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You I Love

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You I Love (2005)

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Reviews Counted:13

Fresh:5

Rotten:8

Average Rating:5.3/10

Consensus: A clumsy, overly stylized would-be satire.

Rated: Not Rated [See Full Rating] Sexual situations

Runtime: 83 mins

Genre: Foreign Films

Theatrical Release:Nov 19, 2004 Limited

Synopsis: This delightful Russian feature combines hilarious comedy, witty social commentary, and a sexy love story in an all-too-rare combination that is as thought-provoking as it is fun! Timofei is an... This delightful Russian feature combines hilarious comedy, witty social commentary, and a sexy love story in an all-too-rare combination that is as thought-provoking as it is fun! Timofei is an ad executive in a top Russian advertising firm in Moscow. The author of successful TV marketing campaigns, he is less sure-footed as the author of his own inner life. He’s great with a jingle, but his mind wanders on the job, looking for something besides “cola” to get excited about. When he meets oddball beauty Vera in the commissary of his office building, he finds something fascinating about her: a glamorous news anchorwoman, but absent-minded, quirky and a food fetishist. (Perhap she is subject to the all-too-effective type of advertising that Timofei purveys!) Willing lunch buddies, Vera and Timofei soon spiral into a dating cycle. The affection they share mitigates the crazy pace of their professional lives, and they seem to have found a counterbalance for life’s confusion in each other’s eyes. Whack! Everything changes when Timofei’s car collides with young Uloomji, a young Kalmyk day worker who spends most of his time sweeping cages in the Moscow zoo. Uloomji entertains dreams of making his mark as a circus performer (indeed, he was practicing a balancing act on a fence when he fell in the path of Timofei’s car.) Reviving at the scene of the accident, Uloomji realizes a new ideal upon his first sight of Timofei: to become the boyfriend of this strange, buttoned-down dreamboat. Recuperating in Timofei’s well-appointed apartment, Uloomji soon regains his strength and initiates a delightfully uninhibited attack on the new object of his desire – using all the acrobatics of his chosen (circus) career to pin down his prey. Bemused by the freedom and unpredictability of this strange boy, Timofei swings in a new direction… and Uloomji’s romantic dream comes true! Now Vera is on the outside looking in, but she’s still just lonely enough to explore a friendship with the newly-bonded boyfriends, accompanying them on various dating misadventures. Together, the three constitute an eccentric but ultimately accepting pseudo-family. But when Uloomji’s family members track him down at Timofei’s apartment, their scandalized interventions threaten to bring the whole relationship asunder, and spoil a lot of fun. This zany, fast-paced run through modern-day sexual attitudes also shows a Russia seldom seen in movies: reeling under the sugar-high of capitalistic excess, and with fissures constantly forming in monolithic social and sexual categories. Offering humor and romance in abundance, as well as winning performances, eye-popping production design and sprightly direction by Olga Stolpovskaya and Dmitry Troitsky, YOU I LOVE is a rare delight. A breezy comedy of manners, set in Moscow, about three strangers from very different walks of life (a female news anchor, a male ad executive and a young man who works in the zoo). These three form a fast-evolving relationship as friends and lovers, upending tradition and responding to the craziness of daily life in modern Russia. -- © Picture This! Entertainment [More]


Studio: Picture This! Entertainment

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Release:

Jul 19, 2005

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Reviews for You I Love

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1 - 14 (sorted by date)
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Full Review Source: Denver Post | comment Comment
05/14/05
Denver Post
Top Critic Icon Top Critic

The fault lies in an anemic script and misguided attempts by co-directors Olga Stolpovskaya and Dmitry Troitsky to seem hip by using lots of quick cuts.

Full Review Source: San Francisco Chronicle | comment Comment
04/01/05
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
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The film comes off as little more than a shock-value exercise.

Full Review Source: Dallas Morning News | comment Comment
03/24/05
Mario Tarradell
Mario Tarradell
Dallas Morning News
Top Critic Icon Top Critic

To say the epilogue strains credibility is a kindness. The filmmakers seem set on a happy ending, no matter what the story itself is telling them.

Full Review Source: Chicago Tribune | comment Comment
03/10/05
Achy Obejas
Achy Obejas
Chicago Tribune
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A clumsily drawn, poorly acted love triangle.

Full Review Source: Variety | comment Comment
02/14/05
Leslie Felperin
Leslie Felperin
Variety
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Wavers between would-be satire and romantic drama, inhabiting neither mode convincingly.

Full Review Source: Hollywood Reporter | comment Comment
02/14/05
Sheri Linden
Sheri Linden
Hollywood Reporter
Top Critic Icon Top Critic

The film starts as an entertaining postmodern take on bedroom farce but quickly becomes the kind of sprawling, unpredictable and sexually charged tale associated with Pedro Almodóvar, but without the storytelling discipline.

Full Review Source: Houston Chronicle | comment Comment
02/11/05
Eric Harrison
Eric Harrison
Houston Chronicle
Top Critic Icon Top Critic

Suggests that Russia is such a progressive society these days that homophobia can be treated in jaunty fashion as a joke, something that's harmless and transitory. This strains credibility.

Full Review Source: Los Angeles Times | comment Comment
02/10/05
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Tepid Russian comedy.

Full Review Source: Newsday | comment Comment
11/20/04
Jan Stuart
Jan Stuart
Newsday
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Stolpovskaya uses jump cuts, flashy graphics and cool techno music to paint a delightful portrait of a post-Communist Russia overdosing on capitalism.

Full Review Source: New York Post | comment Comment
11/19/04
V.A. Musetto
V.A. Musetto
New York Post
Top Critic Icon Top Critic

Gay themes aside, it provides a revealing look at Russian society that U.S. audiences seldom see.

Full Review Source: New York Daily News | comment Comment
11/19/04
Robert Dominguez
Robert Dominguez
New York Daily News
Top Critic Icon Top Critic

It is official. Russia is now modern enough to deal with a romantic theme that Noël Coward tackled in 1933.

Full Review Source: New York Times | comment Comment
11/18/04
Anita Gates
Anita Gates
New York Times
Top Critic Icon Top Critic

The film is most buoyant when most over-the-top.

Full Review Source: Village Voice | comment Comment
11/16/04
Joshua Land
Joshua Land
Village Voice
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As a filmmaker, Stolpovskaya is a natural.

Full Review Source: Philadelphia Inquirer | comment Comment
10/30/04
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
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