|
65%
|
The History Boys (2006)
|
"[History Boys] is most potently about the love of teaching, and how the best teachers can help give meaning to existence; and if not meaning in the grand sense, at least an appreciation of what it means to be human."
|
Beverly Berning
|
|
86%
|
The Prisoner Or: How I Planned to Kill Tony Blair (2007)
|
"The American military comes across as bungling and ineffective as protectors. If people thought we didn't know what we were doing in Iraq before, this is yet more evidence of our incompetence."
|
Beverly Berning
|
|
86%
|
Paris Je T'aime (2007)
|
"While too fleeting in grace to be a great movie, Paris Je T'aime does however reward the hope offered with this prestigious cast and crew."
|
George Wu
|
|
69%
|
L'Iceberg (2005)
|
"In stillness and frantic movement these characters somehow survive and endure. We aren't laughing out loud. But we are staring in stunned gasping delight."
|
Harry Chotiner
|
|
76%
|
Black Book (Zwartboek) (2007)
|
"But Verhoeven's films are not meant to offer profound moral insights. And "Black Book" does not aspire to historical accuracy. Instead, "Black Book" is pure entertainment, of the hollow variety. Verhoeven gives you your money's worth of titillation..."
|
Beverly Berning
|
|
——
|
Flying Scotsman ()
|
"To cut to the chase, The Flying Scotsman is the skillfully-portrayed, honest story of an interesting, complex and troubled cyclist. For bike racing enthusiasts there is much meat here, but the film may ultimately fail to fully engage and inspire a more g"
|
Emily S. Mendel
|
|
90%
|
Stephanie Daley (2006)
|
"Brougher brings a particularly female sensibility to her work. I think most male writer-directors would structure this story around choices and actions. Will Stephanie accept a plea bargain? Will Lydie push her patient into facing the truth? Will"
|
Harry Chotiner
|
|
65%
|
Jindabyne (2006)
|
"By the end of his films- this idiosyncratic style, complex plotting, and core values about intimacy produce a combination of exhaustion, well-being, and a bit of unease. At the conclusion of "Jindabyne," while Lawrence's torturous journey has given more"
|
Harry Chotiner
|
|
88%
|
Red Road (2007)
|
"Red Road is a portrait of a voyeur, and it invites us to become voyeurs of the voyeur."
|
Harry Chotiner
|
|
78%
|
The Page Turner (La Tourneuse de pages) (2006)
|
"A film of impeccable style, with every note hit to perfection, but without much soul."
|
Beverly Berning
|
|
86%
|
The Prisoner Or: How I Planned to Kill Tony Blair (2007)
|
|
|
|
98%
|
Grbavica: The Land of My Dreams (Esma's Secret - Grbavica) (2007)
|
"Jasmila Zbanic also deserves our admiration for casting Karanovic, and for making a film of great power about the fate of that ultimate contradiction -- a child born out of hatred."
|
Beverly Berning
|
|
60%
|
300 (2007)
|
"It's an enjoyable two hours."
|
Harry Chotiner
|
|
80%
|
Little Children (2006)
|
"The success Fields has with this film comes through the uncomfortable intersection between comedy, melodrama and tragedy. Oh, and romance."
|
Michael Wade Simpson
|
|
8%
|
Premonition (2007)
|
"Someone should have figured out what this movie was really about before they even started."
|
Beverly Berning
|
|
55%
|
Marie Antoinette (2006)
|
"As a serious film, only an American could love Marie Antoinette. To the French, it must be gravely insulting. As an unwitting camp, it may have a great future."
|
Les Wright
|
|
37%
|
Death of a President (2006)
|
"There is little of the fall of the Twin Towers trauma, but much of All the President's Men here. That this film's buzz has launched such vitriol and condemnation is not surprising. Range's film exposes wider audiences to some basic truths of our times."
|
Les Wright
|
|
69%
|
Babel (2006)
|
"There is some hope, in Ińárritu's world, each of the characters may have a family and love, but this is shown to be, at best, a diversion against the real world, which is a much more intolerable, incomprehensive place."
|
Michael Wade Simpson
|
|
48%
|
Harsh Times (2006)
|
"A movie that seems gritty and pointless for its first third, begins to grow in meaning as the pointlessness snowballs into absurdity and then tragedy."
|
Michael Wade Simpson
|
|
81%
|
How to Draw a Bunny (2004)
|
"Simply put, Ray Johnson was neither good nor original. All that he did in his 'art' was done before and better by others. That the same can be said of his documentarian's film may be a small synchronicity, but that's all it is. What it is not is art."
|
Dan Schneider
|
|
95%
|
Casino Royale (2006)
|
"Casino Royale is a great action movie, but it rises above the genre because of Daniel Craig's wonderfully fresh portrait of Bond and a great script. This is an exciting and engrossing, stand-on-line, see-on-a-big-screen, buy-the-popcorn-movie."
|
Emily S. Mendel
|
|
57%
|
Sommer vorm Balkon (Summer in Berlin) (2007)
|
"In Summer in Berlin, director Andreas Dresen presents the portrait of a friendship between two women, Nike (Nadja Uhl) and Katrin Engel (Inka Friedrich). In the German tradition of the Kammerspielfilm, this is a closely and lovingly observed study in psyc"
|
Les Wright
|
|
——
|
Pervert (2005)
|
|
|
|
79%
|
Le Petit Lieutenant (2006)
|
"To cut to the chase...this is a very French, understated, intelligent, slow, police procedural that ultimately engrosses and then surprises the viewer. If you don't see it in a theater, it would be a great rental."
|
Emily S. Mendel
|
|
16%
|
Eragon (2006)
|
"The viewer is not transported to the magical, complex and elaborate kingdom of Alagaësia of the book, but rather is merely observing action scene followed by action scene."
|
Emily S. Mendel
|
|
54%
|
The Good Shepherd (2006)
|
"The Good Shepherd tells a compelling, complex, personal and political story and tells it extremely well. It's an engrossing film."
|
Emily S. Mendel
|
|
——
|
Pervert (2005)
|
"The heteros become homos, the unsatisfied virgins become red meat, over and over. If you liked Faster, Pussycat! Kill! Kill!, you will like this bit of silliness. And, if you understand this film, then, truly, you are a pervert too. Go, be with your peopl"
|
Les Wright
|
|
48%
|
Exterminating Angels (Les Anges Exterminateurs) (2007)
|
"If the movie was meant to render sympathy to Brisseau, it only reinforces how monstrously repugnant he is. The audacity to suggest his complete innocence makes the whole thing seem like black comedy, only the core sentiment is not funny."
|
George Wu
|
|
58%
|
Perfume: The Story of a Murderer (2006)
|
"Agree or disagree, this is a work so bold and provocative and distinctive that it demands to be seen."
|
George Wu
|
|
90%
|
Orfeu Negro (Black Orpheus) (1959)
|
"Despite that, Black Orpheus, while not being a cinematic full meal nevertheless is a sweet piece of candy, and thus has to be judged more on its entertainment value than its artistic value; mindful that, unlike the Orphic films of Cocteau, it, at least su"
|
Dan Schneider
|
|
76%
|
Absolute Wilson (2006)
|
"Yet Otto-Bernstein's clips, though well-chosen, never convey what seeing Wilson live is like...Her book is much more stimulating."
|
Michael McDonagh
|
|
88%
|
Man Push Cart (2006)
|
"A sad, powerful, austere experience of a movie, this is the story of a man who has known profound, compound loss."
|
Les Wright
|
|
94%
|
A Woman Under the Influence (1975)
|
"John Cassavetes was one of those rare artists of whom it could be said that his flaws were his strengths, and his strengths were his flaws...Consequently, the film has to rank somewhere between the two in the Cassavetes canon, and I'd opt for putting it c"
|
Dan Schneider
|
|
78%
|
Dreamgirls (2006)
|
"Dreamgirls is a splashy film with a great cast, strong performances, terrific music and an engrossing, though...familiar, story."
|
Emily S. Mendel
|
|
65%
|
Apocalypto (2006)
|
"To cut to the chase, there should be an NC-17 rating to describe the over-the- top violence in Apocalypto. But the strong of stomach will find an edge-of-your-seat, heart-pounding, technically amazing movie."
|
Emily S. Mendel
|
|
——
|
Fisherman and His Wife ()
|
"Meanwhile, Dörrie sends up, more with humor than rebuke, the present decade's global-wide obsession with its win-at-all-cost competitive spirit, the blurring of boundaries between profit-making and service providing, the West's infatuation with Japanese d"
|
Les Wright
|
|
94%
|
Three Kings (1999)
|
"Keilich strikes a sweetly engaging balance between humor and pathos."
|
Les Wright
|
|
66%
|
Curse of the Golden Flower (2006)
|
"Every stone, every piece of fabric, every pushed-up bosom is fetishized to ludicrous extremes. Zhang apparently wants to dazzle the eyes with the visuals, but Curse is one of the gaudiest looking movies ever made."
|
George Wu
|
|
84%
|
Bridge to Terabithia (2007)
|
"Bridge to Terabithia is a beautifully written and acted film with a big heart, but also with the uncompromising reality of death. It is impossible not to be charmed and moved by this film."
|
Emily S. Mendel
|
|
93%
|
The Lives of Others (2006)
|
"Relative newcomer screenwriter and director Florian Henkel von Donnersmarck makes a remarkably self-confident and promising debut with the tensely sublime film The Lives of Others...The Lives of Others is a rare film achievement, arguably a "perfect" film"
|
Les Wright
|
|
81%
|
Fong juk (Exiled) (2006)
|
"Exiled is compromised by the feeling one gets that Johnnie To has been watching too many westerns."
|
George Wu
|
|
93%
|
Gwoemul (The Host) (2007)
|
"Boon shows that he has the film grammar of a Spielberg in how well he conveys his story cinematically... Boon will go places that Spielberg won't though."
|
George Wu
|
|
96%
|
Romántico (2006)
|
|
|
|
91%
|
God Grew Tired Of Us (2007)
|
"It deflates upon arriving in the vast, familiar blandness we know as America."
|
Michael Wade Simpson
|
|
74%
|
Fah talai jone (Tears of the Black Tiger) (2007)
|
"The early scenes are interesting and enjoyable. And then the novelty wears off, but the film doesn't end."
|
Emily S. Mendel
|
|
——
|
Fisherman and His Wife ()
|
|
|
|
57%
|
The Astronaut Farmer (2006)
|
"It could be portending the decline and fall of Hollywood, except that it is so unexceptionally bad, and unexceptionally typical of the studio fare right now."
|
Les Wright
|
|
15%
|
Hannibal Rising (2007)
|
"An exercise in cheap pop psychology and connect-the-dots back story."
|
Scott Von Doviak
|
|
48%
|
Harsh Times (2006)
|
|
|
|
38%
|
Unknown (2006)
|
|
|