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La Nación (Argentina)

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Rating Title | Year Author Quote
3/5
Peaky Blinders: The Immortal Man (2026) Paula Vázquez Prieto After six successful seasons, Peaky Blinders needed more than just a good story. It needed mystique and anticipation, a cast of familiar faces, and a few new names to add a touch of distinction. [Full review in Spanish]
Posted Mar 20, 2026Edit critic review
3/5
Ready or Not 2: Here I Come (2026) María Fernanda Mugica The scenes are both shocking and funny; the filmmakers aimed for a horror-comedy tone and they succeeded. What's missed is the simplicity of the first film, in which the situation was established and the hunt began. [Full review in Spanish]
Posted Mar 19, 2026Edit critic review
2/5
Turbulence (2025) Guillermo Courau The first and most obvious [issue with the film] is the complete lack of development of the dramatic triangle it sketches as its central axis. [Full review in Spanish]
Posted Mar 19, 2026Edit critic review
4/5
La Grazia (2025) Alejandro Lingenti It is largely thanks to the talent and sensitivity of [Toni Servillo] that we can feel a great connection with a character who essentially seeks to illuminate that which, presumably, gives value to existence. [Full review in Spanish]
Posted Mar 19, 2026Edit critic review
4/5
Project Hail Mary (2026) Paula Vázquez Prieto ...Miller and Lord manage to strike the perfect tone for their film as the story unfolds and they develop a buddy movie with a galactic flair. [Full review in Spanish]
Posted Mar 19, 2026Edit critic review
3/5
The Tasters (2025) Alejandro Lingenti It is this atmosphere, thick with anguish and terror, that is the focus of The Tasters. [Full review in Spanish]
Posted Mar 17, 2026Edit critic review
3/5
The Testament of Ann Lee (2025) Guillermo Courau The Testament of Ann Lee is a film that looks at itself with fascination, but at times seems more concerned with the boldness of its narrative proposal than with giving dramatic substance to the conflicts it raises. [Full review in Spanish]
Posted Mar 12, 2026Edit critic review
3/5
Reminders of Him (2026) María Fernanda Mugica The story unfolds in a somewhat simplistic way, but it possesses an honesty lent by the performances, especially that of Maika Monroe, who carries a complex character. [Full review in Spanish]
Posted Mar 12, 2026Edit critic review
4/5
Calle Málaga (2025) Pablo De Vita It's a skillful reflection on maturity that, although predictable in the resolution of its many conflicts, proves to be an enjoyable experience that...grows more memorable as the days pass. [Full review in Spanish]
Posted Mar 06, 2026Edit critic review
3/5
The Shadow's Edge (2025) Guillermo Courau The Shadow's Edge falls into the trap of trying to be a serious thriller while simultaneously exploiting the "Jackie Chan DNA," which has nothing to do with it. [Full review in Spanish]
Posted Mar 06, 2026Edit critic review
2/5
THE BRIDE! (2026) María Fernanda Mugica Beyond the preference for the grand, full-throttle style Gyllenhaal opts for...there is still a jumble of elements that never quite come together into a solid whole. [Full review in Spanish]
Posted Mar 06, 2026Edit critic review
4/5
Hoppers (2026) Marcelo Stiletano ...director Daniel Chong...makes Hoppers a genuinely enjoyable adventure, much more fun than didactic. [Full review in Spanish]
Posted Mar 06, 2026Edit critic review
3/5
Dead of Winter (2025) Hernán Ferreirós Despite [the film's] narrative drawbacks, it is ultimately Emma Thompson's excellence —and that of her antagonist, Judy Greer—that tips the scales in favor of this film. [Full review in Spanish]
Posted Mar 06, 2026Edit critic review
4/5
Landmarks (2025) Paula Vázquez Prieto [Landmarks] is a chronicle of the present and past of the Chuschagasta community through the voices of its protagonists, the beauty of the place and the memory of its inhabitants, and those struggles that deserve to be told. [Full review in Spanish]
Posted Mar 06, 2026Edit critic review
2/5
Playa de Lobos (2025) Alejandro Lingenti The film relies almost entirely on that tedious, low-flying conflict, in which Francella falls back on the persona of the perverse character shielded by a mask of apparent cordiality...[Full review in Spanish]
Posted Mar 03, 2026Edit critic review
5/5
The Secret Agent (2025) María Fernanda Mugica Mendonça Filho, who was a film critic, takes what he observed from theory to practice, making The Secret Agent a film that celebrates the influence of 70s cinema...to tell a story from that time, but in a postmodern way. [Full review in Spanish]
Posted Feb 26, 2026Edit critic review
3/5
Scream 7 (2026) María Fernanda Mugica In a way, everything points to Sidney returning to her starring role, proving that she still has what it takes to be a final girl and that what happens in the Scream universe revolves around her. [Full review in Spanish]
Posted Feb 26, 2026Edit critic review
4/5
Little Amélie or the Character of Rain (2025) Marcelo Stiletano Delicate, poetic, and sensitive even in its most painful moments, Little Amélie or the Character of Rain has the rare virtue of observing life from a perspective that immediately touches the hearts of children and adults alike. [Full review in Spanish]
Posted Feb 26, 2026Edit critic review
3/5
The History of Sound (2025) Hernán Ferreirós For better or worse, this is a film made against the grain of current cinema. [Full review in Spanish]
Posted Feb 19, 2026Edit critic review
3/5
Strangers in the Park (2026) Natalia Trzenko On more than one occasion during the film’s nearly two-hour runtime, the sensitive viewer will be captivated by Brandoni’s enormous talent and the perfect partnership he forged with Blanco...[Full review in Spanish]
Posted Feb 19, 2026Edit critic review
4/5
Is This Thing On? (2025) Marcelo Stiletano Arnett displays a remarkable comedic timing and a naturalness in portraying everyday situations so rare these days that it's still hard to understand why his name wasn't considered during this awards season. [Full review in Spanish]
Posted Feb 19, 2026Edit critic review
4/5
Love (2024) Alejandro Lingenti Haugerud paints a colorful picture of human relationships, in line with a present in which the heteronormative model is just one option among many. [Full review in Spanish]
Posted Feb 19, 2026Edit critic review
2/5
Keeper (2025) Paula Vázquez Prieto Here, the achieved atmosphere—magnified by Erdö Van Breemen's unsettling soundtrack—isn't enough to give substance to a story that doesn't deviate from its predictability...[Full review in Spanish]
Posted Feb 19, 2026Edit critic review
4/5
Romería (2025) Alejandro Lingenti Romería is, ultimately, a lucid and moving act of redress. The film doesn't try to close a wound, but rather to examine it in depth. That is its purpose: to analyze, to understand, to construct a voice. [Full review in Spanish]
Posted Feb 12, 2026Edit critic review
3/5
GOAT (2026) Leonardo D'Esposito Aside from [the dubbing], Goat works well, even when it suffers from some plot holes or rushed character development. [Full review in Spanish]
Posted Feb 12, 2026Edit critic review
3/5
Crime 101 (2026) Marcelo Stiletano ...Crime 101 comes out well from the challenge it set itself: to explore complex and attractive (especially on the side of Berry, Ruffalo and Hemsworth) life stories set in the world of the classic thriller...[Full review in Spanish]
Posted Feb 12, 2026Edit critic review
3/5
Wuthering Heights (2026) Paula Vázquez Prieto Fennell's vision [of Wuthering Heights] is more mischievous than audacious...but it sustains each of its decisions, right or wrong, with more conviction than skill. [Full review in Spanish]
Posted Feb 12, 2026Edit critic review
5/5
Ella McCay (2025) Martín Fernández Cruz Brooks is able to portray with enviable skill women who drive the action and demand the viewer's full attention, suspending for a moment the rules of the real world to submit to the commands of this new cinematic world. [Full review in Spanish]
Posted Feb 09, 2026Edit critic review
3/5
The Damned (2024) Paula Vázquez Prieto The strategy of The Damned is fairly predictable, but working in its favor is an aesthetic that forgoes cheap shock in favor of a steadily mounting sense of unease, one that takes Eva's mind as its point of entry. [Full review in Spanish]
Posted Feb 08, 2026Edit critic review
3/5
The Toxic Avenger (2023) Guillermo Courau The critique of corporate capitalism, clear in its initial premise, dilutes as the story progresses. It's a film that prioritizes shock value over developing a coherent idea. [Full review in Spanish]
Posted Feb 08, 2026Edit critic review
3/5
Greenland 2: Migration (2026) Marcelo Stiletano More compact than the original film...this sequel ultimately fulfills its primary objective: to depict, in a fairly credible way, what our planet might look like after the devastating passage of destructive elements from the sky. [Full review in Spanish]
Posted Feb 08, 2026Edit critic review
4/5
Hamnet (2025) Paula Vázquez Prieto ...Zhao emphasizes the origin of Hamlet's tragedy as a secret, deeply human experience, one that's hard to translate into the right words, whose only intimate form of expiation lies in the art it reveals. [Full review in Spanish]
Posted Feb 08, 2026Edit critic review
4/5
Arco (2025) Alejandro Lingenti ...it is a visually stunning, conceptually ambitious work with high emotional voltage. [Full review in Spanish]
Posted Feb 07, 2026Edit critic review
3/5
The Big Fake (2026) Alejandro Lingenti ...Castellitto, in a fine performance, portrays [Antonio Chichiarelli] with tact and flexibility, embodying his ambiguities. He is a magnetic character, but also profoundly empty. [Full review in Spanish]
Posted Feb 04, 2026Edit critic review
2/5
Cold Storage (2026) Guillermo Courau Cold Storage was merely intended as entertainment, but it doesn't even fully achieve that. [Full review in Spanish]
Posted Jan 29, 2026Edit critic review
3/5
The Musicians (2025) Pablo De Vita The Musicians is a formulaic film, one whose ingredients can be traced and, therefore, determine the final result without much effort. [Full review in Spanish]
Posted Jan 29, 2026Edit critic review
3/5
Sirāt (2025) Paula Vázquez Prieto ...Laxe opts for a more extreme approach: stretching conventional narrative structure to its limits—even challenging the expectations of his audience—to the point of flirting with a contemplative, almost musical, style of cinema. [Full review in Spanish]
Posted Jan 29, 2026Edit critic review
3/5
Young Hearts (2024) Alejandro Lingenti [The film's] uniqueness, however, lies in the subtlety with which it warns of how a neutral situation can become just as harmful as a decidedly hostile one. [Full review in Spanish]
Posted Jan 29, 2026Edit critic review
4/5
Send Help (2026) Natalia Trzenko ...[Sam Raimi's] particular vision...transforms Send Help into a distorted, funny and surprising story that never lets up. [Full review in Spanish]
Posted Jan 29, 2026Edit critic review
3/5
The Whisper (2025) Guillermo Courau ...the ambitious premise behind The Whisper reveals itself as a work with a solid atmosphere, engaging suspense, and an enjoyable result. [Full review in Spanish]
Posted Jan 23, 2026Edit critic review
2/5
Mercy (2026) Paula Vázquez Prieto The structural problem with Mercy is that it doesn't aspire to be anything more than an illustration of contemporary dilemmas regarding artificial intelligence. [Full review in Spanish]
Posted Jan 22, 2026Edit critic review
3/5
Damned If You Do, Damned If You Don't (2025) Alejandro Lingenti Ultimately, this is a film that deals with well-worn cinematic themes—love, old age, second chances—with naiveté, devoid of any cynicism. [Full review in Spanish]
Posted Jan 22, 2026Edit critic review
4/5
The Rip (2026) Martín Fernández Cruz ...a truly remarkable film that, among its many strengths, also stands as further proof of the on-screen chemistry between Matt Damon and Ben Affleck. [Full review in Spanish]
Posted Jan 16, 2026Edit critic review
3/5
Papá x Dos (2025) María Fernanda Mugica The mission of the film...is primarily to entertain and, to the extent possible, to move viewers. It has no greater ambitions, and that ultimately becomes its strength, as it only achieves its goals sporadically. [Full review in Spanish]
Posted Jan 16, 2026Edit critic review
2/5
Verano Trippin (2025) Guillermo Courau Perhaps its greatest flaw is prioritizing form over content, neglecting the conceptual solidity that a story of this kind requires. [Full review in Spanish]
Posted Jan 16, 2026Edit critic review
3/5
The Virgin of the Quarry Lake (2025) Guillermo Courau Intentionally, The Virgin of Quarry Lake doesn't fit neatly into either the drama or classic horror genres, even though it draws heavily from both. [Full review in Spanish]
Posted Jan 15, 2026Edit critic review
4/5
Marty Supreme (2025) Paula Vázquez Prieto Chalamet's performance is monumental, imbuing his character with both charisma and infamy in a constant, precarious balance. [Full review in Spanish]
Posted Jan 15, 2026Edit critic review
4/5
No Other Choice (2025) Alejandro Lingenti The framing, camera movements, and editing in No Other Choice work in complete harmony with the operatic ambitions of a film that always reflects feverish dreams...[Full review in Spanish]
Posted Jan 15, 2026Edit critic review
3/5
28 Years Later: The Bone Temple (2026) Marcelo Stiletano Temple of Bones is a distant and considerably alien letup from the original spirit of the 28 Days Later saga, created primarily as a pure and unadulterated horror story, complete with scenes of extreme blood, cruelty, and sadism. [Full review in Spanish]
Posted Jan 15, 2026Edit critic review
4/5
Evil Influencer: The Jodi Hildebrandt Story (2025) Alejandro Lingenti ...the documentary goes beyond exposing a morbid case and warns about the risks of romanticizing sacrificial motherhood...and the unquestionable authority given to “therapeutic” figures. [Full review in Spanish]
Posted Jan 12, 2026Edit critic review
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