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Movies / Upcoming / Visual Acoustics: The Modernisms of Julius Shulman
Visual Acoustics: The Modernisms of Julius Shulman

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Visual Acoustics: The Modernisms of Julius Shulman (2009)

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Reviews Counted:12

Fresh:12

Rotten:0

Average Rating:7.1/10

Rated: Not Rated

Runtime: 84 mins

Genre: Musical & Performing Arts

Theatrical Release:Oct 9, 2009 Limited

Synopsis: Narrated by Dustin Hoffman, Visual Acoustics explores the monumental career of 98-year-old architectural photographer, Julius Shulman. Populating his photos with human models and striking... Narrated by Dustin Hoffman, Visual Acoustics explores the monumental career of 98-year-old architectural photographer, Julius Shulman.

Populating his photos with human models and striking landscapes, Shulman combined the organic with the synthetic, melding nature with revolutionary urban design. The resulting images helped to shape the careers of some of the greatest architects of the 20th Century, with Shulman documenting the work of Richard Neutra, Rudolph Schindler, Pierre Koenig, John Lautner and many others.

Taking its aesthetic cues from Shulman’s own sensual and nuanced photography, the film’s narrative is built from a blend of Shulman’s own images as well as in depth interviews with architect Frank Gehry, designer Tom Ford, artist Ed Ruscha, actress Kelly Lynch and writer Mitch Glazer, publisher Benedikt Taschen, Academy Award -- nominated cinematographer Dante Spinotti and a host of others.

In addition, by offering unprecedented and exclusive access to his amazing photographic archive and his day-to-day life, Shulman's dedicated involvement in the process afforded an incalculable benefit to the film. Through the exploration of both Shulman’s art and uniquely individualistic life, Visual Acoustics offers an unforgettable portrait of Modernism’s most eloquent ambassador.

Shulman’s career began in 1936 when he began photographing homes designed by architect Richard Neutra.

Shulman was subsequently flooded with commissions from other well-known architects including Frank Lloyd Wright, Mies Van der Rohe and countless others. Over the coming years, Shulman would become one of the artists responsible for establishing the cohesive “look” of 20th-century modernist design.

Remarkably, Shulman’s photography remains as powerful today as it was in those heady days of the 1950s and 60s, when Modern design seemed to hold the promise of an ordered and aesthetically sensuous future. Nearly 70 years after his first commission, his work continues to move a new generation, his photographs inspiring the artists currently defining 21st Century design. The enthusiastic resurgence of Shulman’s fans have resulted in a renewed celebration of his work -- including featured articles in recent pages of Wallpaper, Dwell and Vanity Fair and countless design and architecture books released by high profile publishers such as Taschen and Rizzoli.

Still highly active, Shulman, at 98 (!), continues to take photography assignments and lecture invitations from around the world. While at home, holding court in his 1949 Raphael Soriano-designed studio in Hollywood’s Laurel Canyon, Shulman and his incomparable archive continue to bring to life a Los Angeles style that he helped to create; a style that has influenced the designers of today’s sleek global aesthetic.

In addition to remaining a respected and insightful voice within the architecture community, Shulman continues as an outspoken and extremely vocal advocate of imbuing the urban 21st century with a sense of humanity and a balance with the natural world.

An uncompromising critic of coldness and abstraction in modern design, Shulman not only has a historic role in the creation of the Southern California architectural landscape, but he has also fought for green spaces and against overdevelopment. Shulman’s insistence on design in harmony with nature is formed by his own life experience -- his passion for the solace of his own home garden and a deeply personal commitment to ecological causes.

In essence, Julius Shulman is a humanist.

His genuine love for people, culture, and the arts has granted him eternal youth of both spirit and heart. Whether it is a student or neophyte architect embarking upon a new career, prestigious heads of state or Frank Gehry, Julius has a genuine and equal interest in all.

Shulman- the photographer, the intuitive artist and the outspoken critic is the living embodiment of the great social vision of modernism: by mobilizing volumes of industrial materials such as glass and steel, we will free the soul and spirit from enclosure and open our lives to the harmony of the natural world. --© Official Site [More]

Director: Eric Bricker

Director: Eric Bricker
Screenwriter: Eric Bricker, Phil Ethington
Producer: Eric Bricker, Babette Zilch
Composer: Charlie Campagna
Studio: Arthouse Films

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Reviews for Visual Acoustics: The Modernisms of Julius Shulman

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Architectural photographer Julius Shulman was a pivotal figure in US popular culture. He's the one who taught Americans to love modernism.

Full Review Source: East Bay Express | comment Comment
11/11/09
Kelly Vance
Kelly Vance
East Bay Express

Bricker doesn't have much filmic pizazz, but Shulman's photos encompass the entire history of modernist architecture.

Full Review Source: Christian Science Monitor | comment Comment
11/06/09
Peter Rainer
Peter Rainer
Christian Science Monitor

The Shulman we see is a man of sharp humor, with an ego to match some of the architects he worked for. He's been slowed down by time, but relishes all the attention lavished on him as a living master.

Full Review Source: San Francisco Chronicle | comment Comment
11/05/09
Walter V. Addiego
Walter V. Addiego
San Francisco Chronicle
Top Critic Icon Top Critic

Visual Acoustics is nominally about the life and career of landmark Southern California architectural photographer Julius Shulman, but it's more about the buildings he photographed than it is about him. Which is probably the way he'd like it.

Full Review Source: Los Angeles Times | comment Comment
10/16/09
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

Shulman is such an interesting character due to the influence he wielded in Modern architecture's ability to flourish in America that all the gushy conversations with architects and academics actually seem merited.

Full Review Source: New York Press | comment Comment
10/14/09
Jerry Portwood
Jerry Portwood
New York Press

A thoroughly compelling, well-edited and illuminating documentary that rarely has a dull moment.

Full Review Source: NYC Movie Guru | comment Comment
10/12/09
Avi Offer
Avi Offer
NYC Movie Guru

"Visual Acoustics" offers a history lesson, biopic, and visually harmonic essay via Julius Shulman's gifted focus.

Full Review Source: ColeSmithey.com | comment Comment
10/11/09
Cole Smithey
Cole Smithey
ColeSmithey.com

Architecture aficionados, and design mavens in general, will have an agreeable time with Visual Acoustics.

Full Review Source: New York Times | comment Comment
10/09/09
Andy Webster
Andy Webster
New York Times
Top Critic Icon Top Critic

Schulman's passion to be present in the here and now and “stop time” with his photographs is indicative of a mortal who has channeled the powers that be to make something that wasn’t there before: Art in its greatest sense.

Full Review Source: Boxoffice Magazine | comment Comment
10/09/09
Matthew Nestel
Matthew Nestel
Boxoffice Magazine

Visual Acoustics goes out of its way to remain as kindly and pleasing as Shulman himself.

Full Review Source: Time Out New York | comment Comment
10/07/09
Keith Uhlich
Keith Uhlich
Time Out New York

Just about everyone in Eric Bricker's festschrift seems to love Julius Shulman, including (adorably) the unstoppable old gent himself. What's not to like?

Full Review Source: Village Voice | comment Comment
10/06/09
Ella Taylor
Ella Taylor
Village Voice
Top Critic Icon Top Critic

Gives a convincing, contagious taste of its protagonist's playful optimism.

Full Review Source: Slant Magazine | comment Comment
10/05/09
Bill Weber
Bill Weber
Slant Magazine
 
 
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