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Critics Consensus: Amy Adams is as appealing as ever, but her charms aren't enough to keep Leap Year from succumbing to an overabundance of clichés and an unfunny script.
Critic Consensus: Amy Adams is as appealing as ever, but her charms aren't enough to keep Leap Year from succumbing to an overabundance of clichés and an unfunny script.
All Critics (133) | Top Critics (33) | Fresh (30) | Rotten (103) | DVD (3)
While thereâ(TM)s some chemistry between the pair, itâ(TM)s not enough to compensate for their paper-thin characters, never mind all the crosseyed Guinness-swilling extras.
The only "leap" I felt like making was off a motorway gantry into the fast lane of the M25.
In Hollywood, it's all about the concept, and some studio executive must have thought it would be fun to watch Adams slogging around in the Irish mud. Unfortunately, there's no accounting for taste.
Leap Year is a sweet little movie, although so by the books that it doesn't exactly distinguish itself
Leap Year may be the least funny Hollywood comedy to take advantage of Irish tax credits since The Honeymooners.
The most charming of actors can be left flailing in the face of a feeble script and direction.
This film is really a winner. The dialogue is clever, the acting is great, and, well, if you're looking for romance, look no further.
Leap Year may be too narrow a scenario to sustain the allegories of cultural bondage Rowe is aiming for. There's no denying, however, his eye for the bold and subtle body language of his main actress, and for evocative visuals
The bright spot in this boggy botched mess is Amy Adams, a fine and always interesting actress who sparkles and shines here despite the stilted storyline, preposterous improbabilities and an artificially sweetened storybook ending.
...a familiar yet watchable piece of work...
...generic romantic comedy about a beautiful young woman (Amy Adams, experiencing a career low) who plans to land her commitment-shy boyfriend by flying to Ireland and surprising him by proposing on Feb. 29
Scribes Deborah Kaplan and Harry Elfont rely heavily on the dramatic Irish landscape - and it is dramatic - to make up for the lack of drama in their script.
Standard rom-com. Watchable.
Super Reviewer
Good rom-com with Amy Adams and Matthew Goode that brings some laughs for there are pratfalls and other silliness. Adams really has wonderful physical comedic skills but still allows her charm to come across and make me smile. While the movie gets a little clumsy, nothing is bad enough to keep me from appreciating her. Her chemistry with Goode played well. He was fun to watch as the Irish guy who lives a casual life with no expectations and no concern for others. The Irish countryside is spectacular. The story is a variation on an old theme, but it is retold in movies because it is a good one.
Romance comedies have been bad for years, the record stands even stronger with this. Amy Adams needs to stick with movies like The Fighter, and he just needs to get in more movies PERIOD! A boring and predictable movie but I did respect the beautiful settings in Ireland, but then we get dumped back with a cliche and dumb ending where nobody even wants to stay in the theatre anymore.
A great romantic comedy!
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