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Walk the Line (2005)
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Reviews Counted:39
Fresh:29
Rotten:10
Average Rating:7.1/10
Consensus: Superior acting and authentic crooning capture the emotional subtleties of the legend of Johnny Cash and his inevitable downfall with a freshness that is a pleasure to watch.
Rated: PG-13 [See Full Rating] for some language, thematic material and depiction of drug dependency.
Runtime: 2 hrs 33 mins
Genre: Dramas
Theatrical Release:Nov 18, 2005 Wide
Box Office: $119,317,827
Synopsis: Primarily the story of the love that grew between country stars Johnny Cash and June Carter during the early years of Cash's career, WALK THE LINE is the result of intense collaboration between... Primarily the story of the love that grew between country stars Johnny Cash and June Carter during the early years of Cash's career, WALK THE LINE is the result of intense collaboration between director James Mangold, co-writer Gill Dennis, Johnny Cash, and June Carter Cash. Though both Cashes died in 2003, they oversaw the script's development for seven years. Mangold and Cash's insistence that the film's stars would actually sing paid off. Witherspoon's singing (as June) is lovely, and Phoenix's contains the raw energy and soul that defined Cash's sound. Even as a child on a cotton farm in Depression-era Arkansas, Cash shows a strong interest in music, escaping from his no-frills life and strict father (Robert Patrick) through hymns and listening to the radio. When his brother dies in a freak accident, young Johnny feels responsible, and worries that he will never live up to his brother's goodness. The film follows Cash through his first marriage with Vivian Cash (Ginnifer Goodwin) and into the early stages of his touring career alongside such musicians as Jerry Lee Lewis, Carl Perkins, Roy Orbison, Elvis Presley, and most importantly, June Carter. As Cash's success grows, so does his relationship with drugs, alcohol, and Carter, putting a strain upon his family life. From his initial audition with Sam Phillips of Sun Records on through his legendary 1968 concert at Folsom Prison, Cash is transformed from a hesitant singer riddled with demons to a man whose uniquely bold style would make music history. WALK THE LINE never attempts to paint a full picture of Cash's prolific career, but instead focuses on the passions that drove his music and on the woman who gave him strength. With magical performances by Witherspoon and Phoenix, a haunting and inspiring American romance is brought beautifully to life. [More]
Starring: Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick
Starring: Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick, Tyler Hilton, Dallas Roberts, Shelby Lynn, Jonathan Rice, Dan Beene, Ridge Canipe, Sandra Ellis Lafferty, Waylon Payne, Shooter Jennings
Director: James Mangold
Director: James Mangold
Screenwriter: Gill Dennis
Producer: James Keach, Kathy Conrad
Composer: T-Bone Burnett
Producer: Cathy Konrad
Studio: 20th Century Fox
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Reviews for Walk the Line
I advise you catch up with Walk the Line, if only for Ms. Witherspoon’s transcendent joyousness as a still-growing legend within a legend.
Mangold was wisely generous with the amount of musical performance he included in the film, and the later scenes -- showing Cash and Carter as partners -- are so well shot and edited, they defy you to sit still.
If Walk the Line isn't the full story of Johnny Cash, it's at least a crucial corner of it, a way of coaxing a legend down to a human scale, without shrinking that legend away to nothingness.
A Johnny Cash biopic equally packed with music and frustrated love, Walk the Line goes from compelling to enthralling.
[Director] James Mangold's mostly excellent Walk the Line is designed as a Christian epic.
Joaquin Phoenix isn't Johnny Cash. But with the clip-clop of rhythms behind him, aiming his guitar like a gun, he puts on one sensational show.
The problem is that the movie plays down almost everything that made Cash great: the train rumble of a voice, the direct, poetic truth of his best lyrics, the invention of his outlaw image and his constant creativity.
A passionate, warts-and-all chronicle of an extraordinary American artist, not to mention a love story that can't be beat.
Walk the Line is absolute standard biopic stuff, so familiar that it blatantly echoes last year's Ray, which similarly failed to do justice to the legendary Ray Charles.
It's a celebration of the good times and bad times shared by a man and woman who found each other in the middle of some historic craziness, and it rocks.
Walk the Line isn't a bad movie. It's just a shallow and superficial one.
Walk the Line leaves you feeling an unusual sensation, at least as far as current movies go: You feel as if you've gotten your money's worth when it comes to entertainment and drama.
Mangold's direction is excellent, and the script - - by Mangold and Gil Davis - - captures the complex characters without relying on biopic cliché.
Walk the Line is the only movie I've seen three times this year -- and I'd happily watch it again and again.
While Cash and Carter's music gives the movie its undeniable soundtrack, it's their thwarted yet constant tale of friendship and love that makes Walk the Line a big-movie pleasure.
Johnny Cash gets the musical biopic treatment in this moderately entertaining, never quite convincing chronicle of his early years.
In Walk the Line, Joaquin Phoenix doesn't look exactly like Johnny Cash. He doesn't sound exactly like Cash, either. But he is Johnny Cash.
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