Dean Semler
Highest Rated: 94% Mad Max 2 (1981)
Lowest Rated: Not Available
Birthday: Not Available
Birthplace: Renmark, South Australia, Australia
Semler gained his training as a camera operator at a local TV station in his native Australia. Within months, he had begun to work as a cameraman, shooting news stories for the station, which, in turn, led to a nine-year stint at Film Australia. Not only did Semler work as a documentary filmmaker but he also shot anthropological films for educational and research purposes.
Photos
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 24% | 77% | Playing With Fire | Cinematography | $20.5M | 2019 |
| 27% | 39% | Sandy Wexler | Cinematography | - | 2017 |
| 9% | 42% | The Do Over | Cinematography | - | 2016 |
| 0% | 34% | The Ridiculous 6 | Cinematography | - | 2015 |
| 17% | 43% | The Last Witch Hunter | Cinematography | $27.4M | 2015 |
| 6% | 33% | Paul Blart: Mall Cop 2 | Cinematography | $71.0M | 2015 |
| 54% | 70% | Maleficent | Cinematography | $241.4M | 2014 |
| 51% | 66% | Heaven Is for Real | Cinematography | $91.4M | 2014 |
| 31% | 46% | Grudge Match | Cinematography | $29.8M | 2013 |
| 18% | 59% | Parental Guidance | Cinematography | $77.3M | 2012 |
| 57% | 47% | In the Land of Blood and Honey | Cinematography | $301.3K | 2011 |
| 64% | 76% | Secretariat | Cinematography | $59.7M | 2010 |
| 66% | 55% | Date Night | Cinematography | $98.7M | 2010 |
| 39% | 47% | 2012 | Cinematography | $166.1M | 2009 |
| 76% | 55% | Appaloosa | Cinematography | $20.2M | 2008 |
| 51% | 67% | Get Smart | Cinematography | $130.3M | 2008 |
| 14% | 69% | I Now Pronounce You Chuck and Larry | Cinematography | $119.7M | 2007 |
| 65% | 79% | Apocalypto | Cinematography | $50.9M | 2006 |
| 34% | 66% | Click | Cinematography | $137.3M | 2006 |
| 14% | 48% | Just My Luck | Cinematography | $17.3M | 2006 |
| 12% | 39% | Stealth | Cinematography | $31.7M | 2005 |
| 31% | 62% | The Longest Yard | Cinematography | $158.1M | 2005 |
| 29% | 45% | The Alamo | Cinematography | $22.4M | 2004 |
| 18% | 28% | Eye See You | Cinematography | - | 2002 |
| 49% | 58% | XXX | Cinematographer | $141.2M | 2002 |
| 64% | 84% | We Were Soldiers | Cinematography | $78.1M | 2002 |
| 7% | 62% | Dragonfly | Cinematography | $30.1M | 2002 |
| 54% | 51% | Heartbreakers | Cinematography | $40.3M | 2001 |
| 26% | 33% | Nutty Professor II: The Klumps | Cinematography | $123.3M | 2000 |
| 28% | 63% | The Bone Collector | Cinematography | $66.5M | 1999 |
| 20% | 31% | The Patriot | Director | - | 1998 |
| 12% | 26% | Firestorm | Director | $8.0M | 1998 |
| 4% | 37% | Gone Fishin' | Cinematography | $19.7M | 1997 |
| 28% | 62% | The Three Musketeers | Cinematography | $53.7M | 1993 |
| 40% | 47% | Last Action Hero | Cinematography | - | 1993 |
| 91% | 64% | City Slickers | Cinematography | $119.8M | 1991 |
| 29% | 66% | Young Guns II | Cinematography | $40.4M | 1990 |
| 83% | 87% | Dances With Wolves | Cinematography | $184.0M | 1990 |
| 55% | 55% | Farewell to the King | Cinematography | $2.0M | 1989 |
| 83% | 63% | Dead Calm | Cinematography | $7.0M | 1989 |
| 7% | 58% | Cocktail | Cinematography | $77.3M | 1988 |
| 41% | 76% | Young Guns | Cinematography | $43.4M | 1988 |
| 80% | 49% | Mad Max Beyond Thunderdome | Cinematography | - | 1985 |
| 94% | 86% | Mad Max 2 | Cinematography | - | 1981 |