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The Way of the Gun (2000)
Tomatometer
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Reviews Counted:23
Fresh:9
Rotten:14
Average Rating:4.9/10
Consensus: The Way of the Gun has some good parts, but overall, the movie is derivative, sloppy, and sluggish.
Runtime: 1 hr 59 mins
Genre: Action/Adventure
Box Office: $2,150,979
Synopsis: Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then... Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then collect on the ransom money from the parents-to-be. However, when Parker begins to take a shine to the kidnapping victim, the plan begins to crumble. But it is not until a heavily armed group of mob hit men arrive with the ransom money that Parker and Longbaugh realize they've cooked up a spicy stew of chaos, violence, and confusion. The unborn baby tops it off, making Christopher McQuarrie's THE WAY OF THE GUN a terrifically tense nail-biter. [More]
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs, Juliette Lewis, Nicky Katt
Director: Christopher McQuarrie
Director: Christopher McQuarrie
Screenwriter: Christopher McQuarrie
Producer: Kenneth Kokin
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Reviews for The Way of the Gun
Both the picture and its nefarious plot seem self-consciously calculated.
Many times you will want to look away. But if you can stand it, you should pay close attention, partly to fully savor the clever twists and double-crosses in this intricately plotted film.
McQuarrie repeatedly demonstrates that there is no genre convention that can't be reinvented and turned into a virtue if the writing is good enough.
Like his characters, McQuarrie's film has two faces: It is overplotted and it is crisply directed.
Works better in entertaining fits and starts than as a whole. It doesn't resonate much beyond the here and now, even if the shotgun blasts ring in your ears for a good long while.
It's hard stuff to watch, but the movie was written and filmed so smartly and with such boldness, with just the right ironic edge, that it counters the urge to bolt.
The Way Of The Gun errs once or twice on the side of needless poetry -- like most screenwriter/directors, McQuarrie is in love with the sound of his own snappy dialogue -- but never breaks its own rules or betrays its own characters.
The Way of the Gun will be too bloody for many viewers, but for those who aren't turned off by the high level of violence, McQuarrie's first venture behind the camera offers an involving experience.
The Way of the Gun sometimes trips over its own contrivance, especially at the ammo-ridden end. But most of the time McQuarrie and his cast -- especially Del Toro, Philippe, and Lewis delivering her best, grittiest work in years -- make it crackle.
Where The Way of the Gun falters seriously is its too-leisurely pacing.
McQuarrie has inserted some of the most groan-worthy dialogue outside of the porn world.
McQuarrie, who won an Oscar for scripting The Usual Suspects, has a few visual ideas but no idea how to keep even a gunfight from being dull.
In a way, [McQuarrie] almost seems motivated by the same things that drive his killers: desperation and loot.
True to the film's title, the gun, in all its many, many forms is exalted to the point of becoming a religious icon, flashing forth in the always stylized but numbingly boring shoot-outs that seem to occupy more than half the film's length.
Rotten, pretentious movie full of minimalist dialogue and self-consciously arty cinematography.
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