|
33%
|
15 Minutes (2001)
|
|
Stanley Kauffmann
|
|
70%
|
Series 7: The Contenders (2001)
|
"'Reality' notwithstanding, the performances in this film are uniformly good, and Brooke Smith as Dawn is better than that."
|
Stanley Kauffmann
|
|
75%
|
Me You Them (2001)
|
"With Waddington's help, all of the people involved give us a gently insinuating folk tale."
|
Stanley Kauffmann
|
|
100%
|
The Taste of Others (2000)
|
"Jaoui's directing and sympathy are what hold us from the start."
|
Stanley Kauffmann
|
|
88%
|
The Widow of Saint-Pierre (The Widow of St. Pierre) (La veuve de Saint-Pierre) (2000)
|
"The promise of its beautiful opening is beautifully kept."
|
Stanley Kauffmann
|
|
78%
|
The Pledge (2001)
|
|
Stanley Kauffmann
|
|
73%
|
Snatch (2001)
|
"The cinematic dazzle, the high pitch to which he leads his actors, the relish of sheer velocity are reward enough."
|
Stanley Kauffmann
|
|
81%
|
Kippur (2000)
|
|
Stanley Kauffmann
|
|
81%
|
Pollock (2000)
|
"Just -- yes, just -- one more film about that perennially obdurate subject, an artist."
|
Stanley Kauffmann
|
|
96%
|
One Day in September (1999)
|
|
Stanley Kauffmann
|
|
75%
|
Quills (2000)
|
|
Stanley Kauffmann
|
|
67%
|
Rosie (Rosie: The Devil in My Head) (1998)
|
|
Stanley Kauffmann
|
|
95%
|
La Promesse (The Promise) (1996)
|
"The Dardenne brothers, as shown by their empathic casting, their very choice of theme, have confessed to a burden. They believe in hope."
|
Stanley Kauffmann
|
|
78%
|
Guantanamera (1997)
|
|
Stanley Kauffmann
|
|
86%
|
Breaking the Waves (1996)
|
|
Stanley Kauffmann
|
|
68%
|
Marius and Jeannette (2006)
|
"Guediguian is a smooth enough director, but it's his casting and some episodes in the screenplay that transfix us."
|
Stanley Kauffmann
|
|
88%
|
Sonatine (1993)
|
"Gross and trite as the material is, Kitano shows again that he is an ingenious, purposeful filmmaker."
|
Stanley Kauffmann
|
|
71%
|
Romeo + Juliet (1996)
|
"The result is horrifying, but it's also unsettling in its ruthlessness."
|
Stanley Kauffmann
|
|
88%
|
Waco - The Rules of Engagement (1997)
|
|
Stanley Kauffmann
|
|
80%
|
Arguing the World (1998)
|
|
Stanley Kauffmann
|
|
29%
|
The Other Sister (1999)
|
|
Stanley Kauffmann
|
|
——
|
Kaspar Hauser (1996)
|
|
Stanley Kauffmann
|
|
62%
|
Chinese Box (1998)
|
|
Stanley Kauffmann
|
|
64%
|
EdTV (1999)
|
|
Stanley Kauffmann
|
|
75%
|
Nixon (1995)
|
"The picture is a case study."
|
Stanley Kauffmann
|
|
32%
|
At First Sight (1999)
|
|
Stanley Kauffmann
|
|
17%
|
Gloria (1999)
|
|
Stanley Kauffmann
|
|
——
|
Lamb (1986)
|
|
Stanley Kauffmann
|
|
78%
|
Beloved (1998)
|
|
Stanley Kauffmann
|
|
93%
|
La Cérémonie (A Judgement in Stone) (1995)
|
"Besides the unconvincing shift of psychic gears, the picture has no theme, no resonance, no point."
|
Stanley Kauffmann
|
|
71%
|
My Best Friend's Wedding (1997)
|
"A farce-comedy, it must thrive, if it's to do so, on sparkle. But the bubbles are sparse, partly because of Roberts's low fizz level."
|
Stanley Kauffmann
|
|
100%
|
Riding the Rails (2003)
|
|
Stanley Kauffmann
|
|
64%
|
Metroland (1999)
|
|
Stanley Kauffmann
|
|
53%
|
Gray's Anatomy (1997)
|
|
Stanley Kauffmann
|
|
80%
|
Dry Cleaning (Nettoyage à sec) (1997)
|
|
Stanley Kauffmann
|
|
98%
|
Lawrence of Arabia (1962)
|
"Lawrence luxuriates in the tremendous."
|
Stanley Kauffmann
|
|
70%
|
Beaumarchais the Scoundrel (Beaumarchais, l'insolent) (1996)
|
|
Stanley Kauffmann
|
|
86%
|
Jackie Brown (1997)
|
"The flat, self-exposing dud that fate often keeps in store for the initially overpraised."
|
Stanley Kauffmann
|
|
94%
|
Autumn Tale (Conte d'Automne) (1999)
|
|
Stanley Kauffmann
|
|
85%
|
A Man of No Importance (1994)
|
|
Stanley Kauffmann
|
|
——
|
Hei jun ma (A Mongolian Tale) (1998)
|
|
Stanley Kauffmann
|
|
48%
|
Pushing Tin (1999)
|
|
Stanley Kauffmann
|
|
76%
|
Amistad (1997)
|
|
Stanley Kauffmann
|
|
41%
|
Cousin Bette (1998)
|
|
Stanley Kauffmann
|
|
62%
|
Manny & Lo (1996)
|
|
Stanley Kauffmann
|
|
67%
|
Love! Valour! Compassion! (1997)
|
|
Stanley Kauffmann
|
|
65%
|
Priest (1995)
|
|
Stanley Kauffmann
|
|
80%
|
Chronicle of a Disappearance (1997)
|
|
Stanley Kauffmann
|
|
57%
|
The Underneath (1995)
|
|
Stanley Kauffmann
|
|
98%
|
All About My Mother (1999)
|
"A sinuous trip through a series of bumps and surprises that is never tedious."
|
Stanley Kauffmann
|
73%
21%
63%
85%
46%
40%
