Average Rating: 4.3/10
Reviews Counted: 103
Fresh: 13 | Rotten: 90
No consensus yet.
Average Rating: 4.3/10
Critic Reviews: 33
Fresh: 2 | Rotten: 31
No consensus yet.
Average Rating: 3.1/5
User Ratings: 4,386
W.E. tells the story of two fragile but determined women - Wally Winthrop and Wallis Simpson - separated by more than six decades. In 1998, lonely New Yorker Wally Winthrop (Abbie Cornish) is obsessed with what she perceives as the ultimate love story: King Edward's VIII's abdication of the British throne for the woman he loved, American divorcée Wallis Simpson. But Wally's research, including several visits to the Sotheby's auction of the Windsor Estate, reveals that the couple's life together
Feb 3, 2012 Limited
May 1, 2012
The Weinstein Company - Official Site
Watch It Now
Edward, King Edward VII...
King George V
Major Fruity Metcalfe
Daniel Andre Pageon
East Side Woman
Woman Getting Taxi
Gil Cohen Allono
It's hard to hate a movie that escorts us to such lovely locales, but instead of marking the territory as her own, Madonna has directed a potentially provocative story like a virgin.
With "W.E." Madonna gorges on glamour, architectural porn and haute couture but starves the mind.
The film is stylishly shot. And, in weaving the stories of Wally and Wallis, Madonna trusts viewers to move from mood to mood, era to era without overexplanation, the way music-video editing long ago trained us to.
The production is nice looking, and telling the Edward-and-Wallis story from her side is an interesting idea, but it's one that Madonna simply can't pull off here.
A movie that's less about people than the fetishistic obsession with style.
It may not be laughably awful - like her and Ritchie's Swept Away - it's something far worse...boring.
Is this the end of Madonna as a movie maker, a case of her always ambitious reach exceeding her limited grasp?
W.E. is staggeringly misjudged, infuriatingly revisionist, blindingly stupid and stomach evacuatingly terrible.
Kudos to Madonna for ultimately producing a celluloid smorgasbord that contains the caloric content of a couple of Snackwell's cookies.
Impossible to recommend to anyone not already fascinated with the British royal family, or at least jonesing for a companion piece to The King's Speech.
Truth be told, the film isn't THAT bad, and if it had been directed by an unknown rather than a controversial media icon, it might have been more charitably dismissed as an ambitious failure.
not a completely horrible film ...there's one sequence - an anachronistic and jarring one in which Wallis Simpson ... dances with a Masai tribesman to the Sex Pistols' "Pretty Vacant" - that I think indicates that Madge has real potential as a director.
An ambitiously conceived and beautifully designed and costumed but disjointed work; each scene is impressive on its own, but the movie -- like its heroines? -- lacks a coherent identity.
Madonna doesn't appear in W.E. but her artistic sensibilities are on display at every turn.
Tonally and emotionally all over the map, Madonna wants to celebrate Wallis' and Edward's martini-shaking high living while also wallowing in her hidden pain.
Enough already with the famous-equals-feminist school of female icons - it's not enough to simply dress well.
The coda plays like one long and petulant foot stomp about sacrifice and due recognition of said sacrifice, and in that, too, it's impossible not to tease the thread back to its maker, striking a pose as misunderstood icon.
We can't take overly seriously the woes of folks whose silverware costs more than most people's homes, at least not as presented here, with their wealth depicted as a kind of moral state.
Neither story comes alive, in large part because the film never stops moving long enough to let them.
- Wallis Simpson: You have no idea how hard it is to live out the greatest love romance of the century. And now I will have to be with him always and always and always.
- Wallis Simpson: Attractive is just a polite way of saying you've done the best with what you've got. All I could hope to do was dress the best and if everyone turned to look at me when I walked into the room, well, I knew my husband would be happy.
- Wallis Simpson: Darling, they can't hurt you unless you let them.
|W.E.||5 months ago||0|
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