|
——
|
Devil's Island ()
|
"The best of the films on the Warner Archive set, Boris Karloff Triple Feature."
|
Robert Cashill
|
|
——
|
Villain (1971)
|
"A disappointment given its cast and subject."
|
Robert Cashill
|
|
100%
|
The Sorcerers (1967)
|
"A truly chilling film."
|
Robert Cashill
|
|
——
|
Way Of A Gaucho ()
|
"That a more obscure Tourneur credit is now less anonymous for viewers is a good thing."
|
Robert Cashill
|
|
——
|
Three Strangers (1946)
|
""It's another triumph of terror by the masters of mystery!" says the trailer, and I heartily agree."
|
Robert Cashill
|
|
87%
|
The Dark Knight Rises (2012)
|
"Does Rises rise to the occasion? I'd say it depends on where you're invested, but it's pleasantly straightforward."
|
Robert Cashill
|
|
——
|
The Steel Trap (1952)
|
"It lives up to its title."
|
Robert Cashill
|
|
58%
|
Don't Be Afraid Of The Dark (2011)
|
"An interview with Guillermo del Toro and Guy Pearce."
|
Robert Cashill
|
|
89%
|
A Clockwork Orange (1971)
|
"An interview with Malcolm McDowell."
|
Robert Cashill
|
|
73%
|
Bellflower (2011)
|
"One of the most intriguing movies around, at once knife-edged and tender, ablaze with flaming imagery and a thrashing soundtrack, and more ambitious than films with far greater resources at their disposal. "
|
Robert Cashill
|
|
20%
|
Queen of Blood (Planet of Blood) (Planet of Vampires) (The Green Woman) (1966)
|
"A decent hybrid that looks ahead to the genre's future."
|
Robert Cashill
|
|
——
|
The Black Sleep (1956)
|
"Rarely have so many been asked to do so little."
|
Robert Cashill
|
|
75%
|
Stake Land (2011)
|
"Not bad but leaves its best ideas by the side of the road."
|
Robert Cashill
|
|
——
|
The World, the Flesh and the Devil (2000)
|
"An easier sit than On the Beach, respectably acted and with flashes of humor."
|
Robert Cashill
|
|
74%
|
Splice (2010)
|
"More than the sum of its spare parts."
|
Robert Cashill
|
|
88%
|
Bad Lieutenant: Port of Call New Orleans (2009)
|
"Iguanas aside, Cage's performance is the film's centerpiece. He starts at over the top and climbs ever higher..."
|
Christopher Long
|
|
98%
|
Eyes Without a Face (1962)
|
"Horror has never been as beautiful, and beauty never so horrible..."
|
Robert Cashill
|
|
84%
|
King Kong (2005)
|
"Twas beauty killed the beast? No. Twas Silicon Graphics."
|
Robert Cashill
|
|
75%
|
Attack of the 50 Foot Woman (1958)
|
"A review of WB's Cult Camp Classics line, including this one: 'It gives the fairer sex the right of rebuttal, but ends in a monster-sized mess of codependency.'"
|
Robert Cashill
|
|
100%
|
I Am Cuba (Soy Cuba) (1995)
|
|
|
|
85%
|
Menace II Society (1993)
|
|
|
|
75%
|
Nixon (1995)
|
|
|
|
77%
|
Philadelphia (1993)
|
|
|
|
88%
|
Platoon (1986)
|
|
|
|
——
|
One Nation Under God (2004)
|
|
|
|
93%
|
Lone Star (1996)
|
|
|
|
85%
|
Rosewood (1997)
|
|
|
|
100%
|
Manufacturing Consent - Noam Chomsky and the Media (1993)
|
|
|
|
——
|
Coming Out Under Fire (1996)
|
|
|
|
——
|
The Panama Deception (1992)
|
|
|
|
67%
|
The Incredibly True Adventures of Two Girls in Love (1995)
|
|
|
|
——
|
Ballot Measure 9 (1995)
|
|
|
|
82%
|
Land and Freedom (1996)
|
|
|
|
80%
|
Eve's Bayou (1996)
|
|
|
|
63%
|
Stonewall (1996)
|
|
|
|
——
|
Last Call at Maud's (1993)
|
|
|