Heel (The Good Boy) (2025)
86%
4/5
EDIT
“There's a pitch-black comical undertone to this unnerving dramatic thriller, making it impossible to look away from the screen as the offbeat story unfolds in unpredictable directions. ” –
Shadows on the Wall
Mar 19, 2026
Full Review
Project Hail Mary (2026)
95%
4/5
EDIT
“The science sometimes feels baffling, requiring the viewer to simply let it go, but the story is thrillingly entertaining, as directors Phil Lord and Christopher Miller so expertly balance comedy with intense action. ” –
Shadows on the Wall
Mar 19, 2026
Full Review
Abode (2025)
3/5
EDIT
“Accompanied by a jaunty, style-shifting score, actor-filmmaker Liam O Mochain creates a relaxed tone that overcomes what is clearly a low budget. ” –
Shadows on the Wall
Mar 19, 2026
Full Review
Broken English (2025)
91%
4.5/5
EDIT
“The film's unusually offhanded approach is riveting.” –
Shadows on the Wall
Mar 19, 2026
Full Review
Miroirs No. 3 (2025)
94%
4/5
EDIT
“The film has a remarkably hushed sensibility, with roundabout conversations, curious glances and hidden motivations. So it is clear that there's something going on under the surface, creating a riveting mystery vibe.” –
Shadows on the Wall
Mar 19, 2026
Full Review
One Last Deal (2026)
3/5
EDIT
“The script strains to create tense situations, and they don't always hold water, so it can be tricky to go along with what happens. But director Brendan Muldowney skilfully maintains the film's insistent momentum.
” –
Shadows on the Wall
Mar 14, 2026
Full Review
Resurrection (2025)
90%
3.5/5
EDIT
“ While several elements are incomprehensible, the imagery and characters are consistently fascinating, and the surreal narrative flourishes catch the imagination.” –
Shadows on the Wall
Mar 12, 2026
Full Review
Reminders of Him (2026)
56%
3/5
EDIT
“It's almost absurdly straightforward, but it's very watchable thanks to the beautiful cast and glorious landscapes. ” –
Shadows on the Wall
Mar 12, 2026
Full Review
THE BRIDE! (2026)
57%
2.5/5
EDIT
“Maggie Gyllenhaal takes an unflinching approach, throwing in action, crime drama, romance, thrills and lots of references to monster movies. But this scattershot approach blurs the film's plot and themes, which stubbornly refuse to coalesce.” –
Shadows on the Wall
Mar 12, 2026
Full Review
Everybody To Kenmure Street (2026)
100%
4/5
EDIT
“This is the remarkable story of a community that peacefully insisted that even foreign-born neighbours should not be dragged out of their homes by officials for any reason. And director Felipe Bustos Sierra lets the people tell the story themselves.” –
Shadows on the Wall
Mar 12, 2026
Full Review
How to Make a Killing (2026)
43%
2.5/5
EDIT
“Writer-director John Patton Ford plays with some nicely pointed ideas about greed and wealth, but the film's ultimate message is almost shockingly desolate.” –
Shadows on the Wall
Mar 12, 2026
Full Review
Hoppers (2026)
93%
3.5/5
EDIT
“Thoroughly enjoyable, this animated adventure uses Pixar's standard imagery style to tell a story that blends nature preservation with sci-fi wackiness. ” –
Shadows on the Wall
Mar 12, 2026
Full Review
Mr. Nobody Against Putin (2025)
100%
4/5
EDIT
“This is an inspiring, powerfully personal film with huge ramifications.” –
Shadows on the Wall
Mar 3, 2026
Full Review
The Librarians (2025)
94%
4/5
EDIT
“Addressing the important issue of book banning, this open-handed, honest documentary can't help but get our blood boiling. ” –
Shadows on the Wall
Mar 3, 2026
Full Review
Scream 7 (2026)
31%
2/5
EDIT
“It's neither scary nor funny, and meta-jokes are limited to few passing comments about the final scream queen standing.” –
Shadows on the Wall
Mar 3, 2026
Full Review
If I Had Legs I'd Kick You (2025)
92%
4/5
EDIT
“Rose Byrne delivers a tour de force performance that radiates intelligence, strength and determination, even as she reaches the end of her rope.” –
Shadows on the Wall
Feb 18, 2026
Full Review
Scare Out (2026)
3/5
EDIT
“The tone is tense and intriguing, while the personal drama is more involving than the spycraft, even though it drifts occasionally into melodrama.” –
Shadows on the Wall
Feb 18, 2026
Full Review
All You Need Is Kill (2025)
83%
5/5
EDIT
“Filmmaker Kenichiro Akimoto has created an unusually immersive film that quickly gets under the skin, and the riveting storytelling puts us right in the middle of the action.” –
Shadows on the Wall
Feb 18, 2026
Full Review
Wasteman (2025)
100%
4/5
EDIT
“The premise may feel standard, but director Cal McMau's unusually earthy tone balances the harsh attitudes and brutal violence with honest emotions.” –
Shadows on the Wall
Feb 18, 2026
Full Review
Good Luck, Have Fun, Don't Die (2025)
82%
3/5
EDIT
“Director Gore Verbinski gives the film a driving pace while allowing the actors to find vivid character details in a series of Black Mirror-style sideroads.” –
Shadows on the Wall
Feb 18, 2026
Full Review
Whistle (2025)
63%
3/5
EDIT
“Director Corin Hardy and writer Owen Egerton have fun with the scary stuff, especially as they play up the grisliness.” –
Shadows on the Wall
Feb 18, 2026
Full Review
Eli Roth Presents: Jimmy and Stiggs (2024)
64%
3/5
EDIT
“Even if it's relentlessly corny, the scrappy attitude and colour-drenched imagery build real tension.” –
Shadows on the Wall
Feb 18, 2026
Full Review
Crime 101 (2026)
88%
4/5
EDIT
“Slickly shot and edited, this thriller twists multiple strands to build tension as a climactic heist approaches.” –
Shadows on the Wall
Feb 14, 2026
Full Review
Cold Storage (2026)
79%
4/5
EDIT
“With a blackly comical sensibility, this outbreak thriller is livened up by its wide range of conflicted characters, snappy dialog and outrageous freak-out situations. ” –
Shadows on the Wall
Feb 11, 2026
Full Review
GOAT (2026)
84%
4/5
EDIT
“With extraordinary painterly artistry and a witty script, this animated romp makes the most of a goofy premise, fully engaging the imagination while packing scenes with funny, knowing details. ” –
Shadows on the Wall
Feb 11, 2026
Full Review
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