(Director Oliver) Stone has concentrated on one of the catastrophe's stories and has fashioned it well -- with almost palpable physical detail, and with performances that never sink to exploitation.
World Trade Center (2006)
Tomatometer
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Reviews Counted:41
Fresh:31
Rotten:10
Average Rating:7.1/10
Consensus: As a visually stunning tribute to lives lost in tragedy, World Trade Center succeeds unequivocally, and it is more politically muted than many of Stone's other works.
Rated: PG-13 [See Full Rating] for intense and emotional content, some disturbing images and language
Runtime: 2 hrs 8 mins 58 secs
Genre: Dramas
Theatrical Release:Aug 9, 2006 Wide
Box Office: $70,236,496
Synopsis: The events of September 11 left an indelible mark on most Americans, and certainly on those in the New York City area. Yet as fresh as the images seem, it's easy to forget the actual grit,... The events of September 11 left an indelible mark on most Americans, and certainly on those in the New York City area. Yet as fresh as the images seem, it's easy to forget the actual grit, sacrifice, and uncertainty of that day. Director Oliver Stone captures the essence of 9/11 by focusing on the true story of two Port Authority Police Department officers who were trapped beneath the wreckage of the fallen World Trade Center. Veteran officer Sergeant John McLoughlin (Nicholas Cage) and his team, including rookie Will Jimeno (Michael Pena) are gathering equipment to enter the burning Twin Towers when the concourse comes crashing down around them. Twenty feet below the surface, pinned by debris and unable to reach anyone by radio, the officers must rely on their own will--and on each other--to survive. Above ground, their families watch the towers fall, uncertain whether or not McLoughlin and Jimeno are there, since they are normally assigned to the Port Authority Bus Terminal. Like so many that day, Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) wait for news at home surrounded by their families, fearing the worst and praying for the best. Stone's film depicts the horror and heartbreak of the victims, survivors, and their families with an understated, subtle touch. From the ash and dust covering everyone and everything to the dazed expressions of the workers leaving the towers to the steaming twisted metal remains of the World Trade Center, attention to detail is exceedingly realistic. Rather than being political or sensationalistic, this is a film about everyday heroes--men and women doing their best in the face of an unspeakable event. It may be just one story of many from September 11, but it represents the efforts, emotions, and reactions of so many on that fateful day. [More]
Starring: Nicolas Cage, Michael Pena, Maggie Gyllenhaal, Maria Bello
Starring: Nicolas Cage, Michael Pena, Maggie Gyllenhaal, Maria Bello, Stephen Dorff, Jay Hernandez, Michael Shannon, Jude Ciccolella, Patti D'Arbanville, Frank Whaley, Donna Murphy
Director: Oliver Stone
Director: Oliver Stone
Screenwriter: Andrea Berloff
Producer: Michael Shamberg, Debra Hill, Stacey Sher, Moritz Borman
Composer: Craig Armstrong
Studio: Paramount Pictures
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Reviews for World Trade Center
[World Trade Center] doesn’t pretend to encompass the entire catastrophe of 9/11, and that is its great negative virtue.
The world may not make sense anymore, but Oliver Stone, a warrior still, celebrating courage and endurance, has, in his own way, come home.
[T]here's much discussion about whether audiences are 'ready' to see a mainstream movie about the events of 9/11... That's your choice, but you'll be missing one of the best films of the year.
The story of what they experienced is gripping and inspiring, but however true it is to their lives... the way it's told restricts what the movie can say about the larger tragedy.
If duty is the operative attitude here, inevitability is the inescapable result, and World Trade Center ultimately finds itself as pinned down as McLoughlin and Jimeno are.
It shortchanges audiences when it comes to dramatic revelations that could have resonated on a deeper level. It telegraphs its emotions loud and clear, but somehow they don't reach us.
Stone does everything he can to do justice to the real-life people he's depicting, and yet nothing he does can cover up the film's single but overarching weakness: The personal story he uses to portray the larger event is limited in scope and impact.
It displays optimism, patriotism, emotional frankness and faith. Detractors might call it sentimental. Most of all, it exhibits no political slant whatsoever, injecting only heartfelt empathy for the day's many victims and heroes.
Obviously, living through 9/11 even at a televised remove, we felt overwhelmed. Now, sitting through the re-creation, we feel something altogether different and yet faintly familiar -- underwhelmed.
World Trade Center is beautifully acted down to the smallest role and exquisitely crafted -- it is all but impossible to tell the difference between the computer-generated imagery and live-action sequences shot in Manhattan.
Stone defies those who think of him only as a provocateur in making a compact and emotionally charged story that illuminates a Sept. 11 tale few of us know -- and he does it with a respect bordering on reverence.
World Trade Center approaches drama's potent promise, finding in the story of two individuals and their families uncommon valor and common ground at ground zero.
Some comedies appeal to our inner child, while some horror movies appeal to our inner masochist. Oliver Stone's World Trade Center poignantly appeals to our inner patriot.
Oliver Stone has made an honorable film, in other words, and almost the best thing I can say about it is that it doesn't feel like an Oliver Stone movie.
The old Stone was not exactly a bargain, but he was never this pious or this conventional.
The filmmaker and his colleagues have brought the sensibility of an old-fashioned Hollywood disaster movie, and a mediocre one at that.
Stone takes one of the most tragic events of this century and focuses on the hope, humanity and determination that also held sway amid the darkness.
With this unflinching account of that day, Stone has made the most important film of his long career.
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