Average Rating: 6.8/10
Reviews Counted: 22
Fresh: 16 | Rotten: 6
No consensus yet.
Average Rating: N/A
Critic Reviews: 4
Fresh: 3 | Rotten: 1
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Average Rating: 3.6/5
User Ratings: 3,503
French bad boy director Francois Ozon follows up on his controversial first two films Sitcom (1998) and Criminal Lovers (1999) with this adaptation of a play that legendary German director Rainer Werner Fassbinder wrote when he was 19 years old. Retaining the play's four-act structure, the first act opens with middle-aged Leopold (Bernard Giraudeau) escorting young Franz (Malick Zidi) back to his apartment. Franz, who was on his way to visit his fiancée Anna, allows himself to be picked up by
Jul 12, 2000 Wide
Oct 16, 2001
Zeitgeist Films
All Critics (32) | Top Critics (6) | Fresh (16) | Rotten (6) | DVD (4)
The film is very theatrical and admittedly 'staged,' but always purposefully.
Good for Ozon, less so for Fassbinder.
...though it's not exactly good, there's something oddly compelling about the whole thing...
Hilarity, tragedy and a bizarre dance number ensue in this well-executed film debut.
It's a film that should satisfy followers of both Fassbinder and Ozon.
What first comes off as a simple satire brimming with an almost John-Waters-esque absurdity, can bear far deeper scrutiny and still not come up empty.
Franz -un adolescente de sexualidad aún no definida del todo- es seducido por un adulto en su departamento, Leopold, y después de la ...
This is probably the picture Anne Wheeler wanted to make, but then again she could call this "Better than Chocolate: The Sequel" I dunno... "WDOBR" is a good littel independent picture that focuses on four interesting characters who happen to have a problem dealing with love and betrayle.
September 13, 2010Super Reviewer
This is the most pretentious movie ever made. It's almost awe inspiring! You would have thought that during the filming someone would have said to tone it down a bit but no way! This movie is so awful that it has set back French Cinema by at least a decade... all that work by Besson, Jeunet, Caro, and the "New French
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