I was fully absorbed in the characters and their casually outrageous behavior.
We Don't Live Here Anymore (2004)
Tomatometer
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Reviews Counted:33
Fresh:24
Rotten:9
Average Rating:6.8/10
Consensus: A potent portrait of two couples with broken marriages.
Theatrical Release:Aug 13, 2004 Limited
Box Office: $1,904,214
Synopsis: Based on two works by Andre Dubus, WE DON'T LIVE HERE ANYMORE is a sexy and provocative drama about married life and its discontents. Keenly observed, the film charts the amorous affair of a... Based on two works by Andre Dubus, WE DON'T LIVE HERE ANYMORE is a sexy and provocative drama about married life and its discontents. Keenly observed, the film charts the amorous affair of a married man with his best friend’s wife and how their liaison upsets the delicate balance of relationships, culminating in a fling between their spouses. Unfolding from four alternating viewpoints, the story captures the paradoxical actions of loving parents determined to save marriages they secretly long to escape, as the couples struggle through their emotional and sexual entanglement. With a wry, knowing humor, WE DON’T LIVE HERE ANYMORE reveals the perverse logic of infidelity -- and the complicity, denial and occasional cruelty that can accompany it. College instructors in a small university town, Jack Linden and Hank Evans have an easygoing friendship involving runs between classes and drinks at the pub after work. Jack’s wife Terry is best friends with Hank’s Edith, and the four have dinner parties where, once the kids have gone to bed, the wine flows freely and the record collection is in constant rotation. But the Evanses and the Lindens are not the happy couples they appear to be. For Jack and Terry, the everyday tribulations of being parents of young children trying to make ends meet have taken their toll on the once passionate couple. And Hank, a self-absorbed writer at heart, is fond of his daughter and family life, but not all that interested in monogamy, it turns out. Trying to find a way to make her marriage work under the new circumstances, Edith turns to Jack for comfort. What begins as a playfully lascivious affair erupts into a season of infidelity, leaving all four to sift through the emotional wreckage to find their way home. -- © Warner Independent Pictures [More]
Starring: Mark Ruffalo, Naomi Watts, Peter Krause, Laura Dern
Starring: Mark Ruffalo, Naomi Watts, Peter Krause, Laura Dern
Director: John Curran
Director: John Curran
Screenwriter: Larry Gross
Producer: Harvey Kahn, Jonas Goodman, Naomi Watts
Composer: Michael Convertino
Studio: Warner Independent
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Release:
Dec 14, 2004
Reviews for We Don't Live Here Anymore
Watts manages to make her Edith seem genuinely remorseful about her actions but unable to stop, and Ruffalo puts a believable hint of guilt in Jack's face that he carries through the film.
Earnest, overbearing and fully depressing, We Don't Live Here Anymore features a quartet of fine performances that are somewhat undermined by the numbing, one-note tone of the entire enterprise.
Painful, powerful adaptation of two of Andre Dubus' beautifully frank stories.
Curran shows us characters whose lives have gone stale but doesn't provide sufficient payoff to justify the suffering.
It's an honest, revealing and provocative look at the sort of people we think we know, but in reality, rarely do.
Dramatically slack, the story isn't driven by plot so much as by the slow revelation of character.
An intricate drama that derives tragedy from emotional indifference, immaturity and fatigue, qualities that have spelled doom for more than a few marriages.
Scene by scene, the movie is precise, vibrant, and, for all its turmoil, moving.
The movie may leave its audience feeling a little battered ... Still, the film's honesty, along with its refusal to pander to Hollywood happy endings, is well worth the beating.
Usually American marital problems are left to the soap operas; it's nice to see them tackled by experts, piercing personas and peeling open hearts.
A movie as empty as its title. A lot of good acting is going on, but there's nobody home.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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