Late in this meandering film, Rogers' romantic infidelities and the onset of illness add some much-needed dynamics, but even when it's just shooting the breeze, The Windmill Movie is captivating.
The Windmill Movie (2009)
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Reviews Counted:19
Fresh:16
Rotten:3
Average Rating:7.1/10
Theatrical Release:Jun 17, 2009 Limited
Synopsis: Richard P. Rogers (1943-2001) was a NYC baby boomer, born to privilege: a Harvard-educated WASP who became a first-rate independent filmmaker (QUARRY and ELEPHANTS both opened at Film Forum in the... Richard P. Rogers (1943-2001) was a NYC baby boomer, born to privilege: a Harvard-educated WASP who became a first-rate independent filmmaker (QUARRY and ELEPHANTS both opened at Film Forum in the ’70s) and a gifted film teacher. But he was also a tortured, neurotic soul who freely admitted to being jealous of Steven Spielberg and simultaneously ashamed of the impulse. Torn between narrow class loyalties and broader professional goals and political values, Rogers found the time to juggle multiple relationships with the skill of a world-class Lothario, but was unable to complete an autobiographical film he had worked on for 25 years. His former student Alexander Olch collages a trove of material, including extraordinary scenes of Rogers’s mink-coated Gorgon-mom, and fictional sequences with Wallace Shawn as Dick. THE WINDMILL MOVIE is a heady, fascinating brew that brings together one man’s parentage, culture, education, and ambition — letting the chips fall where they may. --© Film Forum [More]
Director: Alexander Olch
Director: Alexander Olch
Studio: Film Forum
Reviews for The Windmill Movie
This movie should be unbearable; instead it's grotesquely fascinating. Rogers' striking early short Quarry precedes the main feature, demonstrating the man's considerable talent.
Although the format will be familiar to fans of Tarnation and Capturing the Friedmans, the result comes closer to Fellini's autobiographical 8 ½.
A remarkable documentary attempt to reconcile Rogers’s sense of personal, professional, and artistic malaise, which culminated in his decades-long attempt to make a film about his life.
Unfortunately, a man died (from cancer) in the making of this explicitly introspective life tome; it was the only way he saw to complete his masterpiece.
Olch doesn't make it easy to identify with Rogers and his stylish existence, but that choice begins to pay off gradually as the fragments start to add up to something more.
There hasn’t been as good a film of this type in this country since Tarnation, which means Olch’s movie is a treat and a surprise no one should pass on.
The ongoing, deeply personal introspection that permeates the picture gives it the haunting feel of a séance.
One gets swept up in the first soapy, then tragic melodrama of the life matter that overwhelmed Rogers' desire/compulsion/ability to make art.
Maybe Edwards has some crazy intent to try and offer his reel to God himself and get a pass. Whatever the case, he leaves one heck of a masterpiece for us mortals.
There's something worth valuing in a documentary that would be a worthy companion piece to both Grey Gardens and Synecdoche, New York.
From the wall-to-wall piano score to Rogers’ tedious navel-gazing, The Windmill Movie renders prosaic and pretentious the churning conflict behind the process of artistic creation.
The examined life may be the only one worth living, but as The Windmill Movie profoundly illustrates, it's no guarantee of happiness.
A warm portrait of the fascinating Richard P. Rogers, an experimental filmmaker.
a heady combination of Synecdoche, New York, Annie Hall, Peeping Tom, and It's All True but all the more compelling because The Windmill Movie is all true.
The Windmill Movie is a version of the autobiography of Richard P. Rogers that might have been.
In finishing what was left undone, Olch's tribute to his mentor is more an act of hubris than humility.
Latest News for The Windmill Movie
July 12, 2009:
Trailer & Poster review ![]()
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June 18, 2009:
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