The LEGO Movie 2: The Second Part
The Walking Dead
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (14)
| Top Critics (5)
| Fresh (14)
| Rotten (0)
| DVD (1)
The women's roles lack dimension and the bittersweet depth Renoir's later films explored so memorably. Visually, though, this one's gorgeous and extremely fluid.
Very cleverly made and beautifully acted.
Wonderfully moving, with great performances.
All of the performances are close to flawless, but it's Renoir's unseen presense one remembtrs most vividly.
Jean Renoir's first sound feature (1931) and one of his best.
the first film to fully embody the naturalistic style and complex social themes that would come to be associated with Renoir's best work
Any discussion of the film's actual story can only be a discussion of how life imitates art. This is a bit of a pity, because 'La Chienne' is actually a tragic, appealingly melodramatic tale of deep humanity.
The three leads gave superb performances.
An often-overlooked highlight of Renoir's momentous career that was well worth the 44-year wait.
It's not a major piece of work, but the acting and direction ensure that it's watchable.
Even with this pulp material, Renoir manages moments of great beauty and humanity.
One of those great over-looked films.
this is renoir's slightly more humanist take on the same material fritz lang used for 'scarlet street'. he wasn't hampered by the production code so the mistress here is an actual streetwalker in love with her pimp who treats her miserably. michel simon is top notch in the role later played by edward g robinson and i can't pick my favorite between these two. an interesting sidenote: michel simon falls for janie marèse, as he did in real life, while marèse fell for georges flamant, a professional criminal and amateur actor, who plays the pimp. renoir and the producers had encouraged their relationship for the sake of their performances. after the film's completion, flamant took marèse for a drive, crashing the car and killing her. simon fainted at the funeral and blamed renoir for her death, threatening to shoot him. "kill me if you like", responded renoir, "but I have made the film"
a jean renoir socialistic satire upon the petite bourgeoise..the storyline goes with an elder timid accountant who leads a pathetic life overruled by his critically dispiteful wife, he gets infatuated with a streetwalker one day then fends her as his kept mistress. unfortunately this whore is a miserable slave to her sadistic flanerie pimp, and these two discover the artistic painting talent of this dull acountant, thereafter merchandising his art as their fodder of luxurious living under her name. randomly the accountant murders the prostitue in a rage of passion, but the pimp gets executed for this crime instead. eventually the accountant becomes a shady vagabond on street.
rarely known to most, edward g. robinson's "scarlet street" is fritz lang's adaption from renoir's french original "the bitch"....lang's approach centers more on the psychological interactive drama between these three. lang softens it by transforming the prostitute as a showgirl, the pimp as just an amateur womanizer, the sucker as an ingenuine who longs to live vigorously...lang emphasizes more on the mental trauma of guilt from the main character, thus it's interpretated as the personal tragedy of a romantic steer.
as for renoir's "the bitch", it's social criticism: the pimp stands for the nouveau riche who lies upon the resources of the ghetto(the prostitute) to make his rising fortune by exploiting the bourgeois(the accountant), even including his soothing inspiration of art...the pimp drives his cadillac to extort money from the whore, parking his flashy roadster in the crowd of common people that hinders their daily function, coincidentally he arrives in the bad timing to be the scapegoat of the crime he hasn't committed....it's renoir's severe condemnation on the amoral nouveau riche. after the bourgeois' fund has been drained up, he wanders in the street as ragged bum, cadging small cashes from the merchandizer who purchases the last portrait of himself(his own work) in the antic shop.
Renoir did this noir before the movement began
There are no approved quotes yet for this movie.