Average Rating: 4.1/10
Reviews Counted: 80
Fresh: 10 | Rotten: 70
No consensus yet.
Average Rating: 4/10
Critic Reviews: 25
Fresh: 1 | Rotten: 24
No consensus yet.
liked it
Average Rating: 3.4/5
User Ratings: 2,442
W.E. tells the story of two fragile but determined women - Wally Winthrop and Wallis Simpson - separated by more than six decades. In 1998, lonely New Yorker Wally Winthrop (Abbie Cornish) is obsessed with what she perceives as the ultimate love story: King Edward's VIII's abdication of the British throne for the woman he loved, American divorcée Wallis Simpson. But Wally's research, including several visits to the Sotheby's auction of the Windsor Estate, reveals that the couple's life together
Feb 3, 2012 Limited
$0.2M
The Weinstein Company
All Critics (80) | Top Critics (25) | Fresh (10) | Rotten (70)
The production is nice looking, and telling the Edward-and-Wallis story from her side is an interesting idea, but it's one that Madonna simply can't pull off here.
A movie that's less about people than the fetishistic obsession with style.
"W.E." is not awful. It looks quite nice at times, and Riseborough delivers an exquisite if overdrawn performance as Wallis.
As a director, Madonna has flair without ability, but she does have flair.
Madonna the director deserves a script better than the one Madonna the screenwriter handed off to her.
[It] tries awfully hard. In the end it tries our patience.
To start by answering the only question most people probably care about very much: Arianne Phillips's costumes are pretty great, all right.
Madonna, for all her faults, cast this self-funded feature with uncharacteristic cinematic poise. Otherwise, though, it's a disappointment
a glossy mess with no discernable point of view; a gluttonous feast of self-pity by women with a total lack of self-awareness
Madonna directs mature, uneven drama; some domestic abuse.
At least give Madonna credit for playing the Sex Pistols' 'Pretty Vacant' on the soundtrack. 'W.E.' is film as auction catalog come-to-life.
If it's not quite the unholy mess that the reviews have promised, there's no question that this is a sloppy, hubristic affair.
The best thing that can be said about "W.E." is that as failed bits of year-end Oscar bait involving England in the 20th century go, it is better than "The Iron Lady." Unfortunately, it isn't that much better.
"W.E." is a mess, but it's certainly an attractive one; the characters are underdeveloped, yet so relentlessly art- directed that at least there's always something lovely to look at.
Finally, a Hollywood feature directed by someone who's performed live at the Super Bowl halftime show.
W.E. may be Madonna's second directorial effort, but she still tells a story like a virgin.
If Madonna wants to move into directing then she should get someone else to write the scripts. She has a fine visual eye, but she seems at a loss on how to put together an entertaining story.
...rising young English actress Andrea Riseborough ("Never Let Me Go," "Brighton Rock") is astonishingly good as American divorcee Wallis Simpson, like a diamond set in tin.
Though the directing was a little all over the place for my taste, it was an engaging story well acted.
February 21, 2012It was brilliant. When the critics give Haywire an 80 and WE a 13, it's time to stop reading the critics. If Madonna had the good sense not to put her name on it, It would have been in the 80s at least. It was a beautiful, complex, and very revealing movie and I loved it. 5 stars.
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