It's a heartbreaking, beautiful movie that gains strength from its deep characterizations.
The World (2005)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:15
Fresh:13
Rotten:2
Average Rating:8/10
Consensus: Though perhaps too slowly paced and long, The World offers an intriguing glimpse into China's modernization and the growing ennui of some of its people.
Theatrical Release:Jul 1, 2005 Limited
Synopsis: THE WORLD is writer-director Jia Zhang Ke's first "above ground" film, made with the cooperation of China's film bureau, following his previous trio of well-regarded independent works (PICKPOCKET,... THE WORLD is writer-director Jia Zhang Ke's first "above ground" film, made with the cooperation of China's film bureau, following his previous trio of well-regarded independent works (PICKPOCKET, PLATFORM, and UNKNOWN PLEASURES), which were all banned in his native country. Moving the setting from the northern provinces where he grew up to the big city of Beijing, Jia tells the story of people who come to the Chinese capital searching for a better life--but they don't always find it. Zhao Tao stars as Tao, a young woman who works at the World Park, a real theme park made up of small recreations of major world cities and landmarks, including New York, Paris, Tokyo, and London, featuring the Egyptian Pyramids, Big Ben, Stonehenge, the World Trade Center, and, especially, the Eiffel Tower, where many scenes take place. Tao wears flashy costumes when dancing in front of the Taj Mahal, but she is missing something from her life and begins searching deep inside herself after becoming friends with a Russian woman. Tao's boyfriend, Chen (Chen Taisheng), a security guard at the park, is fed up with her mood swings and starts a flirtatious relationship with Qun (Wang Yigun), a fashion designer who makes illegal knock-offs. In another subplot of the film, a relationship between Wei (Jing Jue) and Niu (Jiang Zhongwei) threatens to explode. By filming THE WORLD in the actual park, Jia is able to reveal that the problems of his characters relate to the whole world, not just to China. He also investigates the need for people to communicate better when he animates several scenes involving cell phones into colorful cartoons. This film screened in October 2004 as part of the 42nd New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Tao Zhao, Jing Zha, Chen Taisheng, Wang Yiqun
Starring: Tao Zhao, Jing Zha, Chen Taisheng, Wang Yiqun, Wang Hongwei, Liang Jingtong, Xiang Wan, Liu Juan, Jia Zhang Ke, Masayuki Mori
Director: Zhang Ke Jia
Director: Zhang Ke Jia
Producer: Fumiko Osaka, Peng Dong Sang
Composer: Lim Giong
Studio: Zeitgeist Films
Get This Movie
Reviews for The World
It has a romantic power that seeps into your bones, with its languid rhythms, general plotlessness, and fierce attention to surreal detail.
Flawed only by its abrupt and stylistically awkward ending, The World is a tragic, visionary work.
A movie with the visual expanse of a John Ford western and the ensemble grandeur and long takes of a Robert Altman picture.
With rich irony, The World juxtaposes the teasing, grand images of the outside world's wonders with the insular community and the mundane lives of the park employees.
I became invested in the backstage story, which emerges slowly and in uncertain pieces. There is integrity in a movie that refuses to pump up melodrama where none belongs.
Jia's message is that globalization has failed to help the Chinese masses. We hear you, dude, but did you really need 143 minutes to get your point across?
The World has a pokey pace, but it presents a uniquely powerful look at the new big kid in the global economy.
While the film feels overlong at two hours 20 minutes, there's a seductive stillness to its enveloping mood, with much to appreciate in the sureness of hand with which Jia allows his scenes the time to breathe.
Tao, who shuttles between multiple ethnic costumes in the course of a typical workday, embodies the film's thematic core: the loss of identity in a culture that has bulldozed its own historic past to clear the way for Western-style progress.
The World is the director's most accessible film. But it's also his most despairing.
Jia has daringly crafted an exquisite allegory of China's globalist-visions among a backward parochialism social mentality. It might be a bit lengthy at 140 minutes, but it never feels indulgent.
Mr. Jia has fashioned a quietly despairing vision of contemporary China with an almost ethnographic attention to detail.
Latest News for The World
December 22, 2005:
Phoenix & Toronto Critics Offer Their Year-End Favorites
It's tough to keep up with all the critics' awards being tossed out this time of year, but Movie City News sure helps out a whole lot. This time we have the year-end picks from... More...
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

The director talks about puppetry perfection and his film, Fantastic Mr. Fox

AV Club looks at a beloved cult classic, Sam Raimi's Army of Darkness.

TIME offers us a closer look at the characters from the latest Twilight film.

Moviefone lists their choices for the least attractive men in Hollywood.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



