The War Tapes (2006)

The War Tapes



Critic Consensus: Candid, eye-opening footage gives viewers a close-up -- and educational -- look at the experiences of American soldiers in Iraq, a viewpoint not normally seen.

Movie Info

Uses footage shot by three members of the National Guard deployed in Iraq. Sergeant Steve Pink is a wisecracking carpenter who aspires to be a writer. Sergeant Zack Bazzi is a Lebanese-American college student who loves to travel and is fluent in Arabic. Specialist Mike Moriarty is a father who seeks honor and redemption. Part journal, part jokebook, part witness, the film offers a view of war rarely seen from the inside out. We learn what the soldiers are thinking every step of the way, from … More

Rating: Unrated
Genre: Documentary, Special Interest
Directed By:
In Theaters:
On DVD: Apr 24, 2007
SenArt Films - Official Site


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Critic Reviews for The War Tapes

All Critics (67) | Top Critics (27)

This is an important film, but be prepared for shocks.

Full Review… | October 20, 2006
Seattle Times
Top Critic

Arguably the most vital and eye-opening documentary yet made regarding the United States' current military entanglement.

Full Review… | October 12, 2006
Los Angeles Times
Top Critic

The film succeeds because of its refreshingly low-key emotional approach and its refusal to impose character arcs or political agendas on its subjects' footage.

Full Review… | October 12, 2006
L.A. Weekly
Top Critic

The film is one of the most urgent and immediate nonfiction works we may ever see.

Full Review… | September 22, 2006
Detroit Free Press
Top Critic

No matter what you think of the U.S. presence in Iraq, the film will disturb or startle or dismay you.

Full Review… | September 15, 2006
Houston Chronicle
Top Critic

A riveting firsthand look at the conflict on the battlefield, in the barracks, and on the home front, unfiltered by any partisan prejudice.

September 14, 2006
Minneapolis Star Tribune
Top Critic

Audience Reviews for The War Tapes


Beat novelist and World War II veteran Jack Kerouac ceaselessly typed his second book onto tele-type paper taped together in one continuous scroll, such that the final product proved to be one expansive manic sentence. Thanks to the graces of his gifted editor, that sentence became On the Road, the now-classic tome on a search for identity in post-war America. Director Deborah Scranton had no less of a challenge in editing someone else's vision into the stark war narrative The War Tapes, in which she effectively communicates the incommunicable: War is a Hell that continues once the fighting has stopped.

Culmed from over 700 hours of footage shot by three members of a National Guard deployment in Iraq, The War Tapes smartly forsakes a documentary format's supposed objectivity for a frank immersion into what may be one of America's darkest hours. Given a director's individual political, philosophical, and religious convictions, objectivity in documentaries proves an impossibility anyway, especially considering how awash our culture is in the subjective American media. The soldiers take notice of this and the corporate profiteers, testament to Scranton's choosing her narrators well, an astute mix of humor, pathos, courage, and, yes, hope.

When Audie Murphy so wisely quipped "War is hell," there came the aspersion that heaven might also exist within the same continuum. Juxtaposing footage from the frontlines of war-torn Iraq with that of families on the homefront, The War Tapes only shows us that the same maudlin spirit seems to permeate the collective mindset-especially after the soldiers return as changed men-a telling commentary on how weary and identity-challenged our embattled society may have become.

Bottom Line: A stark and frank home movie from Hell-on-Earth.

Jeff B.
Jeff Boam

Super Reviewer

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