Tomato |
A Nous La Liberte (1931) |
"A period piece in the best sense." |
Jonathan Rosenbaum |
Tomato 4/4 |
A Scanner Darkly (2006) |
"An ambitious animated adaptation of one of the most personal novels by sci-fi visionary Philip K. Dick." |
Andrea Gronvall |
Tomato 4/4 |
A.I. Artificial Intelligence (2001) |
"The most philosophical film in Kubrick's canon, the most intelligent in Spielberg's, and quite possibly the film with the most contemporary relevance that either one has made since Kubrick released Dr. Strangelove in 1964." |
Jonathan Rosenbaum |
- |
A.P.E.X. (1994) |
Click here to see the review. |
|
- |
Abandoned (1949) |
Click here to see the review. |
|
Splat |
Abbott and Costello Meet Frankenstein (1948) |
"This 1948 effort is probably the last of their watchable films, though it's a long way from their best." |
Dave Kehr |
- |
Abigail's Party (1977) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
About a Boy (2002) |
"Few movies have made better use of Hugh Grant's shallow charm and amused befuddlement than this funny and well-paced adaptation of Nick Hornby's best-selling second novel." |
J. R. Jones |
Tomato |
Abraham's Valley (1993) |
"This beautifully shot, slow-moving, talky meditation on a life of leisure led by an adulterous woman differs most radically from Flaubert's novel in its indifference to the middle class." |
Jonathan Rosenbaum |
Splat |
Absence of Malice (1981) |
"The picture has a smug, demoralizing sense of pervasive corruption." |
Dave Kehr |
- |
Absolute Beginners (1986) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
Absolute Wilson (2006) |
" Katharina Otto-Bernstein's documentary provides an excellent introduction to the singular vision of avant-garde stage director Robert Wilson." |
Jonathan Rosenbaum |
Splat |
The Abyss (1989) |
"The attempt to extract the essences of several genres (cold-war submarine thriller, love story, Disney fantasy, pseudomystical SF in the Spielberg mode) and mix them together ultimately leads to giddy incoherence." |
Jonathan Rosenbaum |
Tomato |
Accattone (1961) |
"The brutality and frigid despair of this 1962 film have had a lasting impact on political filmmaking." |
Dave Kehr |
Tomato |
Accepted (2006) |
"Sublimely stupid, this collegiate farce plays like a cross between Animal House and Ferris Bueller's Day Off." |
J. R. Jones |
Tomato |
Ace in the Hole (1951) |
"This 1951 film, about a cynical reporter who seizes on the plight of a man trapped in a mine shaft to promote his career, is cold, lurid, and fascinating, propelled by the same combination of moral outrage and sneaky admiration." |
Dave Kehr |
- |
Across 110th Street (1972) |
Click here to see the review. |
|
Splat |
Across the Universe (2007) |
"The Rent-like ensemble of yearning young people at the center of the story is a drag; I wanted to turn the sound down on them and say rude things." |
J. R. Jones |
- |
The Act of Seeing with One's Own Eyes (1971) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
Act of War (1999) |
Click here to see the review. |
|
- |
The Actor (1993) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
An Actor's Revenge (1963) |
"One of the most dazzling and stylistically audacious Japanese films ever made." |
Jonathan Rosenbaum |
Splat |
Adam (2009) |
"Written and directed by Max Mayer, this anodyne romantic comedy is as predictable as the alphabet but should hold particular appeal to women whose maternal impulses inflect their mating instincts." |
Cliff Doerksen |
Tomato |
Adam's Rib (1949) |
"The film is a classic, and deservedly so: the conjunction of Tracy's sly listlessness and Hepburn's stridency defines 'chemistry' in the movies." |
|
Splat |
The Addams Family (1991) |
"An extended collection of one-liners and not much more." |
Jonathan Rosenbaum |
Tomato |
Addams Family Values (1993) |
"The comedy has moved into high gear and become one of the funniest, most mean-spirited satirical assaults on sunny American values since the salad days of W.C. Fields." |
Jonathan Rosenbaum |
Tomato |
The Addiction (1995) |
"No matter, without exactly transcending the awful material, Ferrara puts it across with astonishing poetry and conviction." |
Jonathan Rosenbaum |
- |
Adelheid (1969) |
Click here to see the review. |
Ted Shen |
Tomato |
Adoration (2009) |
"Scott Speedman gives a piercing, intelligent performance." |
J. R. Jones |
Tomato |
Adventureland (2009) |
"Like its models, this is funny, smart, and complacent." |
J. R. Jones |
- |
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) |
"The film gives you the mildly annoying sensation of being left out of a not very good private joke." |
Dave Kehr |
- |
Adventures of Don Juan (1949) |
Click here to see the review. |
Dave Kehr |
- |
The Adventures of Huckleberry Finn (1960) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
The Adventures of Ichabod and Mr. Toad (1949) |
"Engaging and lively." |
Jonathan Rosenbaum |
Splat |
The Adventures of Pluto Nash (2002) |
"Another zillion-dollar dud." |
J. R. Jones |
Tomato |
The Adventures of Robin Hood (1938) |
"Movies like this are beyond criticism." |
Don Druker |
Splat 2/4 |
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
"Nothing's scary, and everything's so light it's on the verge of evaporating." |
Jonathan Rosenbaum |
- |
The Adventures of Sherlock Holmes (1939) |
Click here to see the review. |
Dave Kehr |
- |
The Adventures of Sherlock Holmes' Smarter Brother (1975) |
Click here to see the review. |
Dave Kehr |
- |
Aelita - Queen of Mars (1924) |
Click here to see the review. |
|
- |
Afraid of Everything (2004) |
Click here to see the review. |
|
- |
Afraid of the Dark (1992) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
The African Queen (1951) |
"The direction is often questionable, but the screenplay (by James Agee, John Collier, Huston, and Peter Viertel from C.S. Forester's novel) is a model of tight construction." |
Don Druker |
Tomato |
After Hours (1985) |
"Scorsese's orchestration of thematic development, narrative structure, and visual style is stunning in its detail and fullness; this 1985 feature reestablished him as one of the very few contemporary masters of filmmaking." |
Dave Kehr |
- |
The After School Special (2000) |
Click here to see the review. |
Ted Shen |
- |
After the Fox (1966) |
Click here to see the review. |
Dave Kehr |
Tomato |
After the Rehearsal (1984) |
"There is something liberating in the very schematism of the project: he no longer needs to pretend that his mouthpieces are real people." |
Dave Kehr |
Splat 2/4 |
After the Sunset (2004) |
"A deliberately mindless action comedy that invites us to lose ourselves, without any PC guilt, in its hedonistic enticements." |
Jonathan Rosenbaum |
- |
After the Thin Man (1936) |
Click here to see the review. |
Dave Kehr |
Tomato |
After The Wedding (2007) |
"As the premise might suggest, Jensen's dramatic structure is so visible this sometimes seems like a late Rod Serling teleplay, but Bier has proved highly adept at merging conventional drama with the immediacy of the Dogma 95 movement." |
J. R. Jones |
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