Average Rating: 5.8/10
Reviews Counted: 145
Fresh: 82 | Rotten: 63
Bland characters, clichéd dialogue and rickety plotting ensure We Own The Night never lives up to its potential.
Average Rating: 5.9/10
Critic Reviews: 33
Fresh: 20 | Rotten: 13
Bland characters, clichéd dialogue and rickety plotting ensure We Own The Night never lives up to its potential.
liked it
Average Rating: 3.4/5
User Ratings: 253,885
Set against the backdrop of the bloody battle waged between New York City cops and the Russian mafia in the 1980s, director James Gray's period drama tells the tale of an emerging club manager whose family ties to law enforcement make him a target for the city's most dangerous criminals. Bobby Green (Joaquin Phoenix) manages one of Gotham's hottest clubs, but being in the club scene often means turning a blind eye to blatant criminal activities. Realizing that his career -- and perhaps his life
Oct 12, 2007 Wide
Feb 13, 2008
$28.6M
Sony/Columbia
All Critics (145) | Top Critics (33) | Fresh (84) | Rotten (66) | DVD (16)
An intriguing blend of mainstream audience-pleaser and a more subtle, even intellectual agenda.
It's not surprising, but it's engaging enough that most patrons will likely cut the director some slack for the out-of-period details and convoluted plot contrivances that make the film seem at once sloppy and too neat.
This one hangs on the notion of fate, and once you've figured out whose fate is the central issue, the outcome -- even with those clumsy plot twists -- is fairly predictable.
As flat-footed as writer-director James Gray's script often sounds, his cops-vs.-mob tale can be strangely mesmerizing.
Time will tell, but from where I'm sitting this deceptively routine cop movie runs deep. In fact, it already looks like a classic. Cagney and Tracy would be proud.
[With so many] plot twists and turns, it's almost like a bad parody of a Western.
Director-writer James Gray makes it all seem more urgent than it has any right to feel, because he knows how to make tense, violent dramas that are soaking in mood.
This is a man's movie: gritty, macho, and lacking in grace.
If We Own the Night is flawed and somewhat choppy, it served notice that Gray, once he refined his technique, would be a force to be reckoned with in the cinema world.
Gray assumes rather than dramatizes the depths of his characters, scanning for gravitas where there are only rickety clichés
A generic thriller that aims for deeper resonance, We Own The Night is an intriguing feature, undermined by a plot that stretches credulity, yet which still manages to conform to predictable gangster flick cliché.
Although We Own the Night is never as suspenseful as it wants to be and can be a little formulaic, it never comes close to being boring, and that's something you can't say too often about movies these days.
(We Own the Night) was terribly written and just such a waste of great actors.
The pace may be a shade plodding at times, and the dialogue frequently does disservice to the subject matter. Yet the performances lift it out of the rut...
Lovers of good straightforward thrillers should find plenty to enjoy here.
It's a roller coaster, mainly because a good scene is typically followed by a bad one. For every thrill, there is a melodramatic moment that just doesn't work.
The drama gains momentum in the second half, so the film gets better, but it's never too far from cliche.
These are some of the finest actors in America, so it's no surprise that they deliver the goods and create solid, complex and accessible characters we can understand.
We Own the Night declaws the organized crime genre.
Entertaining enough but ultimately it's forgettable due to the fact it's a 'seen it all before' movie. It's not the worst of its kind by any stretch, it's just pretty underwhelming but it is directed very well with a good cast. James Gray is no Scorsese or Coppola yet but maybe in time...
December 13, 2011Super Reviewer
Strangely polarizing film, among my friends, but I really liked this one. The acting is very good, and the story is searing, straight-forward good-brother/bad-brother stuff. Robert Duvall's turn as the brothers' father was excellent, and, (as he proves every year, now, it seems), Mark Wahlberg was born to play cops.
November 24, 2007Super Reviewer
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