Especially for those who have pegged Clint Eastwood too quickly as a masculine traditionalist, White Hunter, Black Heart is a movie to conjure with.
White Hunter, Black Heart (1990)
Tomatometer
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Reviews Counted: 31
Fresh: 28
Rotten:3
Average Rating: 7.1/10
Runtime: 2 hrs 1 min
Genre: Action/Adventure
Synopsis: When John Huston left for Africa to shoot THE AFRICAN QUEEN, he asked his friend, writer Peter Viertel, to come along with him, ostensibly to help him polish James Agee's script. Eventually,... When John Huston left for Africa to shoot THE AFRICAN QUEEN, he asked his friend, writer Peter Viertel, to come along with him, ostensibly to help him polish James Agee's script. Eventually, Viertel wrote a fictionalized account of his experience with Huston in Africa, WHITE HUNTER, BLACK HEART. Almost 30 years later, Clint Eastwood made a film of that novel. Eastwood plays director John Wilson, a man clearly modeled after Huston. Wilson is a gregarious and tremendously engaging character, very different from the strong, silent image of Eastwood his fans have grown to know. At the same time, like many of Clint's characters, Wilson is a man who lives by his own rules. He goes to Africa, far more interested in shooting an elephant on safari than in shooting his movie. His real obsession seems to be his image of himself as a man of action. Wilson is a rascal, somewhat admirable in his ideals, but he's also selfish, stubborn, and irresponsible. Eventually, his pursuit leads to tragedy in Eastwood's most scathing and powerful critique of the macho image he himself has built a career on. It's perhaps the most complex and compelling work Eastwood has done as an actor. [More]
Starring: Clint Eastwood, Jeff Fahey, Marisa Berenson, George Dzundza
Starring: Clint Eastwood, Jeff Fahey, Marisa Berenson, George Dzundza, Alun Armstrong
Director: Clint Eastwood
Director: Clint Eastwood
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Reviews for White Hunter, Black Heart
An ambitious and intriguing project that never amounts to anything more than the sum of its parts--a trait shared by many of Eastwood's other major project as an independent filmmaker, Bird.
An intelligent, affectionate study of an obsessive American film director...
Ably aided by a fine cast and Jack Green's no-nonsense photography, Eastwood constructs a marvellously pacy, suspenseful movie which is deceptively easy on both eye and ear.
This material marks a gutsy, fascinating departure for Mr. Eastwood, and makes it clear that his directorial ambitions have by now outstripped his goals as an actor.
A devastating portrait of self-deceiving obsession, and a notable improvement on Viertel's book in terms of economy and focus.
Wilson, obsessed with the Alpha male art of Hemingway and Melville, is portrayed as a man driven by society’s outsized notions of XY-dom.
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