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We Own The Night (2007)
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Reviews Counted:29
Fresh:16
Rotten:13
Average Rating:5.7/10
Consensus: Bland characters, clichéd dialogue and rickety plotting ensure We Own The Night never lives up to its potential.
Rated: R [See Full Rating] for strong violence, drug material, language, some sexual content and brief nudity.
Runtime: 1 hr 58 mins
Genre: Dramas
Theatrical Release:Oct 12, 2007 Wide
Box Office: $28,563,179
Synopsis: Director James Gray (THE YARDS) posits two distinctly different brothers--Joseph (Mark Wahlberg) and Bobby Grusinsky (Joaquin Phoenix)--as the central characters in this crime-infested thriller.... Director James Gray (THE YARDS) posits two distinctly different brothers--Joseph (Mark Wahlberg) and Bobby Grusinsky (Joaquin Phoenix)--as the central characters in this crime-infested thriller. Joseph and Bobby inhabit two conflicting worlds in late 1980s New York, the former becoming a cop and the latter running a nightclub. Bobby spends his evenings in a den of iniquity, indulging in drugs, alcohol, and gambling, and his model-like girlfriend Amada (Eva Mendes) is never far from his arm. Their two worlds meet when the father of the two men, Burt (Robert Duvall), who is also a cop, gets together with Joseph to ask Bobby for information about a patron of the club named Vadim (Alex Veadov). Vadim is the nephew of the club's owner, and also a dangerous member of the Russian criminal underworld. Bobby sides with Vadim, and the tension in Gray's brother-versus-brother potboiler reaches melting point as Joseph goes after both his sibling and his Russian foe. Wahlberg, Phoenix, and Duvall all deliver high-caliber performances throughout, and Gray suffuses the plot with enough twists and turns to provide a few surprises. New York City is perfectly utilized as a backdrop to the action, and cinematographer Joaquin Baca-Asay manages to get the balance between moody, atmospheric shots and explosive action sequences just right. WE OWN THE NIGHT ultimately resembles an old-fashioned cop film with a little Scorsese-like drama thrown in for good measure, and is likely to gain a following among movie fans seeking retro crime thrills. [More]
Starring: Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Robert Duvall
Starring: Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Robert Duvall
Director: James Gray
Director: James Gray
Screenwriter: James Gray
Producer: Mark Wahlberg, Joaquin Phoenix, Nick Wechsler, Marc Butan
Composer: Wojciech Kilar
Studio: Warner Bros.
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Reviews for We Own The Night
This one hangs on the notion of fate, and once you've figured out whose fate is the central issue, the outcome -- even with those clumsy plot twists -- is fairly predictable.
As flat-footed as writer-director James Gray's script often sounds, his cops-vs.-mob tale can be strangely mesmerizing.
Time will tell, but from where I'm sitting this deceptively routine cop movie runs deep. In fact, it already looks like a classic. Cagney and Tracy would be proud.
[With so many] plot twists and turns, it’s almost like a bad parody of a Western.
Highly derivative of 1970s films. Sometimes 'good enough' just isn't good enough.
You don't judge artists by where they find their inspiration; you judge them by how they realize it. And in We Own the Night James Gray hits the bull's-eye.
Too slow to be a guilty pleasure and too dumb to be an innocent one, We Own the Night doesn't say a lot except We Own a Lot of Scorsese DVDs.
Gray's craftsmanship is admirable, which shows some old-fashioned reverence for the triangulated composition of Scene, Character, Plot and avoids, by and large, the snazzy edits and visual bling that pass for a cinematic imagination these days.
God knows [writer-director Gray] has skill and integrity, but perhaps it's time to acknowledge that he could use script help.
Wahlberg, unfortunately, is over the top, and not in the good way he was in Scorsese's The Departed.
This is an atmospheric, intense film, well acted, and when it's working it has a real urgency.
Joaquin Phoenix and Mark Wahlberg do a lot of the talking, great mumbling. Two of the movies' master mutterers, they supply a double tour-de-force of indifference to enunciation, steamrolling the English language until it sounds like some other dialect.
We Own the Night is a bloody, passionate melodrama, self-consciously Shakespearean -- or Biblical, or Greek, take your pick of atavisms -- in its intentions.
The theme of this absorbing crime drama centers on a simple idea: Blood is thicker than powder.
At times solid and suspenseful, at times dopily implausible and woefully familiar.
One of Hollywood's moldy oldies -- brothers on opposite sides of the law -- gets yet another spin in this lead-footed crime drama by James Gray.
Phoenix is unquestionably the star of the film. His journey is particularly angst-ridden, and he shows it every step of the way.
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