one film that will never make it into the Animal Planet lineup.
White Dog (1981)
Tomatometer
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Reviews Counted:9
Fresh:8
Rotten:1
Average Rating:7.5/10
Runtime: 90 mins
Genre: Dramas
Synopsis: Sam Fuller's blunt parable about racism, WHITE DOG, explores what happens when a young actress (Christy McNichol) adopts a German Shephard that has been trained to attack black people. After a... Sam Fuller's blunt parable about racism, WHITE DOG, explores what happens when a young actress (Christy McNichol) adopts a German Shephard that has been trained to attack black people. After a number of terrifying attacks, she hires a black trainer (Paul Winfield) to rehabilitate the animal. Together, their effort to cure the white dog of its vicious upbringing becomes something an ethical experiment: can hatred be unlearned? A trenchant moral drama that isn't subtle, or easy to forget, WHITE DOG is well aided by Ennio Morricone's fine musical score which deepens its operatic dimensions and adds a layer of psychological unease. Produced in 1982, the film's controversial subject matter caused it to be withheld from theatrical release until 1991. Loosely adapted from the memoir by Romain Gary, Fuller co-wrote the screenplay with a pre-L.A. CONFIDENTIAL Curtis Hanson. [More]
Starring: Kristy McNichol, Paul Winfield, Christa Lang, Burl Ives
Starring: Kristy McNichol, Paul Winfield, Christa Lang, Burl Ives, Lynne Moody, Jameson Parker, Marshall Thompson, Samuel Fuller
Director: Samuel Fuller
Director: Samuel Fuller
Producer: Jon Davison
Screenwriter: Curtis Hanson, Samuel Fuller
Composer: Ennio Morricone
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Reviews for White Dog
Hate is a dog from hell in White Dog, Samuel Fuller's abused and abandoned late-career masterpiece about homegrown racism.
A simply told story that says more about racism than many NAACP-approved films.
Compelling oddball thriller about a racist dog who only attacks blacks is directed by the always interesting Sam Fuller.
A powerful, inspired critique of racism, tapping into the relationship between humans and animals in a way that places it within the ranks of cinematic masterpieces...
There is no excitement to these scenes -- which is as it should be. The filming is sparse, with no clutter.
Sat on the shelf at Paramount for ten years... and was not shown in U.S. cinemas until it received retrospective festival screenings.
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