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A Scanner Darkly (2006) |
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"A Scanner Darkly is a fascinating esthetic and intellectual experience but, like addiction itself, it's an emotional dead end." | |
Jeremy C. Fox | |
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According to Spencer (2001) |
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"Bradford and Kirshner are both game, playing their roles as if they were in a real movie." | |
Jeremy C. Fox | |
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Adventures of Sharkboy and Lava Girl in 3-D (2005) |
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Click here to see the review. | |
Phillip Stephens | |
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Aeon Flux (2005) |
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Click here to see the review. | |
Dustin Rowles | |
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Akeelah and the Bee (2006) |
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"If you can buy Atchison's worldview, you'll probably love Akeelah, but surrending disbelief will be difficult work if your soul harbors the slightest hint of cynicism." | |
Jeremy C. Fox | |
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Alexander (2004) |
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"The movie loses energy when Stone repeats himself, and there are far too many of these scenes between his brilliantly staged, devastating battle scenes." | |
Jeremy C. Fox | |
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Alexander (2004) |
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"The movie loses energy when Stone repeats himself, and there are far too many of these scenes between his brilliantly staged, devastating battle scenes." | |
Jeremy C. Fox | |
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Alfie (2004) |
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"When Caine saw symbols of mortality, they were glimpsed from the corner of the eye and largely ignored. When Law sees them, he stares, ruminates, falls apart." | |
Jeremy C. Fox | |
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Alfie (2004) |
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"When Caine saw symbols of mortality, they were glimpsed from the corner of the eye and largely ignored. When Law sees them, he stares, ruminates, falls apart." | |
Jeremy C. Fox | |
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Alien vs. Predator (2004) |
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Click here to see the review. | |
Phillip Stephens | |
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Alien vs. Predator (2004) |
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Click here to see the review. | |
Phillip Stephens | |
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Alone in the Dark (2005) |
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"When your career has dropped to this low, why not chuck your pretenses and just do porn?" | |
Jeremy C. Fox | |
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Alone in the Dark (2005) |
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"In reality, [Reid's] intellectual drag makes her look less like a scientist than a stripper at the beginning of her act." | |
Jeremy C. Fox | |
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Alpha Dog (2007) |
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"Foster is the one truly, disturbingly believable young actor in the cast, all sweaty adrenaline and menacing self-loathing." | |
Jeremy C. Fox | |
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Amazing Grace (2007) |
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"The whole thing feels a bit smug and complacent, as if having a worthwhile subject were the only requirement for making a worthwhile film, and Apted directs in a respectable "Masterpiece Theatre" style that effectively drains away any inherent drama." | |
Jeremy C. Fox | |
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American Dreamz (2006) |
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Click here to see the review. | |
Dustin Rowles | |
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An American Haunting (2006) |
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Click here to see the review. | |
Phillip Stephens | |
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The Amityville Horror (2005) |
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Click here to see the review. | |
Dustin Rowles | |
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Anacondas: The Hunt for the Blood Orchid (2004) |
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Click here to see the review. | |
Dustin Rowles | |
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Anacondas: The Hunt for the Blood Orchid (2004) |
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Click here to see the review. | |
Dustin Rowles | |
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Andrew Lloyd Webber's The Phantom of the Opera (2004) |
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Click here to see the review. | |
Ryan Lindsey | |
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Andrew Lloyd Webber's The Phantom of the Opera (2004) |
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Click here to see the review. | |
Ryan Lindsey | |
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Angels in America (2003) |
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Click here to see the review. | |
Ryan Lindsey | |
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Angels in America (2003) |
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Click here to see the review. | |
Ryan Lindsey | |
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Annapolis (2006) |
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Click here to see the review. | |
Daniel Carlson | |
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Are We There Yet? (2005) |
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Click here to see the review. | |
Dustin Rowles | |
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Are We There Yet? (2005) |
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Click here to see the review. | |
Dustin Rowles | |
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The Aristocrats (2005) |
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Click here to see the review. | |
Daniel Carlson | |
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Art School Confidential (2006) |
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"The fictional Strathmore Institute is populated by wannabes, poseurs, hangers-on, and has-beens, just like a real art school, but the satirical caricatures, though grounded in truth, strain credibility." | |
Jeremy C. Fox | |
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Ask the Dust (2005) |
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Click here to see the review. | |
Daniel Carlson | |
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The Assassination of Richard Nixon (2004) |
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"The Assassination of Richard Nixon is like a Rodney Dangerfield routine played straight, an orgy of masochism about a man who gets no respect." | |
Jeremy C. Fox | |
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The Assassination of Richard Nixon (2004) |
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"Penn’s performance is tentative, squirmy; his Sam is a man who seems to be apologizing even when he isn’t." | |
Jeremy C. Fox | |
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Assault on Precinct 13 (2005) |
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"The film dabbles in themes of honor, trust, and self-sacrifice, but really it’s just a machine built for suspense and excitement, and on those terms it’s successful." | |
Jeremy C. Fox | |
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Assault on Precinct 13 (2005) |
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"The film dabbles in themes of honor, trust, and self-sacrifice, but really it’s just a machine built for suspense and excitement, and on those terms it’s successful." | |
Jeremy C. Fox | |
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ATL (2006) |
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Click here to see the review. | |
Phillip Stephens | |
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The Aviator (2004) |
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"Scorsese has dreamed up an ingenious method of specifying the period — he’s printed each sequence so that it matches up with the color film process available at the time ..." | |
Jeremy C. Fox | |
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The Aviator (2004) |
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"At a running time of nearly three hours, Scorsese has included not a wasted minute, nor any scene that doesn’t achieve its purpose." | |
Jeremy C. Fox | |
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Away From Her (2007) |
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"Away from Her is one of those exceedingly rare instances of an adaptation that not only honors but actually surpasses its source." | |
Jeremy C. Fox | |
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5/5 |
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The Awful Truth (1937) |
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"Among the finest of the screwball "comedies of remarriage," The Awful Truth showcases Grant and Dunne at their most winning." | |
Jeremy C. Fox | |
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