Pirate Radio (The Boat That Rocked)


Pirate Radio (The Boat That Rocked)

Critics Consensus

The good cast and rollicking soundtrack eventually drown when this comic homage to pirate radio loses its quippy steam.



Reviews Counted: 162

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Audience Score

User Ratings: 267,078


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Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0


Average Rating: 3.1/5

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Movie Info

In mid- to late-'60s Britain, an unusual yet colorful subculture sprang up and thrived as a product of the upswing in British pop music, only to meet its doom within a few short years. Though the BBC functioned as the country's main source of news and music, its programmers offered very little airtime to rock & roll -- which left an overwhelming need unfulfilled. In response, small bands of "pirate" radio enthusiasts set up broadcasting towers on boats just outside of English boundary waters, and transmitted signals to an estimated 25 million listeners, 24 hours a day and seven days per week. Unsurprisingly, the DJs who took charge of these broadcasts could rival just about anyone in terms of flamboyance and outsized personalities. With Pirate Radio (released as The Boat That Rocked in the U.K.), writer-director Richard Curtis (Love Actually) travels back to the Swinging Sixties and takes a headfirst plunge into this colorful realm. The story opens in 1966, aboard a rusty fishing trawler christened Radio Rock and equipped with pirate broadcasting equipment. Here, the slightly daft elitist Quentin (Bill Nighy) presides over a motley crew of joint-toking, sex-hungry disc jockeys including Dave (Nick Frost), a heavyset boob who nevertheless considers himself a hot property with women and loves to chase skirts; "The Count" (Philip Seymour Hoffman), an American DJ who aspires to be the first person to drop an F-bomb over the British airwaves; the gloom-laden Irishman Simon (Chris O'Dowd); bonked-out hipster Thick Kevin (Tom Brooke); womanizer Mark (Tom Wisdom); Angus (Rhys Darby), a New Zealander whom nobody likes; and the only female member of the group, lesbian cook Felicity (Katherine Parkinson). These misfits pull off quite a show -- enough of one that they attain the status of national idols for the youth culture -- but the super-conservative government minister Dormandy (Kenneth Branagh) detests the whole business and will do almost anything in his power to shut them down.

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Bill Nighy
as Quentin
Kenneth Branagh
as Minister Dormandy
January Jones
as Eleonore
Michael Hadley
as Mr. Roberts
Lucy Fleming
as Mrs. Roberts
Tom Brooke
as Thick Kevin
Talulah Riley
as Marianne
Emma Thompson
as Charlotte
Will Adamsdale
as News John
Stephen Moore
as Prime Minister
Bo Poraj
as Fredericks
Amanda Fairbank-Hynes
as Jemima Dormandy
Francesca Longrigg
as Mrs. Dormandy
David Sterne
as Marianne's Captain
Olegar Fedoro
as Rock Boat Captain
Duncan Foster
as Swedish Crewman
Ian Mercer
as Transfer Boatman
William Ilkley
as Commanding Officer
Edward Hancock
as Policeman
Katie Lyons
as Angus' Boat Girl
Kirsty Mather
as John's Boat Girl
Lana Davidson
as Simon's T-Shirt Girl
Tomas Andrisiunas
as Swedish Crewman
Gudmundur Audunsson
as Swedish Crewman
Kris Gummerus
as Swedish Crewman
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Critic Reviews for Pirate Radio (The Boat That Rocked)

All Critics (162) | Top Critics (41)

Audience Reviews for Pirate Radio (The Boat That Rocked)

I kinda see this as a companion piece to the earlier British comedy 'Still Crazy', or they could exist in same universe at least. As for the title I think the US version is much better really, the original UK title is a bit of a mouth full, mind you other Euro versions are quite radical also. In France its called 'Good Morning England' which is quite the rip-off frankly, in Germany its 'Radio Rock Revolution' and in Italy its 'I Love Radio Rock'. So all in all this movie has the most title changes ever it seems...all of which are actually better than the original UK one I think. The quaint little story here is straight forward, back in the 60's rock and pop was frowned upon by the stale old crusty stiff upper lipped British government. A government that is still clearly set in the 50's and wasn't ready or willing to accept the free flowing hippie movement and its drastic changes. During this time pirate radio stations were set up to play tunage that was considered not cricket, but to avoid British law these musical rebels set up shop in the North Sea away from land-set restrictions and out of reach. Although inspired by real pirate radio stations of the time this fictional story sees a group of ragtag DJ's on a rusty old trawler blasting the UK with dangerous rock n roll. At the same time the dastardly Kenneth Branagh and his sidekick are trying their upmost to shut them down. The plot is actually quite similar to 'Still Crazy' with the basic premise of a young man joining a group of older men to go on a wild immature adventure of sorts. In 'Still Crazy' a young man joins the band, here a young man joins the radio crew, both films focusing on all of the characters giving us multiple subplots. As you can imagine all of these little character driven stories revolve around the simple issues of sex, booze, relationships, having a good time and battling against the establishment. Each character has their own little quirk that is pretty predictable and highly cliched in a typically rude crass British kind of way, nothing wrong with that of course, you expect it right from the start but its seen in virtually every British comedy. Apparently you simply cannot make a British comedy without Bill Nighy and here he plays the same type of rigid character yet again. Rhys Ifans plays another slimy creepy generally unlikable character, Nick Frost plays...errr...the fat bloke...again, and then pad out the rest with various familiar faces which most Brits will recognise in some form or another but everyone else won't. The only real breath of fresh air in this cast is Hoffman as the rebellious brash US DJ which gives the film a sense of 'Good Morning Vietnam' vs traditional British toilet humour...at times. The establishment that is trying to ruin everyone's fun is played in its entirety by Kenneth Branagh, a strict headmaster-esque government minister who thinks rock n roll is corrupting young minds. His sidekick played by Jack Davenport is surprisingly not a half wit as you might expect but a clever devious subordinate who digs up legal loopholes. Together these two make a reasonably fun pair of bad guys (not really bad of course) and do offer most of the entertainment character wise. Sure it might have been cliched to make them a bumbling pair of Laurel and Hardy types but maybe that might have worked in the films favour? None the less Branagh plays the sniveling jobsworth suit to a tee with his grovelling to the Prime Minister. Alas they did let everything down by naming Davenport's character Twatt...a totally lame and unfunny gag that seems rather childish, they couldn't think of anything better than that?! By now I'm sure most of you must know what to expect with a comedy like this, all the usual Brit gags visual or otherwise, like I said its the same spiel in all UK comedy flicks (with almost the same cast). Being based on pirate radio of course this means the sexual innuendo gags are through the roof! add to that lots of frat house-like tomfoolery, soppy lovin' and a brief spot of nudity. What can I say, its silly and infantile but its still a good, warm-hearted relaxing flick with a solid soundtrack and a surprisingly semi-emotional finale. Its just not as funny as you'd like it to be.

Phil Hubbs
Phil Hubbs

Super Reviewer

Dispite a screenplay full of flaws, The Boat That Rocked, bring a great soundtrack and comic cast.

Lucas Martins
Lucas Martins

Super Reviewer

Add this too the long list of films that endeavor mightily to capture the soul of rock and roll only to prostitute the admittedly bad old girl shamelessly. Cue the classics of yore, present cast et al "grooving to the beat", and cut to credits. Better to light one up, reheat the lava lamp and put on some Floyd.

Kevin M. Williams
Kevin M. Williams

Super Reviewer

A group of - for lack of a better term - frat boy disc jockeys play rock 'n' roll off the coast of Britain despite the efforts of prissy lawmakers. Richard Curtis, the most estrogen-laden man this side of Angel from Rent, has made a bro-tacular love letter to classic rock. Much like Cameron Crowe's Almost Famous, Pirate Radio stacks classic rock song upon classic rock song in a party of a film. It's a fun ride, and Kenneth Brannagh plays a great villain of the uptight, stick-up-one's-arse variety. The performances are all jovial, and it's clear the actors had a blast making the film. However, I didn't like the ending, saccharine and unbelievable, and the depiction of women. All of the women were masculinized lesbians or fangirls who jump into bed at a wink or a well-placed "how 'bout it then?" The females, without exception, serve as objects of male desire without character arcs of their own. What is more, even after meeting Emma Thompson's character, it's hard to imagine her sending her son to this boat for any type of reformation. Overall, though, I enjoyed the film immensely, caught up as I was in its celebration of music.

Jim Hunter
Jim Hunter

Super Reviewer

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