The twist ending that softens the blow of this otherwise unique and atmospheric work is not for me to ruin, but it should be said that it shows a chink in the filmmaker's armor
Yella (2008)
Tomatometer
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Reviews Counted: 48
Fresh: 38
Rotten:10
Average Rating: 6.5/10
Consensus: Chilly and haunting, Yella's atmosphere gets under the skin.
Theatrical Release:2008
Synopsis:
Narrowly escaping her volatile ex-husband, Yella (Nina Hoss) flees her small hometown in former East Germany for a new life in the West. She finds a promising job with Philipp (Devid Striesow), a...
Narrowly escaping her volatile ex-husband, Yella (Nina Hoss) flees her small hometown in former East Germany for a new life in the West. She finds a promising job with Philipp (Devid Striesow), a handsome business executive with whom an unlikely romance soon blossoms. But just as Yella seems poised to realize her dreams, she finds herself haunted by buried truths that threaten to destroy her newfound happiness.
Inspired by Herk Harvey’s 1962 cult classic Carnival of Souls, Yella offers a bracing critique of modern capitalist society by considering the current migration of men and women from former Eastern Bloc countries seeking prosperity in the West. It is Christian Petzold’s fourth feature film and his third collaboration with Nina Hoss. --© Cinema Guild
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Starring: Nina Hoss, Devid Striesow, Hinnerk Schönemann, Burghart Klaussner
Starring: Nina Hoss, Devid Striesow, Hinnerk Schönemann, Burghart Klaussner, Barbara Auer, Christian Redl
Director: Christian Petzold
Director: Christian Petzold
Screenwriter: Simone Baer, Christian Petzold
Studio: Cinema Guild
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Reviews for Yella
While too lean and unassuming to provide real chills, Yella is a cool, disorienting trip, a meditation on death and the complexity of the human brain.
This unusual film has all the appearance of simply being a well-done drama, but there is considerably more on writer-director Christian Petzold's mind.
Yella clamps down on the viewer with a psychological hold that doesn't immediately reveal itself.
This crisply made thriller begins as a harrowing tale of a young German woman stalked by her deranged ex-husband, but quickly turns into an investigation of the murkier depths of capitalism.
Strikes a perfect balance between corporate intrigue and metaphysical mystery; his 2007 drama is filled with suspense but ends in delicious ambiguity.
Yella is a reserved young woman with unrevealed depths of intelligence, larceny and passion. Their gradual revelation makes this more than an ordinary thriller, in great part because of the performance of Nina Hoss in the title role.
The German offering Yella begins with an utterly gripping first 15 minutes, follows with a passable drama and ends with a big disappointment.
This German rip-off of Herk Harvey's 1962 Carnival of Souls replaces the junky eeriness of the original with a disassociated pretentiousness that is more irritating than creepy.
The film feels far too schematic and, even allowing for its unrelentingly mercenary premise, far too cold to inspire much viewer identification.
Filmmaker Christian Petzold meets his goal of providing an alienating portrait of the business world.
Christian Petzold's disquieting German thriller feels modest while you're watching it, but makes a stronger-than-expected impact.
German writer-director Christian Petzold transforms the classic American cult movie Carnival of Souls into a bleak drama about soul-sucking alienation in the reunited Germany.
Its scenes involving the perilous business negotiations offer more genuine intellectual excitement than any CGI-stuffed chase.
Yella is the kind of movie that tantalizes the mind with possibilities without solving the puzzle.
Dressing up a socio-economic critique as a romantic thriller only works if there's enough suspense to keep the audience intrigued.
Latest News for Yella
May 03, 2009:
A German metaphorical Reunification thriller and political allegory equating a blunt and feverish appetite for sex and capitalism. ![]()
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March 27, 2009:
A German metaphorical Reunification thriller and political allegory equating a blunt and feverish appetite for sex and capitalism. ![]()
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