 20, 2009
Dave Kehr
Chicago Reader
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One of the landmarks -- not merely of the movies, but of 20th-century art.

Full Review Source: Chicago Reader

April 20, 2009
David Ansen
Newsweek
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Why is this movie Hitchcock's masterpiece? Because no movie plunges us more deeply into the dizzying heart of erotic obsession.

Full Review Source: Newsweek

August 18, 2008
Geoff Andrew
Time Out
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Slow but totally compelling.

Full Review Source: Time Out

January 26, 2006
Variety Staff
Variety
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James Stewart, on camera almost constantly, comes through with a startlingly fine performance as the lawyer-cop who suffers from acrophobia.

Full Review Source: Variety

February 13, 2001
Jeff Millar
Houston Chronicle
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There is a glumness to the film that is notably missing from the director's other films of the period.

January 1, 2000
Robert Horton
Film.com
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One of the things that still amazes me about this movie is the way its study of obsession is so single-minded.

January 1, 2000
Mike Clark
USA Today
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You watch this guy going slowly over the brink and realize, good grief, this is Jimmy Stewart.

| Original Score: 4/4

January 1, 2000
Roger Ebert
Chicago Sun-Times
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It is about how Hitchcock used, feared and tried to control women.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
James Berardinelli
ReelViews
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From a craft standpoint, Vertigo represents the director in peak form.

Full Review Source: ReelViews | Original Score: 3.5/4

January 1, 2000
Janet Maslin
New York Times
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The lure of death, the power of the past, the guilty complicity of a clean-cut hero, the near-fetishistic use of symbol and color: these Hitchcock hallmarks are all mesmerizingly on view.

Full Review Source: New York Times

January 1, 2000
Desson Thomson
Washington Post
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Do yourself an aesthetic favor: Take the plunge.

Full Review Source: Washington Post

January 1, 2000
Bosley Crowther
New York Times
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There! No more hints! Coming or not? What more's to say? Well, nothing, except that Vertigo is performed in the manner expected of all performers in Hitchcock films.

Full Review Source: New York Times

January 1, 2000
Peter Stack
San Francisco Chronicle
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In its dark heart, the film is a sorrowful contemplation of love and the veils that manipulate sexual passions.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

January 1, 2000
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