|
65/100
|
Avatar: The Way of Water
(2022)
|
Hugo Hernández Valdivia
|
A lot of audiovisual marvels offer a sensible mark upon a film that does not reach greater depths. [Full review in Spanish]
Posted Mar 09, 2023
|
|
75/100
|
Everything Everywhere All at Once
(2022)
|
Hugo Hernández Valdivia
|
The Daniels turn in a joyous film, a party so demanding as it is exhilarating. [Full review in Spanish]
Posted Mar 07, 2023
|
|
75/100
|
Women Talking
(2022)
|
Hugo Hernández Valdivia
|
In the end, between pain and anger, it is valuable to have a broad and far-reaching gaze. [Full review in Spanish]
Posted Mar 06, 2023
|
|
75/100
|
All Quiet on the Western Front
(2022)
|
Hugo Hernández Valdivia
|
Its uniqueness is, in essence, the lack of uniqueness. We accompany typical young people, with desires and ambitions, who have a lethal collision with the world of adults. [Full review in Spanish]
Posted Mar 02, 2023
|
|
100/100
|
Tár
(2022)
|
Hugo Hernández Valdivia
|
Tár is a colorful rare bird in a monochromatic, conformist and uniform zoo. [Full review in Spanish]
Posted Feb 24, 2023
|
|
90/100
|
The Banshees of Inisherin
(2022)
|
Hugo Hernández Valdivia
|
The film has its charm because the director imprints valuable doses of humor. [Full review in Spanish]
Posted Feb 17, 2023
|
|
90/100
|
The Whale
(2022)
|
Hugo Hernández Valdivia
|
Aronofsky builds a thorough melodrama. [Full review in Spanish]
Posted Feb 10, 2023
|
|
85/100
|
The Fabelmans
(2022)
|
Hugo Hernández Valdivia
|
In addition to giving credibility to the different times and places in which the action takes place, it gives an account of the economic vicissitudes and the emotional ups and downs of the family; [Full review in Spanish]
Posted Feb 07, 2023
|
|
50/100
|
Un Retrato de Familia
(2022)
|
Hugo Hernández Valdivia
|
The story flows with the lightness of a light comedy. [Full review in Spanish]
Posted Jan 20, 2023
|
|
85/100
|
Babylon
(2022)
|
Hugo Hernández Valdivia
|
Babylon is an excessive, impudent, visceral film; it is an extraordinary movie. Like any good declaration of love. [Full review in Spanish]
Posted Jan 20, 2023
|
|
70/100
|
Bardo, False Chronicle of a Handful of Truths
(2022)
|
Hugo Hernández Valdivia
|
Iñárritu offers a visually impressive film. [Full review in Spanish]
Posted Jan 09, 2023
|
|
|
Guillermo del Toro's Pinocchio
(2022)
|
Hugo Hernández Valdivia
|
Pinocchio is a fascinating film that offers substance for audiences of all ages. [Full review in Spanish]
Posted Dec 19, 2022
|
|
50/50
|
Prey for the Devil
(2022)
|
Hugo Hernández Valdivia
|
If terror is often measured by the scares it causes, I suppose that in this line the balance is not so negative. [Full review in Spanish]
Posted Oct 31, 2022
|
|
75/100
|
Blonde
(2022)
|
Hugo Hernández Valdivia
|
The film is valuable for reflecting, today, on the dichotomy between person and character. [Full review in Spanish]
Posted Oct 21, 2022
|
|
75/100
|
Apollo 10 1/2: A Space Age Childhood
(2022)
|
Hugo Hernández Valdivia
|
The memory exercise of Apollo 10 1/2: a space childhood reminds us that the wonder is in what is lived, but perhaps even more in how it is lived and… in how it is remembered. [Full review in Spanish]
Posted Sep 12, 2022
|
|
|
Nope
(2022)
|
Hugo Hernández Valdivia
|
Peele brings together ingredients of fantasy and terror that are pertinent to initiate reflection on more than one issue. [Full review in Spanish]
Posted Aug 29, 2022
|
|
50/100
|
The Gray Man
(2022)
|
Hugo Hernández Valdivia
|
Little emotion and no substance. [Full review in Spanish]
Posted Aug 01, 2022
|
|
60/100
|
Elvis
(2022)
|
Hugo Hernández Valdivia
|
A film that’s more gimmick than effective, remaining superficial… without a soul. [Full review in Spanish]
Posted Jul 11, 2022
|
|
|
Thor: Love and Thunder
(2022)
|
Hugo Hernández Valdivia
|
An agile film, in which humor has more weight than density, with some salvageable passages. [Full review in Spanish]
Posted Jul 07, 2022
|
|
40/100
|
Lightyear
(2022)
|
Hugo Hernández Valdivia
|
The result is an adventure comedy…without grace or emotion. [Full review in Spanish]
Posted Jul 05, 2022
|
|
70/100
|
The Black Phone
(2021)
|
Hugo Hernández Valdivia
|
The film exceeds mediocrity, but the story made it overall a good short film. [Full review in Spanish]
Posted Jun 24, 2022
|
|
75/100
|
La Civil
(2021)
|
Hugo Hernández Valdivia
|
The possibilities of taking justice into one's own hands not only carry enormous risk, but also inevitably involve blood spattering.
[Full review in Spanish]
Posted Jun 03, 2022
|
|
40/100
|
The Mystery of Marilyn Monroe: The Unheard Tapes
(2022)
|
Hugo Hernández Valdivia
|
A podcast would have been, perhaps, a more consistent idea.
[Full review in Spanish]
Posted May 27, 2022
|
|
|
Doctor Strange in the Multiverse of Madness
(2022)
|
Hugo Hernández Valdivia
|
Posted May 26, 2022
|
|
85/100
|
Belfast
(2021)
|
Hugo Hernández Valdivia
|
Branagh constructs a child's perspective brilliantly.
[Full review in Spanish]
Posted May 12, 2022
|
|
85/100
|
Licorice Pizza
(2021)
|
Hugo Hernández Valdivia
|
Recognizes the value of being young, and the value of loving to be young.
[Full review in Spanish]
Posted May 12, 2022
|
|
90/100
|
The Tragedy of Macbeth
(2021)
|
Hugo Hernández Valdivia
|
Shapes the exploration of the vicissitudes of ambition that takes shape in cruelty: the sweet taste of power, which is ephemeral, and the bitterness of accessing it through crime.
Posted May 12, 2022
|
|
85/100
|
The Hand of God
(2021)
|
Hugo Hernández Valdivia
|
A marvelous result…nostalgic, and luminous.
[Full review in Spanish]
Posted May 12, 2022
|
|
65/100
|
The Power of the Dog
(2021)
|
Hugo Hernández Valdivia
|
A gentle rhythm that advances by presenting the characters traits, and the situations they experience with a certain parsimony and remarkable subtlety.
[Full review in Spanish]
Posted May 12, 2022
|
|
85/100
|
Nightmare Alley
(2021)
|
Hugo Hernández Valdivia
|
A tragedy of biblical proportions.
[Full review in Spanish]
Posted May 12, 2022
|
|
65/100
|
The Lost Daughter
(2021)
|
Hugo Hernández Valdivia
|
Provokes indifference rather than intrigue.
[Full review in Spanish]
Posted May 12, 2022
|
|
85/100
|
Benedetta
(2021)
|
Hugo Hernández Valdivia
|
Many formal and hormonal wonders…unite sexuality and power.
[Full review in Spanish]
Posted May 12, 2022
|
|
75/100
|
Rifkin's Festival
(2020)
|
Hugo Hernández Valdivia
|
Allen once again displays a warm and solvent style.
[Full review in Spanish]
Posted May 12, 2022
|
|
100
|
Drive My Car
(2021)
|
Hugo Hernández Valdivia
|
Hamaguchi presents a film of amazing beauty that, with exquisite slowness, gains in detail and depth: in the style, yes, of Murakami, to make an automatic simile. [Full review in Spanish]
Posted May 10, 2022
|
|
5/10
|
Don't Look Up
(2021)
|
Hugo Hernández Valdivia
|
The result is demonstrative and with little appeal. [Full review in Spanish]
Posted Jan 12, 2022
|
|
|
Another Round
(2020)
|
Hugo Hernández Valdivia
|
Another Round invites us to criticize and self-criticism. Which is no small thing in a world of irresponsible critics. [Full review in Spanish]
Posted Dec 14, 2021
|
|
6.5/10
|
King Richard
(2021)
|
Hugo Hernández Valdivia
|
[Reinaldo Marcus] Green brings appreciable doses of humor to his work. [Full review in Spanish]
Posted Dec 07, 2021
|
|
6.5/10
|
Dune
(2021)
|
Hugo Hernández Valdivia
|
[Dune delivers] visually... and less well in terms of sound. [Full review in Spanish]
Posted Nov 19, 2021
|
|
7.5/10
|
The Man Who Killed Don Quixote
(2018)
|
Hugo Hernández Valdivia
|
True to form, Gilliam starts the frenzy early and delivers delirious passages. [Full review in Spanish]
Posted Nov 18, 2021
|
|
7.5/10
|
Los Lobos
(2019)
|
Hugo Hernández Valdivia
|
Good for Kishi Leopo. We're already awaiting his third [film]. [Full review in Spanish]
Posted Nov 04, 2021
|
|
6/10
|
Old
(2021)
|
Hugo Hernández Valdivia
|
Performances tend to be emphatic, sometimes too much so. [Full review in Spanish]
Posted Nov 04, 2021
|
|
6.5/10
|
Private Network: Who Killed Manuel Buendía?
(2021)
|
Hugo Hernández Valdivia
|
In the end, [filmmaker Manuel] Alcalá offers an agile and well-documented chronicle, but its approach and scope are superficial and insufficient. [Full review in Spanish]
Posted Nov 04, 2021
|
|
4/10
|
My Octopus Teacher
(2020)
|
Hugo Hernández Valdivia
|
Sentimental and maudlin. [Full review in Spanish]
Posted Nov 04, 2021
|
|
8/10
|
No Time to Die
(2021)
|
Hugo Hernández Valdivia
|
Fukunaga confirmes his ability to handle different genres with solvency. [Full review in Spanish]
Posted Nov 04, 2021
|
|
8.5/10
|
Memories of My Father
(2020)
|
Hugo Hernández Valdivia
|
Be sure to have tissues on hand, you'll need them. [Full review in Spanish]
Posted Nov 04, 2021
|
|
3/10
|
Space Jam: A New Legacy
(2021)
|
Hugo Hernández Valdivia
|
It's too much. [Full Review in Spanish]
Posted Oct 29, 2021
|
|
6.5/10
|
Identifying Features
(2020)
|
Hugo Hernández Valdivia
|
More informative than emotional. [Full Review in Spanish]
Posted Oct 29, 2021
|
|
|
The Forever Purge
(2021)
|
Hugo Hernández Valdivia
|
It's a shame the substance dissolves into long passages of bland action and stream of generic blood splatters. [Full Review in Spanish]
Posted Oct 29, 2021
|
|
8/10
|
The Disciple
(2020)
|
Hugo Hernández Valdivia
|
The stylistic subtlety adds depth fo the film. [Full Review in Spanish]
Posted Oct 29, 2021
|
|
8/10
|
Cry Macho
(2021)
|
Hugo Hernández Valdivia
|
Classic Eastwood. [Full Review in Spanish]
Posted Oct 29, 2021
|
