97% Ghostbusters Aug 29
28% As Above/So Below Aug 29
33% The November Man Aug 27
98% Starred Up Aug 27
76% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
38% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
46% Sin City: A Dame to Kill For $6.3M
65% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% The House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

—— Jonah From Tonga: Season 1

Discuss Last Night's Shows

88% The Cosmopolitans: Season One
100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

You Ain't Seen Nothin' Yet! Reviews

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Landon Palmer
Film School Rejects

Beautiful, difficult, frustrating, and engrossing, You Ain't Seen Nothin' Yet is an undeniable accomplishment of form and experimentation.

Full Review Source: Film School Rejects | Original Score: A-

June 2, 2014
Dennis Schwartz
Ozus' World Movie Reviews

Undeniably clever.

Full Review Source: Ozus' World Movie Reviews | Original Score: B

February 2, 2014
Christopher Long
Movie Metropolis

(Resnais is) still so far ahead of the multiple generations that have tried to follow in his footsteps, sometimes you just start feeling embarrassed for everyone else.

Full Review Source: Movie Metropolis | Original Score: 9/10

January 23, 2014
Jeffrey M. Anderson
Combustible Celluloid

At times I found myself not following the story so much, as merely drifting along with the strange moods of the movie.

Full Review Source: Combustible Celluloid | Original Score: 3.5/4

December 13, 2013
Stanley Kauffmann
The New Republic
Top Critic IconTop Critic

What affects us most is Resnais's ingenious idea. And that affect is magnified by a surprise ending.

Full Review Source: The New Republic

July 12, 2013
Gary Goldstein
Los Angeles Times
Top Critic IconTop Critic

Resnais' occasional use of split-screen and other traditional special effects enhances the picture's various dualities, dreamy quality and decided staginess.

Full Review Source: Los Angeles Times | Original Score: 3/5

July 5, 2013

Director Alain Resnais, now 91 and still at it, has made some great films. This isn't one of them.

Full Review Source: 3AW | Original Score: 1/5

June 28, 2013
John Anderson
Top Critic IconTop Critic

Despite some hyperbolic excess, the process of Resnais' production is unexpected and free, and revisits the very nature of cinema, and theater, with a wondrous eye.

Full Review Source: Newsday | Original Score: 3.5/4

June 13, 2013
Farran Smith Nehme
New York Post
Top Critic IconTop Critic

There is something both mischievous and moving about a world-famous director who, closing on his 10th decade, designs a movie that celebrates his actors: their varying ages, their versatility, their heart.

Full Review Source: New York Post | Original Score: 3.5/4

June 7, 2013
A.O. Scott
New York Times
Top Critic IconTop Critic

"You Ain't Seen Nothin' Yet" is a sly, elegant meditation on the relationship between reality and artifice. But it is a thought-experiment driven above all by emotion.

Full Review Source: New York Times | Original Score: 5/5

June 6, 2013
Mark Jenkins
Top Critic IconTop Critic

Complex yet lighthearted, as diverting as it is meditative.

Full Review Source: NPR

June 6, 2013
Donald J. Levit
ReelTalk Movie Reviews

The prodigious talent on display is in itself a treat. The vision becomes added pleasure for those willing to enter into the spirit of exquisite pain and happiness alike.

Full Review Source: ReelTalk Movie Reviews

June 6, 2013
Ignatiy Vishnevetsky
AV Club
Top Critic IconTop Critic

Equally inspired by comics and experimental fiction, Resnais makes movies that don't so much break filmmaking conventions as circumvent them; at 91 years old, he remains one of the world's most unpredictable filmmakers, and one of its most idiosyncratic.

Full Review Source: AV Club | Original Score: A-

June 6, 2013
Eric Hynes
Time Out New York
Top Critic IconTop Critic

What elevates the film is a pervasive, palpable sense of loss-between lover and beloved, young and old, stage and screen.

Full Review Source: Time Out New York | Original Score: 4/5

June 4, 2013
Calum Marsh
Village Voice
Top Critic IconTop Critic

The title isn't meant to be taken as ironic: This is the work of a director very much capable of surprise.

Full Review Source: Village Voice

June 4, 2013
Harvey S. Karten

Repetitive and stodgy performance by older veterans of a fictitious director.

Full Review Source: Compuserve | Original Score: C+

May 28, 2013
Lisa Nesselson
Chicago Sun-Times
Top Critic IconTop Critic

It's, like, totally, like, "meta." Metaphorical, metaphysical. It's also pretty amusing.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

March 17, 2013
Ben Sachs
Chicago Reader
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Alain Resnais reflects on some lifelong themes, and though this drama is characteristically eerie, it also conveys a calm that's rare in his work.

Full Review Source: Chicago Reader

March 14, 2013
Stan Hall

While the meta-theatrical staging is artful and impeccable and the performances (pulled from a cast of actors Resnais has used over several decades) are superb, it's not the easiest film to sit through.

Full Review Source: Oregonian | Original Score: B-

February 21, 2013
Richard Brody
New Yorker
Top Critic IconTop Critic

Digital technology meets lyrical drama and classical myth in this puckishly daring, intricately original work of docu-theatre from the ninety-year-old director Alain Resnais.

Full Review Source: New Yorker

September 24, 2012
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