Architectural photographer Julius Shulman was a pivotal figure in US popular culture. He's the one who taught Americans to love modernism.

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Visual Acoustics: The Modernisms of Julius Shulman (2009)
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Reviews Counted:12
Fresh:12
Rotten:0
Average Rating:7.1/10
Theatrical Release:Oct 9, 2009 Limited
Synopsis:
Narrated by Dustin Hoffman, Visual Acoustics explores the monumental
career of 98-year-old architectural photographer, Julius Shulman.
Populating his photos with human models and striking...
Narrated by Dustin Hoffman, Visual Acoustics explores the monumental
career of 98-year-old architectural photographer, Julius Shulman.
Populating his photos with human models and striking landscapes,
Shulman combined the organic with the synthetic, melding nature with
revolutionary urban design. The resulting images helped to shape the
careers of some of the greatest architects of the 20th Century, with
Shulman documenting the work of Richard Neutra, Rudolph Schindler,
Pierre Koenig, John Lautner and many others.
Taking its aesthetic cues from Shulman’s own sensual and nuanced
photography, the film’s narrative is built from a blend of Shulman’s own
images as well as in depth interviews with architect Frank Gehry,
designer Tom Ford, artist Ed Ruscha, actress Kelly Lynch and writer
Mitch Glazer, publisher Benedikt Taschen, Academy Award -- nominated
cinematographer Dante Spinotti and a host of others.
In addition, by offering unprecedented and exclusive access to his
amazing photographic archive and his day-to-day life, Shulman's
dedicated involvement in the process afforded an incalculable benefit to
the film. Through the exploration of both Shulman’s art and uniquely
individualistic life, Visual Acoustics offers an unforgettable portrait of
Modernism’s most eloquent ambassador.
Shulman’s career began in 1936 when he began photographing homes
designed by architect Richard Neutra.
Shulman was subsequently flooded
with commissions from other well-known architects including Frank Lloyd
Wright, Mies Van der Rohe and countless others. Over the coming years,
Shulman would become one of the artists responsible for establishing the
cohesive “look” of 20th-century modernist design.
Remarkably, Shulman’s photography remains as powerful today as it
was in those heady days of the 1950s and 60s, when Modern design
seemed to hold the promise of an ordered and aesthetically sensuous
future. Nearly 70 years after his first commission, his work continues to
move a new generation, his photographs inspiring the artists currently
defining 21st Century design. The enthusiastic resurgence of Shulman’s
fans have resulted in a renewed celebration of his work -- including
featured articles in recent pages of Wallpaper, Dwell and Vanity Fair
and countless design and architecture books released by high profile
publishers such as Taschen and Rizzoli.
Still highly active, Shulman, at 98 (!), continues to take photography
assignments and lecture invitations from around the world. While at
home, holding court in his 1949 Raphael Soriano-designed studio in
Hollywood’s Laurel Canyon, Shulman and his incomparable archive
continue to bring to life a Los Angeles style that he helped to create; a
style that has influenced the designers of today’s sleek global aesthetic.
In addition to remaining a respected and insightful voice within the
architecture community, Shulman continues as an outspoken and
extremely vocal advocate of imbuing the urban 21st century with a sense
of humanity and a balance with the natural world.
An uncompromising critic of coldness and abstraction in modern
design, Shulman not only has a historic role in the creation of the
Southern California architectural landscape, but he has also fought for
green spaces and against overdevelopment. Shulman’s insistence on
design in harmony with nature is formed by his own life experience -- his
passion for the solace of his own home garden and a deeply personal
commitment to ecological causes.
In essence, Julius Shulman is a humanist.
His genuine love for people,
culture, and the arts has granted him eternal youth of both spirit and
heart. Whether it is a student or neophyte architect embarking upon a
new career, prestigious heads of state or Frank Gehry, Julius has a
genuine and equal interest in all.
Shulman- the photographer, the intuitive artist and the outspoken critic
is the living embodiment of the great social vision of modernism: by
mobilizing volumes of industrial materials such as glass and steel, we
will free the soul and spirit from enclosure and open our lives to the
harmony of the natural world. --© Official Site
Director: Eric Bricker
Director: Eric Bricker
Screenwriter: Eric Bricker, Phil Ethington
Producer: Eric Bricker, Babette Zilch
Composer: Charlie Campagna
Studio: Arthouse Films
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Reviews for Visual Acoustics: The Modernisms of Julius Shulman
Bricker doesn't have much filmic pizazz, but Shulman's photos encompass the entire history of modernist architecture.
The Shulman we see is a man of sharp humor, with an ego to match some of the architects he worked for. He's been slowed down by time, but relishes all the attention lavished on him as a living master.
Visual Acoustics is nominally about the life and career of landmark Southern California architectural photographer Julius Shulman, but it's more about the buildings he photographed than it is about him. Which is probably the way he'd like it.
Shulman is such an interesting character due to the influence he wielded in Modern architecture's ability to flourish in America that all the gushy conversations with architects and academics actually seem merited.
A thoroughly compelling, well-edited and illuminating documentary that rarely has a dull moment.
"Visual Acoustics" offers a history lesson, biopic, and visually harmonic essay via Julius Shulman's gifted focus.
Architecture aficionados, and design mavens in general, will have an agreeable time with Visual Acoustics.
Schulman's passion to be present in the here and now and “stop time” with his photographs is indicative of a mortal who has channeled the powers that be to make something that wasn’t there before: Art in its greatest sense.
Visual Acoustics goes out of its way to remain as kindly and pleasing as Shulman himself.
Just about everyone in Eric Bricker's festschrift seems to love Julius Shulman, including (adorably) the unstoppable old gent himself. What's not to like?
Gives a convincing, contagious taste of its protagonist's playful optimism.
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